Kaidi Mao tarapyndan Qin Poster Seriýasy

Kaidi Mao tarapyndan döredilen Qin Poster Seriýasy dizaýny Grafika, Illýustrasiýa we Wizual Aragatnaşyk Dizaýny Bäsleşik Kategoriýasynda 2021 A' Design Award Bürünç Baýragy baýragynyň abraýly ýeňijisidir.

BürünçGrafika· 2021

Qin Poster Seriýasy

dizaýner: Kaidi Mao

Müşderi: Kaidi Mao

Grafika Kategoriýasynda A' Design Award Bürünç Baýragy Ýeňijisi

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Tassyklanan Baýrak Ýeňijisi

#124488 üçin Baýrak Ýagdaýyny Barlaň

A' Design Award-da görüň Metbugat beýannamasy Baýrak nyşany

Reňkler

Dizaýn

Qin Poster Seriýasy hakynda

Qin, hytaý landşaft suratkeşliginiň däbini sanly serişdeleriň üsti bilen täzeden beýan edýän poster seriýasydyr. Qin ady, siňmek ýa-da aralaşmak manysyny berýän hytaý sözünden gelip çykýar, we onuň ýazuw alamaty suw hem-de ýürek nyşanlaryny birleşdirýär. Şekiller ilki suratlar hökmünde başlanýar, soňra Photoshop, Cinema 4D we Procreate ýaly sanly gurallar bilen işlenip taýýarlanylýar. Seriýa iki ölçegde öndürilýär we çap edilen görnüşde ýa-da ekranda, galereýada ýa-da öýde görkezilip bilner. Maksat, tebigat baradaky daosist garaýşy halkara tomaşaçylar üçin beýan etmekdir.

Ykrar etme

A' Design Award Bürünç Baýragy hakynda

Qin Poster Seriýasy A' Design Award Bürünç Baýragynyň ýeňijisidir; bu döredijilik, ussatlyk we ýiti akyl bilen tapawutlanýan tapawutly dizaýnlara berilýän aşa abraýly ykrarnamadyr. Bürünç ýeňijileri dizaýnerleriniň giň tejribesini, hyýalyny we tapawutlylygyny tassyklaýan örän ussat we geň galdyryjy derejede döredijilikli eserlerdir. Qin Poster Seriýasy uly baha berilýän, haýran galynýan we söýülýän, üns çekiji derejede hünärmenlikli we täzelikçi zat bolmagy garaşylýar. A' Design Award Bürünç Baýragyny gazanan bu dizaýn sungatda, ylymda, dizaýnda we tehnologiýada iň oňat tejribeleri öz içine alýar we jikme-jiklige edýän üni bilen ajaýypdyr. Qin Poster Seriýasy zerurlyklary ajaýyp derejede kanagatlandyrýar, isleglere degýär, duýgulary özüne çekýär we gyzyklanmany çekýär.

Dizaýnyň sahna arkasy

Metbugat toplumy

Dizaýner tarapyndan berlen kreditler, topar agzalary we tehniki maglumatlar.

Üýtgeşik Aýratynlyklar: Kaidi Mao's examination of the aesthetic and intellectual tradition of Chinese landscape painting has enabled him to understand the connection between classical Chinese painters and their natural environments. To explore such painting's relationship to nature in a contemporary context, Mao has used today's technology to produce digital images inspired by the traditions of China.
Ölçegler we Gaplama: There are two sizes for this poster series: 24 inches x 36 inches, and 24 inches x 30 inches
Bellikler: Art, poster, Taoism, culture, landscape, painting
Önümçilik Tehnologiýasy: The initial images are from photography, then digitally created using tools like Photoshop, Cinema 4D and Procreate.
Dizaýn Kynçylygy: The biggest challenge of this project is to visually communicate this East Asian worldview to international viewer, especially under the current political environment.
Gözleg: This project is a pictorial reinterpretation of Chinese painters' use of nature to communicate the Taoist notion that the whole planet is permeated by invisible Tao, "the Way of the cosmos, which is evident in nature." Mao has titled this project Qin. Qin, comes from the Chinese word, which means "to permeate", "to seep into". This project allows different cultures, concepts and methods to seep together. The character Qin consists of two parts: the left represents water, and the right represents the heart. Heart can be interpreted as the depth of one's feelings, and when combined with water, expresses something that comes from one's innermost being. Qin explores the aesthetic depth with which Chinese culture responds to, reveres, and honors the natural environment by reexamining pictorial traditions using contemporary digital image production. It also serves as an expression of the connection felt by a producer of such imagery with the underlying concept of Tao that inexpressibly permeates universal being in the Chinese tradition.
Ylham: As a designer from China living in the United States, I have sought to integrate my training in contemporary design with my personal and cultural identity. This has come through an examination of different media and technological approaches. This process has led me to a series of digitally produced design pieces that examine my own Chinese pictorial tradition. These works have also allowed me an alternative approach to understanding The Natural within my practice.
Taslama Dowamlylygy: The project started in September 2019, finished in May 2020 in Los Angeles.
Iş Akymy: These posters/graphic arts can be displayed physically and digitally, in a gallery setting or in a home setting.