Qin Mofuta oa Diphoso tsa Poster ka Kaidi Mao

Moralo oa Qin Mofuta oa Diphoso tsa Poster ka Kaidi Mao ke mohlodi oa khau e hlomphehang haholo ya 2021 Moputso oa Boronse oa A' Design Award Mokhahleong oa Tlhodisano oa Moralo wa Dikerafikhe, Ditshwantsho le Puisano ka Pono.

BoronseKerafikhe· 2021

Qin Mofuta oa Diphoso tsa Poster

ka Kaidi Mao

Moreki: Kaidi Mao

Mohlodi oa Moputso oa Boronse oa A' Design Award Mokhahleong oa Kerafikhe

9,015

Mohlodi oa Khau ea Netefaditsweng

Netefatsa Boemo ba Khau bakeng sa #124488

Sheba ho A' Design Award Tokollo ya Boraditaba Baeche ya Moputso

Mebala

Moralo

Mabapi le Qin Mofuta oa Diphoso tsa Poster

Qin ke letoto la diphoso tse hlalosang bocha moetlo oa ho taka litšoantšo tsa mabotho a naha a Chaena ka mokhoa oa dijithale. Lebitso Qin le tsoa lentsoeng la Sechaena le bolelang ho kena kapa ho phunyeletsa ka har'a ntho, mme letlapa le ngoloang le kopanya matšoao a metsi le pelo. Litšoantšo li qala e le liforo, tsa ntan'o ntlafatsoa ka lisebelisoa tsa dijithale tse kang Photoshop, Cinema 4D le Procreate. Letoto lena le hlahisoa ka boholo bo peli le ka khoneha ho bontšoa e ngoliloe kapa e le skirineng, ka har'a galeri kapa ka lapeng. Morero oa ona ke ho hlahisa pono ea Taoism mabapi le tlhaho ho bareri ba lefatše ka bophara.

Kamohelo

Mabapi le Moputso oa Boronse oa A' Design Award

Qin Mofuta oa Diphoso tsa Poster ke mohapi oa Moputso oa Boronse oa A' Design Award, kananelo e hlomphehang haholo e fuoang meralo e ikhethang e tsejoang ka boqapi, bohlale ba ho qapa le bohlale. Bahapi ba Boronse ke lintho tse nang le bokhoni ka ho felletseng le boqapi bo hlollang tse tiisang boiphihlelo bo bongata, mohopolo le bokhoni ba ho iphumana ba baqapi ba tsona. Qin Mofuta oa Diphoso tsa Poster e lebelletsoe ho ba ntho e hlomphuoang haholo, e ratoang le e ratehang, e nang le boprofeshenale bo bonahalang le mehopolo e mecha. Moralo ona o hapileng Moputso oa Boronse oa A' Design Award o kenyelletsa mekhoa e metle ka ho fetesisa bonong, mahlaleng, moralong le theknolojing mme o hlahella ka ho tsepamisa maikutlo lintlheng tse nyenyane. Qin Mofuta oa Diphoso tsa Poster e kutloisisa litlhoko hantle, e ama litakatso, e hapa maikutlo mme e tsosa takatso ea ho tseba.

Ka Mora Moralo

Sete ya Boraditaba

Litlhaku, ditho tsa sehlopha le lintlha tsa botekgeniki tse fanoeng ke moetsi wa moralo.

Boleng bo Ikhethang: Kaidi Mao's examination of the aesthetic and intellectual tradition of Chinese landscape painting has enabled him to understand the connection between classical Chinese painters and their natural environments. To explore such painting's relationship to nature in a contemporary context, Mao has used today's technology to produce digital images inspired by the traditions of China.
Boholo le Phuthelo: There are two sizes for this poster series: 24 inches x 36 inches, and 24 inches x 30 inches
Lithegi: Art, poster, Taoism, culture, landscape, painting
Theknoloji ya Tlhahiso: The initial images are from photography, then digitally created using tools like Photoshop, Cinema 4D and Procreate.
Phephetso ya Moralo: The biggest challenge of this project is to visually communicate this East Asian worldview to international viewer, especially under the current political environment.
Dipatlisiso: This project is a pictorial reinterpretation of Chinese painters' use of nature to communicate the Taoist notion that the whole planet is permeated by invisible Tao, "the Way of the cosmos, which is evident in nature." Mao has titled this project Qin. Qin, comes from the Chinese word, which means "to permeate", "to seep into". This project allows different cultures, concepts and methods to seep together. The character Qin consists of two parts: the left represents water, and the right represents the heart. Heart can be interpreted as the depth of one's feelings, and when combined with water, expresses something that comes from one's innermost being. Qin explores the aesthetic depth with which Chinese culture responds to, reveres, and honors the natural environment by reexamining pictorial traditions using contemporary digital image production. It also serves as an expression of the connection felt by a producer of such imagery with the underlying concept of Tao that inexpressibly permeates universal being in the Chinese tradition.
Kgothaletso: As a designer from China living in the United States, I have sought to integrate my training in contemporary design with my personal and cultural identity. This has come through an examination of different media and technological approaches. This process has led me to a series of digitally produced design pieces that examine my own Chinese pictorial tradition. These works have also allowed me an alternative approach to understanding The Natural within my practice.
Nako ya Projeke: The project started in September 2019, finished in May 2020 in Los Angeles.
Tsamaiso ya Mosebetsi: These posters/graphic arts can be displayed physically and digitally, in a gallery setting or in a home setting.