Maldivian Fishermen Basa Rekutanga: Vhidhiyo naAishath Naajila

Dhizaini Maldivian Fishermen Basa Rekutanga: Vhidhiyo naAishath Naajila ndiye mukundi anokudzwa zvikuru wemubairo unoremekedza we2026 Mubairo weSirivha we A' Design Award muChikwata cheKukwikwidza cheFirimu, Vhidhiyo neAnimesheni.

SirivhaFirimu· 2026

Maldivian Fishermen Basa Rekutanga: Vhidhiyo

na Aishath Naajila

Mutengi: Two Thousand Isles

Mukundi weMubairo weSirivha we A' Design Award muChikwata cheFirimu

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Nezvekwa Maldivian Fishermen Basa Rekutanga: Vhidhiyo

Bhuku Rakanyorwa: Firimu rinonzi Vabati veHove veMaldives rinoratidza kubata tuna nenzira yechinyakare yebango rimwe nechingwaridza kuMaldives, nzira inochengetedza inowanzo tsanangurwa seropa reupenyu hwenyika yezvitsuwa. Kwezvizvarwa zvakawanda, tuna yave chikafu chakakosha chinotsigira upenyu hwezuva nezuva pamusoro pezvitsuwa. Nekushandisa maitiro ekutaura nyaya nemifananidzo yebhaisikopo uye kugadzira ruzha runonyudza munhu, chirongwa ichi chinobata vabati vehove vane hunyanzvi vachishanda muchimiro chakarongeka pamusoro peDhoni yechinyakare, vachiunza chiitiko ichi panhandare yepasi rose.

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Nezve Mubairo weSirivha we A' Design Award

Mubairo weSirivha we A' Design Award wakahwinwa ne Maldivian Fishermen Basa Rekutanga: Vhidhiyo, rukudzo rwakakwirira zvikuru runopiwa kumadhizaini epamusoro, anonaka uye anofadza. Vakunda veSirivha mabasa anopenya kwazvo uye ane kugadzira kwakasiyana anoratidza unyanzvi, hunyanzvi hwekusikwa nekungwara kwevagadziri vawo. Maldivian Fishermen Basa Rekutanga: Vhidhiyo inotarisirwa kuva basa rinoshamisa, rinotangira vamwe, rine hunyanzvi hunoonekwa uye zvitsva zvakadzika. Dhizaini iyi yakahwina Mubairo weSirivha we A' Design Award chigadzirwa chinoshamisa, chinokudzwa chinobatsira uye chinosundira mberi miganhu yehunyanzvi, sayenzi, dhizaini netekinoroji. Maldivian Fishermen Basa Rekutanga: Vhidhiyo chigadzirwa chinoshuvirwa nevazhinji, chinomutsa zvishuvo, chinouya nemanzwiro akanaka uye chinomutsa kushamisika.

Shure kweDhizaini

Bepa Renhau

Zvikwereti, nhengo dzetiimu nezvimwe zvakadzama zvakapihwa nemudhizaina.

Hunhu Hwakasiyana: This is an independently produced documentary visual project capturing the traditional pole-and-line fishing practice in the Maldives. Created during COVID-19 while in isolation at sea, it combines cinematography, sound design, and immersive storytelling. Its strength lies in its authenticity, produced within real conditions of isolation, offering an intimate, unfiltered portrayal of Maldivian fishermen. The work stands out for its experiential approach, blending heritage, resilience, and cinematic realism.
Kukura & Kupakiwa: Shot aboard a 100-foot pole-and-line fishing dhoni, the project documents Maldivian fishermen working at sea with precise, coordinated movements resembling a disciplined system. Through aerial perspectives, it captures the ocean’s food chain in motion, sharks, skipjack tuna, and fishermen, framing these moments to reflect the deep connection between this traditional practice and the Maldives’ identity and way of life.
Matagi: sustainable, fishing, pole and line, Maldives, tuna, ocean, documentry
Tekinoroji Yekugadzira: Filmed on a Sony A7 III with 35mm, 85mm, and 70–200mm lenses, with aerials via DJI Phantom 4 and underwater footage on a GoPro during freediving, the project was produced independently,covering planning, real-time filming, editing, sound design, and colour grading. An unobtrusive approach allowed fishermen to work naturally, ensuring an authentic, unstaged portrayal without direction.
Changamire yeDhizaini: The project faced logistical constraints, including limited equipment, a single drone battery requiring precise planning, and long waits for unpredictable moments at sea. The first four days saw no catch due to bait shortages, and underwater footage relied solely on a GoPro. Adapting strategically, key moments were captured to form an authentic narrative of the fishermen’s practice and the ocean’s food chain.
Tsvakurudzo: Documentary visual research on sustainable pole-and-line fishing in the Maldives. Field-based observation and immersive filming were conducted over 8 days in March 2020 aboard a local fishing vessel during the COVID-19 period. Data was collected through photography, film, aerial, and underwater footage. Participants included local fishermen. The results highlight ecological balance, resilience, and coordination. The impact emphasizes cultural preservation and awareness of sustainable fishing practices.
Chikurudziro: Inspired by a lifelong curiosity about fishing in the Maldives, the project evolved through Two Thousand Isles, where travel deepened an interest in storytelling and lived experience. While learning freediving, the filmmaker joined an eight-day trip on a local boat, living at sea, waking before dawn and at midnight, eating the catch, and observing the ocean’s food chain in motion.
Nguva yePurojekiti: Filmed over eight days aboard a fishing vessel in March 2020, during the early stages of COVID-19, the project was later completed with full post-production, editing, sound design, and colour grading, independently carried out later that year.
Mafambiro eBasa: Operated on a traditional pole-and-line dhoni, the method relies on coordinated teamwork and timing rather than machinery. Fishermen attract skipjack tuna with live bait, triggering a feeding response where fish are hooked individually. Key moments, bait release, surface frenzy, precise catching, transform ocean activity into a sustainable harvest, reducing bycatch and ensuring quality, rooted in skill, patience, and harmony with marine life.
Mapetenzi: All the copyrights belong to Aishath Naajila, 2023.
Zvikwereti zveMifananidzo: Videography & Photography: Aishath Naajila