Coming of Age Pueata e Ismail Niyaz Mohamed

O le mamanu Coming of Age Pueata e Ismail Niyaz Mohamed o se manumalo maualuga tele o le fa'ailoga mamalu 2020 A' Design Award Uʻamea i le Vaega Tauva Mamanu Pu'eata.

UʻameaPu'eata· 2020

Coming of Age Pueata

na mamanuina e Ismail Niyaz Mohamed

Tagata Fa'atau: Ismail Niyaz Mohamed

Manumalo o le A' Design Award Uʻamea i le Vaega Pu'eata

25,532

Manumalo Fa'ailoga Fa'amaonia

Fa'amaonia le Tulaga o le Fa'ailoga mo #96148

Maua Nei Asiasi i le Saite Va'ai i le A' Design Award Fa'asalalauga Pailesi o le Fa'ailoga

Lanu

Le Mamanu

E Uiga ia Coming of Age Pueata

I Iapani, o le Coming of Age ua faamanatuina pe a luasefulu tausaga tausaga teine ma tama. O se taimi taua pe a latou tuʻua a latou fanau talavou ma avea ma tagata matutua ma aia, tiute ma saʻolotoga. O se mea aloaia i se tasi taimi o le olaga atoa. O teine e masani ia ofuina kimono ma tama kimono poʻo sisifo. O tausaga uma e faʻailogaina ai le sauniga ile Aso Gafua lona lua o Ianuari.

Le Fa'ailogaina

E Uiga i le A' Design Award Uʻamea

O le A' Design Award Uʻamea na manumalo ai Coming of Age Pueata, o se faamaoniga mamalu e tuuina atu i mamanu lelei e faataunuu ai manaʻoga faapolofesa ma pisinisi e faamoemoeina mai galuega ua mamanuina lelei. O ē manumalo i le Uʻamea e faaalia ai le tomai tele, le faapitoa maualuga, le malamalama o tagata poto ma le mafai fatufatuaʻi o ē na faia. E faamoemoeina Coming of Age Pueata e avea ma mea ua matuā vivii, mataʻina ma pelepelea e aogā ma fou. O lenei mamanu na manumalo i le A' Design Award Uʻamea e tuufaatasia ai faiga sili o le pisinisi ma e iai uiga faatekonolosi mafai ua fesoʻotaʻi ma le poto ma le taleni. Ona o lona faatuatuaina, e tatau ai Coming of Age Pueata ona faaaloalogia ma ua mamanuina e tuuina mai ai faaleleiga o le olaga e fesoasoani e faia ai e le lalolagi se nofoaga e sili atu ona lelei.

I Tua o le Mamanu

Pepa Fa'asalalau

Fa'amaoniaga, sui o le 'au ma fa'amatalaga fa'atekinisi na saunia e le tagata mamanu.

Uiga Fa'apitoa: Coming of age day is a ceremony celebrated in Japan when they turn 20 years old, they are officially considered adults in the society and have more rights, responsibilities and liberties. It is a formal event held once in a lifetime which is held on every second Monday of January each year where girls wear Kimono's and boys wear suit and tie or a traditional men's kimono. It is also a spiritual event where many go to a Shrine to pray for health and prosperity.
Fua & Fa'apipi'i: Nikon D4
1/100 sec f2.8
14mm
ISO 160
Fa'ailoga: japan, culture, traditional, kimono, bamboo
Tekonolosi Gaosiga: Nikon D4 DSLR
AF-S NIKKOR 14-24mm F2.8G ED
Lu'itau o le Mamanu: The most difficult part of this project was the crowd of tourists visiting the Bamboo garden. I had to make sure that no one was on the frame. Even then the background had people which had to be removed in the post production stage.
Su'esu'ega: Bamboo has a lot of significance in the Japanese culture relating to human character. Bamboo is hollow inside how a young adult should ideally be when they leave their teens: leaving behind all the negativity of the teen years behind and receive knowledge and wisdom for the growth, and find wisdom in emptiness. The hard body of the bamboo firmly sways with the wind with harmony which is a symbol of humility. It is also a very strong tree which survives in in the harshest climates from extreme winters to hot summers. These characteristics are important in human life.
Fa'aosofia: The photo shoot was taken in a Temple called Hokokuji in Kamakura. I chose this location because of the Bamboo Garden inside the temple.
Bamboo is a very strong plant and it is a symbol of prosperity and it is also a symbol of purity and innocence and good luck in Japanese culture. Bamboo trees are the fastest growing plants in the world and it is important to the culture and tradition of Japan.
Umi o le Poloketi: It was a day project starting and ending on 22 November 2015. The location was Hokokuji Temple, Kamakura, Japan
Fa'agasologa o Galuega: I took a full day to do this shoot as there were many factors involved in this project like Hair and makeup, kimono fitting, traveling etc. One of the biggest challenge was the crowd. I spent a lot of time waiting for the people to pass and to clear the area and had to do post processing to remove unwanted objects from the frame later.
Sui o le 'Au: Ismail Niyaz Mohamed (Photographer)
Ismail Niyaz Mohamed (Art Direction)
Nagisa Sakurai (Hair & Makeup Artist)
Misaki Kawaguchi (Model)
Fa'aaloaloga o Ata: Ismail Niyaz Mohamed (Photographer)