Classic Primary Function: Kesi Tusitusi e Wei Jingye and Wang Ziyu

O le mamanu Classic Primary Function: Kesi Tusitusi e Wei Jingye and Wang Ziyu o se manumalo maualuga tele o le fa'ailoga mamalu 2020 A' Design Award Ario i le Vaega Tauva Mamanu Meafale.

ArioMeafale· 2020

Classic Primary Function: Kesi Tusitusi

na mamanuina e Wei Jingye and Wang Ziyu

Tagata Fa'atau: Lu Xun Academy of Fine Arts

Manumalo o le A' Design Award Ario i le Vaega Meafale

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Manumalo Fa'ailoga Fa'amaonia

Fa'amaonia le Tulaga o le Fa'ailoga mo #80105

Va'ai i le A' Design Award Fa'asalalauga Pailesi o le Fa'ailoga

Lanu

Le Mamanu

E Uiga ia Classic Primary Function: Kesi Tusitusi

Classic o se kesi tusitusi ua mamanuina i se sitaili fou faaSaina. O le mamanu ua faaaogaina ai le tulaga o pito faaea o le laulau i mea faaSaina masani, lea e faaitiitia ai e pito faaea e lua le avanoa e paʻu ai tusi taʻai ma isi mea mai luga o le laulau. O le kesi e faia i le oak mumu, ae o le uamea ua liua e fai ai sootaga i le va o luga o le laulau, le nofoa ma vae. O se fata i lalo e faaopoopo atu ai avanoa e teu ai mea. O vaega uamea e faataʻoto e ala i masini e pulea e komepiuta, ae o vaega piʻo e faaumaea i lima. O luga o le kesi e faaaogaina ai se auala faaSaina masani o le sootaiga o laupapa.

Le Fa'ailogaina

E Uiga i le A' Design Award Ario

O le A' Design Award Ario na manumalo ai Classic Primary Function: Kesi Tusitusi, o se faamaoniga matuā mamalu e tuuina atu i mamanu sili ona lelei, matagofie ma mataʻutia. O ē manumalo i le Ario o galuega susulu tele ma fatufatuaʻi e faaalia ai le poto, le taleni ma le atamai o tagata mamanu. E faamoemoeina Classic Primary Function: Kesi Tusitusi e avea ma galuega matagofie, o se fesuiaiga mo isi, e iloga i le tomai faapolofesa ma mea fou loloto. O lenei mamanu na manumalo i le A' Design Award Ario o se mea e iloga, ua mataʻina e aogā ma tuleia atu tapulaʻa o le faatufugaga, saienisi, mamanu ma tekonolosi. Classic Primary Function: Kesi Tusitusi o se mea e fiafia i ai le toatele, e fafagu ai manaʻoga, aumaia ai lagona lelei ma tupu ai le ofo.

I Tua o le Mamanu

Pepa Fa'asalalau

Fa'amaoniaga, sui o le 'au ma fa'amatalaga fa'atekinisi na saunia e le tagata mamanu.

Uiga Fa'apitoa: In the design of this writing desk, combining the traditional Han dynasty writing desk with the Modern Metal Style, using red oak and the iron art, which not only has the classical charm of China, but also does not lose the modern sense of simplicity and succinctness, applying Chinese style to minimalism, is a bold attempt. With the charm of Chinese style furniture, meanwhile, it meets the needs of the stability of the furniture, traditional curved design adds a touch of dexterity.
Fua & Fa'apipi'i: 1420mm x 780mm x 780mm, 650mm x 450mm x 450mm, The shape of the metal part is realized by using modern NC technology, and the curved part of a metal part is shaped by hand by artisans, and the wooden part is shaped by machine cutting and grinding, the desk top uses the Chinese tradition the door plate type splicing technology, the Manual splicing completes the entire production process of the desk.
Fa'ailoga: Writing desk, Chinese element, Iron art, Red oak, Simplicity
Tekonolosi Gaosiga: The manufacturing process used modern CNC technology, solidworks software design, and CNC milling machine to achieve the form, some special forms are still made by traditional hand, the metal part and the solid wood part both have quite a part made by the artisan own hands, which embodies the spirit of ingenuity, and the importance of traditional craftsmanship. For modern life, it is still a valuable asset, some of the delicate structure still can not be replaced by machines.
Lu'itau o le Mamanu: How to combine the new Chinese elements with the metal elements and the simple wind to show the functional comfort and the rationality of material use is the biggest challenge of this design. The second is the connection problem between the metal and the tabletop and legs as well as the chair face and legs.
Su'esu'ega: In the traditional Chinese style furniture, the QiaoAn image is applied to the whole set of desks and chairs, and this image is used in the design, first, in order to perfectly embody the Chinese style elements in this set of furniture, therefore, I chose this image which can represent Chinese style office furniture. The other is that users can have a good user experience. The furniture is a combination of Red Oak and cast iron design, it is the second innovation to the new Chinese furniture.
Fa'aosofia: The overall design inspiration comes from the traditional Chinese furniture in the QiaoAn image. In ancient times, calligraphy and painting only mounted into a shaft, in order to prevent the painting falling, the initial image of the case, one is practical, the second is aesthetic. Using this image is to let the user have a good user experience while writing and painting to facilitate the placement of items as well as prevent items from falling.
Umi o le Poloketi: The design project began in January 2019 in Shenyang, was completed in June 2019, and was exhibited in the art museum of Shenyang Lu Xun Academy of Fine Arts in June 2019.
Fa'agasologa o Galuega: When you sit on a chair working, the desk and chair in contact with the body having a small inclined surface, so that you do not feel pressured. Painting scroll pile up on the desk, because of its two-end QiaoAn image, will reduce the chance of falling. The lower part of the writing desk has a shelf similar to the lnterlayer, which not only adds utility, but also adds beauty to the product.
Sui o le 'Au: Wei Jingye
Wang Ziyu
Cheng Hong
Zhang Yuxiao
Zhang Wenyang