O le mamanu Move Nofoa e Ariel Sliwinski o se manumalo maualuga tele o le fa'ailoga mamalu 2024 A' Design Award Apamemea i le Vaega Tauva Mamanu Meafale.

ApamemeaMeafale· 2024

Move Nofoa

na mamanuina e Ariel Sliwinski

Tagata Fa'atau: Ariel Śliwiński Studio

Manumalo o le A' Design Award Apamemea i le Vaega Meafale

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Manumalo Fa'ailoga Fa'amaonia

Fa'amaonia le Tulaga o le Fa'ailoga mo #156196

Asiasi i le Saite Va'ai i le A' Design Award Fa'asalalauga Pailesi o le Fa'ailoga

Lanu

Le Mamanu

E Uiga ia Move Nofoa

O Move o se nofoa na mamanuina e fetaui ma foliga tino taʻitasi ma manaʻoga faʻa-ergonomic. E mafai ona suia e le nofoa lona tulimanu faʻasee e pei o se moega pepe, ae o le tuaimau e faʻamalolo i ni vaega e lua e feiloaʻi ai, o lea e mafai ai ona taamilo ma faʻasee le tuaimau. O se masini lagona mamafa (pressure sensor) o loʻo faʻapipiʻiina i totonu o le nofoa e faʻamanatu atu ai i le tagata e faʻaaoga e tu i luga pe a maeʻa se vaitaimi ua faʻatulagaina, e ala i luluina. O le fausaga e faia i le alumini faʻasusu (cast aluminum) faʻatasi ma mea faʻaliliu atoa, ae o le nofoa, tuaimau ma fata lima e faia i le cork ua vaneina i le lima ogatotoa (five-axis milled cork). E mafai ona faʻapipiʻiina e le tagata faʻaaoga le Move ma auina atu i pusa mafolafola, lea e faʻaitiitia ai le faʻaogaina o le carbon.

Le Fa'ailogaina

E Uiga i le A' Design Award Apamemea

O le A' Design Award Apamemea na manumalo ai Move Nofoa, o se faamaoniga matuā mamalu e tuuina atu i mamanu ese e iloga i le fatufatuaʻi, le atamai ma le poto. O ē manumalo i le Apamemea o mea e iai le tomai atoa ma fatufatuaʻi mataʻina e faamaonia ai le poto masani tele, le mafaufau ma le atamai o tagata mamanu. E faamoemoeina Move Nofoa e avea ma mea e vivii tele, ua pelepelea, e iloga i le tomai faapolofesa ma mea fou. O lenei mamanu na manumalo i le A' Design Award Apamemea e tuufaatasia ai faiga sili i le faatufugaga, saienisi, mamanu ma tekonolosi ma e sili ona lelei i le mataituina o mea itiiti. Move Nofoa e faamalieina matagofie manaʻoga, pa i manaʻo, faalataina lagona ma faaosofia le fia iloa.

I Tua o le Mamanu

Pepa Fa'asalalau

Fa'amaoniaga, sui o le 'au ma fa'amatalaga fa'atekinisi na saunia e le tagata mamanu.

Uiga Fa'apitoa: The chair has ability to adjust to individual needs, and body shape. To achieve the best ergonomics, a seat was employed that, like a cradle, can change its tilt angle. The backrest, on the other hand, suspended at two converging points along the axis, has the ability to rotate and tilt. An additionally designed element is an embedded pressure sensor in the seat. After a specified period, it automatically reminds the user to stand up through vibrations, promoting a healthier sitting routine.
Fua & Fa'apipi'i: 550mm x 515mm x 740mm
Fa'ailoga: ergonomic chair, cork, aluminum, haptic, stackable, health sitting routine, rotating backrest,
Tekonolosi Gaosiga: The chair's structure was designed with cast aluminum elements, providing both lightness and rigidity, while the seat, backrest, and armrests were crafted from five-axis milled cork.
Lu'itau o le Mamanu: In the material selection and construction phase, environmental considerations played a significant role in the project. The aluminum used in designing the chair's structure is a material composed entirely of recycled content. The cork, employed for the remaining elements,
is a natural material that can also be recycled. The chair's design was developed to be easily assembled by the user, allowing it to be shipped in flat boxes, thereby reducing its carbon footprint.
Furthermore, all components share the same material, facilitating the option to repair or replace worn elements, promoting sustainability throughout the chair's lifecycle.
Su'esu'ega: During several years of working in the furniture industry, I came to the conclusion that there is no such thing as the perfect chair, mainly because each of us is unique and has different needs. In the context of the prevailing global overconsumption, I asked myself whether it makes any sense to design another chair, and if so, what characteristics it should have. In response, a project was created that attempts to reconcile ergonomics, functionality, high quality, and above all, ecology. The main challenge was to create a piece of furniture with a reduced environmental impact and one that would bring a new level of quality to the furniture market.
Fa'aosofia: The primary goal of the project was to create a form in line with the principles of Juhani Pallasmaa. The aim was to provide the user with not only visual but also tactile experiences. The use of materials differing in texture, hardness, and temperature within a single piece of furniture allowed for a design that is intriguing not only visually but also haptically. A crucial aspect of the project was to achieve a form based on material contrasts.
Umi o le Poloketi: the project started in April 2023 in Poland
Fa'agasologa o Galuega: This project is oriented towards the user on multiple levels. Firstly, the organic form, diverse in terms of touch, aims to also appeal to the sense of touch, thereby enhancing the user's connection with the product. On the other hand, movable elements allow the furniture to be adapted to individual ergonomic needs. Its construction has been designed so that the furniture can be easily assembled by the user.