O le mamanu Shade Fale e Satoshi Fujinaka o se manumalo maualuga tele o le fa'ailoga mamalu 2024 A' Design Award Apamemea i le Vaega Tauva Mamanu Fausaga Fale.

ApamemeaFausaga Fale· 2024

Shade Fale

na mamanuina e Satoshi Fujinaka

Tagata Fa'atau: Satoshi Fujinaka

Manumalo o le A' Design Award Apamemea i le Vaega Fausaga Fale

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Manumalo Fa'ailoga Fa'amaonia

Fa'amaonia le Tulaga o le Fa'ailoga mo #151927

Asiasi i le Saite Va'ai i le A' Design Award Fa'asalalauga Pailesi o le Fa'ailoga

Lanu

Le Mamanu

E Uiga ia Shade Fale

Tatala lou mafaufau i le matagofie fesuiaʻi, le tumau, ae malosi o le natura. O le mea lea, na fausia ai puipui tetele ma puipui laʻititi i le itu o le tuaoi e taofia ai le mamafa mai le fale o le tuaoi, ma na faʻapioina i lalo le puipui e fai ma taualuga e fatu ai se avanoa mo le nofoaga i lalo. O le faʻasologa e taʻitaʻi mai le auala i luma e oo i totonu e maua ai se lagona o fesoʻotaʻiga ma le natura, Na fetuunai le lapopoa ma le pupula o potu taumafa ma potu nonofo ina ia faʻanatura ona tosina atu le mafaufau o le tagata matamata i le lagi i le va o taualuga e lua e ala i le faʻaitiitiina ma le faʻalauteleina o le avanoa.

Le Fa'ailogaina

E Uiga i le A' Design Award Apamemea

O le A' Design Award Apamemea na manumalo ai Shade Fale, o se faamaoniga matuā mamalu e tuuina atu i mamanu ese e iloga i le fatufatuaʻi, le atamai ma le poto. O ē manumalo i le Apamemea o mea e iai le tomai atoa ma fatufatuaʻi mataʻina e faamaonia ai le poto masani tele, le mafaufau ma le atamai o tagata mamanu. E faamoemoeina Shade Fale e avea ma mea e vivii tele, ua pelepelea, e iloga i le tomai faapolofesa ma mea fou. O lenei mamanu na manumalo i le A' Design Award Apamemea e tuufaatasia ai faiga sili i le faatufugaga, saienisi, mamanu ma tekonolosi ma e sili ona lelei i le mataituina o mea itiiti. Shade Fale e faamalieina matagofie manaʻoga, pa i manaʻo, faalataina lagona ma faaosofia le fia iloa.

I Tua o le Mamanu

Pepa Fa'asalalau

Fa'amaoniaga, sui o le 'au ma fa'amatalaga fa'atekinisi na saunia e le tagata mamanu.

Uiga Fa'apitoa: In order to avoid pressure from the neighboring land, a large and small wall was built on the adjacent side of the site to block the view, and the wall was folded down to form a roof under which living space was created.The dining room is located 1m down from the entrance to minimize the ceiling height and brightness. The living room, one meter up from the dining room, has a high ceiling and a large opening.The contraction of the space naturally directs the eye to the sky between the two roofs.
Fua & Fa'apipi'i: Structural system : wooden
Site area : 201.38㎡
Total Floor area : 97.72㎡
The wooden portion of the building was constructed with a 910mm x 910mm grid of pillar and beam pitches using Japanese conventional construction methods, which made the structural plan easy to understand, and also made cost and construction management easier to understand.
Fa'ailoga: House , Residential , Japan , Roof , Wood
Tekonolosi Gaosiga: Taking advantage of the difference in elevation of the site, a portion of the building is below ground level FL-1.0m , and the RC construction is used for that portion and the foundation, while the superstructure is made of wood, a traditional Japanese construction method.By burying the first floor underground, the overall height can be reduced and height restrictions can be met. In terms of design, the height of the left and right roofs are closer to each other, so that the sky is more visible in the gap between them.
Lu'itau o le Mamanu: Limited floor space and a limited budget, while still providing the space the family needs,The position of sunlight was calculated and the window positions were adjusted to control the heat load, while a large window was installed on the north side to provide a large visual view of the sky.Cost control was planned by the client, who partially self-built the building and researched low-cost materials while maintaining the design.
Su'esu'ega: The research for this project falls into two themes.The first is a study of how to maximize the natural environment within a limited site area to secure the space requested.The second is a study of total cost management and cost management of each material in a budget that is not plentiful.In architecture, how to clear these two themes is both the most exciting and difficult part.
Fa'aosofia: The site was surrounded by neighboring houses, making it difficult to be open to the surrounding environment. However, the site is 1.5 m higher than the front road, and as we climbed the ramp from the road to the site, we felt a pleasant breeze and a strong sense of awareness of the sky.Therefore, I thought about how the ubiquitous natural environment of the sky could be felt as a part of daily life and reflected in the hearts and minds of the people living there, enriching their lives.
Umi o le Poloketi: Design for the project began in Iwakuni in April 2018 and construction was completed in December 2019.
Fa'agasologa o Galuega: The house is located in a corner of an old-fashioned housing complex where houses are densely packed together, which is unique to Japan.The plan was designed to address the issue of how to create a house that can coexist with its surroundings and feel close to the natural environment, while also reducing the environmental burden caused by recent climate change and improving the comfort performance of the building itself.
Fa'aaloaloga o Ata: Photo:Kenji Masunaga