O le mamanu Max Nofoa e Arthur Casas o se manumalo maualuga tele o le fa'ailoga mamalu 2022 A' Design Award Apamemea i le Vaega Tauva Mamanu Meafale.

ApamemeaMeafale· 2022

Max Nofoa

na mamanuina e Arthur Casas

Tagata Fa'atau: +55 Design

Manumalo o le A' Design Award Apamemea i le Vaega Meafale

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Manumalo Fa'ailoga Fa'amaonia

Fa'amaonia le Tulaga o le Fa'ailoga mo #136987

Asiasi i le Saite Va'ai i le A' Design Award Fa'asalalauga Pailesi o le Fa'ailoga

Lanu

Le Mamanu

E Uiga ia Max Nofoa

O le sailiga mo se faʻalavelave faʻapipiʻiina i ni nai laina o le musumusuga autu lea mo Max Chair. Faatasi ai ma mamanu mama ma laina saʻo, o lenei vaega o se tali i se luʻitau faʻatulagaina ma se tuufaatasiga o meafaitino. O le atigi fiberglass mama ma pupuni o loʻo taoto i luga o soʻoga lagolago e fa, aʻo loka i le faʻavae (faʻatasi ai ma toʻi e faʻasaga le tasi i le isi i se foliga X), faʻatasi ai ma laupapa Sucupira e ufiufi ai vae. O lona nofoa ma le pito i tua o se vaega o le voluma tutusa, ufiufi i le paʻu o le Solana masani, ma le tele o suʻesuʻega i le ergonomy e suʻe ai se curvature talafeagai ma ata vaʻaia.

Le Fa'ailogaina

E Uiga i le A' Design Award Apamemea

O le A' Design Award Apamemea na manumalo ai Max Nofoa, o se faamaoniga matuā mamalu e tuuina atu i mamanu ese e iloga i le fatufatuaʻi, le atamai ma le poto. O ē manumalo i le Apamemea o mea e iai le tomai atoa ma fatufatuaʻi mataʻina e faamaonia ai le poto masani tele, le mafaufau ma le atamai o tagata mamanu. E faamoemoeina Max Nofoa e avea ma mea e vivii tele, ua pelepelea, e iloga i le tomai faapolofesa ma mea fou. O lenei mamanu na manumalo i le A' Design Award Apamemea e tuufaatasia ai faiga sili i le faatufugaga, saienisi, mamanu ma tekonolosi ma e sili ona lelei i le mataituina o mea itiiti. Max Nofoa e faamalieina matagofie manaʻoga, pa i manaʻo, faalataina lagona ma faaosofia le fia iloa.

I Tua o le Mamanu

Pepa Fa'asalalau

Fa'amaoniaga, sui o le 'au ma fa'amatalaga fa'atekinisi na saunia e le tagata mamanu.

Uiga Fa'apitoa: With clean design and precise lines, this chair is a response to a complex structural challenge with an innovative combination of materials. It has a light and slender fiberglass shell, resting over only four metallic support joints, while locked at the base, with certified wood covering the feet. Its seat and backrest are part of the same volume, covered in natural leather, with ergonomic curvature and compact visuals.
Fua & Fa'apipi'i: 450 mm x 640 mm x 770 mm
Sucupira wood is certified with the Forest Stewardship Council (FSC), which guarantees high productivity in balance with nature and sustainable management of raw materials.
Solana leather comes from an industry with rigorous methods to trace and guarantee the origin from the analysis of satellite images - avoiding contributing to the Amazon deforestation.
The piece is certified by SENAI, which is validated by INMETRO (the institute that inspects products sold in Brazil).
Fa'ailoga: Chair, Fiberglass, Brazilian wood, Aluminum, Leather, Brazilian design, Sculptural design
Tekonolosi Gaosiga: Several tests were carried out to support the thin fiberglass shell and achieve the ideal curvature and weight. For the structure, aluminum was chosen, as this metal was a lighter option among the materials tested - a steel chair would be much heavier. Developed by a Brazilian brand that bets on raw materials and national designers, the chair meets the purpose of development.
Lu'itau o le Mamanu: The challenge was to synthesize such complexity in a few lines. Many studies were necessary to conceive a light, slender, minimalist chair with innovative materials and robust structure.
Su'esu'ega: The chair needed to achieve the ideal curvature and weight. Therefore, many molds were elaborated until the ideal volumetry of the fiberglass shell was found. Meanwhile, a robust but light structure was needed to support the delicate shape - and aluminum was the most appropriate material.
Fa'aosofia: The search for a complexity synthesized in a few lines was the main inspiration for this piece. Its backrest and seat compose the same surface; the shell is sustained by four vertical supports, of different heights, and punctually connected. These, in turn, are connected at the basis by axes that cross each other in an X shape. To make this design viable, there was an intense study for the definition of materialities.
Umi o le Poloketi: The Max Chair was presented at the launch of the mais55 Design brand in Sao Paulo in June 2020.
Fa'agasologa o Galuega: Even though it is a slender structure, the materials choices guarantees strength - both fiberglass and aluminum. Supports up to 160 kg on the seat (on the edge) and 80 kg on the back, without deformation. The natural leather, which covers the shell, amplifies the durability of the product.
Sui o le 'Au: Lead Designer: Arthur Casas
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