Delo Industrial Bank Notranje oblikovanje banke avtorja Qinyin Tan je izjemno cenjeni dobitnik prestižne nagrade 2020 Srebrna nagrada A' Design Award v tekmovalni kategoriji Oblikovanje notranjega prostora in razstav.
SrebrnaInterier· 2020
Industrial Bank Notranje oblikovanje banke
avtor/ica: Qinyin Tan
Naročnik: JianFeng Construction & Interior Decoration Group
Dobitnik nagrade Srebrna nagrada A' Design Award v kategoriji Interier
Potrjeni dobitnik nagrade
Preverite status nagrade za #96906Dizajn
O dizajnu Industrial Bank Notranje oblikovanje banke
Industrial Bank je notranje oblikovanje banke, ki obsega 890 kvadratnih metrov v Changchunu. Koncept se navdihuje po krajinskem slikarstvu dinastije Song, tradicionalne kitajske reference pa so izražene skozi linije, barve, oblike in teksture namesto z dobesednim okrasjem. Nevtralni toni, kot so mesečinsko bela, čajno bela in riževo siva, ustvarjajo umirjeno vzdušje, s poudarki v temno modri in kurkumasti barvi. Sprejemni pult je oblikovan s preprostim spajanjem, elementi nišnih vdolbin pa členijo stebre in stene. Polodprto kaligrafsko in čajno območje je zmehčano z linearno osvetlitvijo.
Priznanje
O nagradi Srebrna nagrada A' Design Award
Industrial Bank Notranje oblikovanje banke je prejemnik Srebrne nagrade A' Design Award, izjemno prestižnega priznanja, ki se podeljuje čudovitim, impresivnim vrhunskim oblikovanjem. Prejemniki Srebrne nagrade so izjemno briljantna in zelo ustvarjalna dela, ki ponazarjajo izjemno strokovnost, talent in bistrost svojih oblikovalcev. Od Industrial Bank Notranje oblikovanje banke se pričakuje, da bo čudovito, zgledno delo, opazno profesionalno in globoko inovativno. To oblikovanje, nagrajeno s Srebrno nagrado A' Design Award, je zelo opazen, občudovan izum, ki koristi in premika meje umetnosti, znanosti, oblikovanja in tehnologije. Industrial Bank Notranje oblikovanje banke je stvaritev, ki ji mnogi zavidajo, ki prebuja želje, prinaša pozitivna čustva in vzbuja začudenje in občudovanje.
V ozadju dizajna
Komplet za medije
Zasluge, člani ekipe in tehnične podrobnosti, ki jih je posredoval oblikovalec.
- Edinstvene lastnosti
- In this case, the designer deliberately played down the impression of traditional cultural symbols and conveyed the historical and cultural connotation through lines, colors, forms and textures. The combination of traditional Chinese element symbols and highly modern materials, combined with modern furniture craftsmanship, makes the shape and quality of different times seamlessly integrated, which not only inherits the classical ancient style, but also carries forward the innovation of art.
- Dimenzije in embalaža
- The project covers a total of 890 square meters. The negotiation area organically combines the traditional and modern, simple and elegant aesthetic tastes to create a pleasant space atmosphere. The calligraphy and tea drinking area further soften the boundary of the edge by using smooth line lighting. Semi-open layout allows customers to enjoy the surrounding scenery while waiting.
- Oznake
- Interior, Bank, Office, Oriental Elements, Natural, Elegant, Cultural
- Proizvodna tehnologija
- The front desk abandons too many complicated decorations and creates a sense of end-view hierarchy with simple and intuitive splicing. The application of niche elements makes space division for some columns and walls. Under the conversion of light, it weakens the compression caused by stone materials, breaks the dull and serious atmosphere, and gives people a new and fresh experience.
- Oblikovalski izziv
- The designer has made a new interpretation of the dignity and elegance of Chinese-style furniture, the calligraphy and painting tea room creates the oriental charm with the aesthetic needs of modern people, chooses the clear-cut and simplified wood lines to replace the complex carving patterns and ornaments, and combines the simple and comfortable cotton and linen, fashionable and personalized leather, elegant and gorgeous silk and other materials to improve the collocation of style.
- Raziskave
- This case is located in Changchun City, Jilin Province, which is known as the "spring city of the northern kingdom", the mountain shadow here is muddy and heavy, and the pine and turbulent waves everywhere. You can hear pleasant sing from the birds. It has the quiet and gentle feeling of Chinese landscape painting. Through the level cooperation between regional forms, the modern Oriental aesthetic attitude is expressed in a progressive and backward way.
- Inspiracija
- With the concept of "the landscape painting of Xuanhe Palace in Song Dynasty", designer takes the landscape as the place of feeling and integrates it into the dominant atmosphere of modernism, applies more diversified design language to have a dialogue with the space, and then transforms the abstract artistic expression into the perceptible space image, striving to create the harmonious beauty of tradition and modernity.
- Trajanje projekta
- The project started in December 2018 in Changchun and finished in April 2019 in Changchun.
- Potek delovanja
- The so-called "painting leaves three spaces, and the vitality follows". The appropriate blank space in the corridor area creates a comfortable space atmosphere, simple art ornaments and hanging paintings elaborate the meaning of luxury in a graceful way, so that the thin space is filled with rich rhythm and rhythm.
- Patenti
- Copyrights belong to Qinyin Tan, 2019.
- Člani ekipe
- Qinyin Tan
- Zasluge za slike
- Image #1: Photographer Qinyin Tan, Negotiation Area, 2019.
Image #2: Photographer Qinyin Tan, Reception Hall, 2019.
Image #3: Photographer Qinyin Tan, Tea Room, 2019.
Image #4: Photographer Qinyin Tan, Bar, 2019.
Image #5: Photographer Qinyin Tan, Financial Room, 2019.
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