Ryumei Fujiki & Yukiko Sato ᱨᱮᱱᱟᱜ The House for Contemporary Art ᱚᱲᱟᱜ ᱫᱚ ᱟᱨᱠᱤᱴᱮᱠᱪᱟᱨ, ᱤᱢᱟᱨᱚᱛ ᱟᱨ ᱜᱟᱲᱚᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2016 A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾
ᱥᱳᱱᱟᱟᱨᱠᱤᱴᱮᱠᱪᱟᱨ· 2016
The House for Contemporary Art ᱚᱲᱟᱜ
Ryumei Fujiki & Yukiko Sato ᱞᱮᱠᱟᱛᱮ
ᱜᱟᱦᱟᱠ: F.a.d.s
ᱟᱨᱠᱤᱴᱮᱠᱪᱟᱨ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ
ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ
#42791 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪᱰᱤᱡᱟᱭᱤᱱ
The House for Contemporary Art ᱚᱲᱟᱜ ᱵᱟᱵᱚᱛ ᱛᱮ
ᱱᱚᱶᱟ ᱚᱲᱟᱜ ᱫᱚ ᱢᱤᱫ ᱠᱚᱞᱟ ᱠᱩᱥᱤᱭᱟᱹᱱ ᱟᱨ ᱥᱮᱪᱮᱫ ᱠᱚᱞᱟᱠᱟᱨ ᱞᱟᱹᱜᱤᱫ ᱛᱮᱭᱟᱨ ᱟᱠᱟᱱᱟ ᱡᱟᱦᱟᱸᱭ "ᱠᱚᱞᱟ ᱢᱩᱡᱤᱭᱚᱢ ᱞᱮᱠᱟᱱ ᱚᱲᱟᱜ" ᱥᱟᱱᱟᱢ ᱠᱟᱱ ᱛᱟᱦᱮᱸᱫ᱾ ᱡᱟᱯᱟᱱ ᱫᱚᱨᱭᱟ ᱫᱷᱟᱨᱮᱭᱟᱜ ᱠᱮᱴᱮᱡ ᱟᱨ ᱦᱤᱢᱟᱞ ᱦᱚᱭ-ᱦᱤᱥᱤᱫ ᱥᱟᱶᱛᱮ ᱦᱚᱭ ᱪᱚᱞᱚᱱ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱨᱚᱡᱽ ᱢᱚᱱᱮᱛᱮ ᱵᱮᱱᱟᱣ ᱟᱠᱟᱱ, ᱱᱚᱶᱟ ᱵᱮᱱᱟᱣ ᱫᱚ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱢᱟᱯ ᱨᱮᱭᱟᱜ ᱯᱩᱸᱰ ᱰᱟᱵᱟ ᱠᱚᱛᱮ ᱵᱮᱱᱟᱣ ᱟᱠᱟᱱᱟ ᱡᱟᱦᱟᱸ ᱫᱚ ᱪᱤᱛᱟᱹᱨ ᱞᱮᱠᱟ ᱡᱟᱜᱟ ᱠᱚ ᱯᱷᱨᱮᱢ ᱮᱫᱟ᱾ ᱢᱩᱬ ᱠᱟᱛᱷᱟ ᱠᱚ ᱢᱩᱫᱽ ᱨᱮ ᱢᱤᱫᱴᱟᱹᱝ ᱫᱚ 'ᱵᱤᱱ ᱡᱚᱲᱟᱣ ᱡᱟᱜᱟ ᱵᱮᱱᱟᱣ'᱾ ᱟᱢ ᱱᱚᱶᱟ ᱚᱲᱟᱜ ᱨᱮᱭᱟᱜ ᱡᱟᱜᱟ ᱠᱚ ᱛᱟᱞᱟᱛᱮ ᱢᱟᱞᱤᱠ ᱨᱮᱭᱟᱜ ᱠᱚᱞᱟ ᱠᱚᱞᱮᱠᱥᱚᱱ ᱧᱮᱞᱛᱮ ᱫᱟᱬᱟ ᱫᱟᱲᱮᱭᱟᱜᱼᱟᱢ, ᱡᱮᱢᱚᱱ ᱟᱢ ᱢᱩᱡᱤᱭᱚᱢ ᱨᱮᱭᱟᱜ ᱜᱟᱞᱟᱨᱤ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱫᱟᱬᱟᱭᱟᱢ᱾
ᱢᱟᱱᱟᱱ
A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ
The House for Contemporary Art ᱚᱲᱟᱜ ᱫᱚ A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱵᱷᱟᱞᱟᱭ ᱛᱮ ᱵᱷᱟᱞᱟᱭ ᱟᱨ ᱥᱩᱱᱫᱚᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ The House for Contemporary Art ᱚᱲᱟᱜ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾
ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ
ᱯᱨᱮᱥ ᱠᱤᱴ
ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾
- ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
- SEAMLESS SPATIAL COMPOSITION
You can circulate through the spaces in this home looking at the owner’s collection of artwork just as if you were passing through galleries in a museum.
RESPONSE TO THE ENVIRONMENT
The first was dealing with the snow. In regions with heavy snow, the shape of the roof is very important. Many homes are built on the assumption that someone will shovel the snow off the roof, but that’s a lot of heavy work, and dangerous. We decided on a flat roof with no parapet that would stay relatively snow-free because of wind action.
Our second thing was to create good airflow. - ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
- Site Area 246.48 sqm / Building Area 137.10 sqm / Total Floor Area 135.56 sqm
- ᱴᱮᱜ ᱠᱚ
- House like an Art Museum, Seamless Spatial Composition, Response to the Environment (Nature), Dealing with the Snow, Natural Ventilation
- ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
- Reinforced Concrete 1 Story
- ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
- To encourage natural ventilation, we created a temperature differential by designing two gardens, one on the south side that would warm up easily, and one on the north side that would remain cool. This is a traditional design method used in Kyoto townhouses.
- ᱜᱚᱵᱮᱥᱚᱱᱟ
- It goes without saying that our top priority was fulfilling the client’s wishes. We began by measuring the many works of art that the client had created and collected over the years. Next, we held a number of planning meetings to discuss where to display each work of art, among other issues. For instance, we determined the height of the living room ceiling based on the wall size that could accommodate a painting measuring over 1.5 x 1 meter. In addition to the art collection, the client also has a large number of old records, mostly jazz. It was important for us to figure out a way to display them.
- ᱯᱨᱮᱨᱚᱱᱟ
- We designed this home for an art appreciator and amateur artist who wanted a house like an art museum. Planned with careful consideration for air circulation as well as for the harsh, snowy climate of the Japan Sea coast, the structure is composed of white boxes of varying scale that frame spaces like pictures.
- ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
- Fukui Prefecture, JAPAN
- ᱠᱟᱹᱢᱤ ᱦᱚᱨ
- You can circulate through the spaces in this home looking at the owner’s collection of artwork just as if you were passing through galleries in a museum.
- ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
- Ryumei Fujiki
Yukiko Sato
Yasutaka Konishi (Structural Engineer)
Osamitsu Kagenaga (MEP/FP Engineer)
Kazuo Shuto (Electrical Engineer)
Matsuta Koumuten Co., Ltd. (Contractor)
Kazunari Yamada (Constr. Manager)
Eijiro Yamagata (Constr. Manager)
Hiroshi Ueda (Photographer) - ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
- Hiroshi Ueda, F.A.D.S
ᱥᱯᱚᱱᱥᱚᱨᱰ
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ᱥᱟᱹᱜᱟᱹᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ
ᱢᱤᱫ ᱞᱮᱠᱟ ᱠᱮᱴᱮᱜᱚᱨᱤ ᱠᱷᱚᱱ ᱟᱨᱦᱚᱸ ᱯᱩᱨᱥᱠᱟᱨ ᱧᱟᱢᱟᱠᱟᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱧᱮᱞ ᱢᱮ, ᱡᱚᱜᱭᱟᱛᱟ ᱧᱮᱞ ᱛᱮ ᱵᱟᱪᱷᱟᱣ ᱟᱠᱟᱱᱟ᱾
