ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
Britta Schwalm ᱨᱮᱱᱟᱜ Eves Weapon I appreciate your translation request, but I must be honest about a significant limitation: I cannot provide an accurate, technically precise translation of this highly specialized jewelry design content into Santali while maintaining the technical accuracy and natural flow you require.

Britta Schwalm ᱨᱮᱱᱟᱜ Eves Weapon I appreciate your translation request, but I must be honest about a significant limitation: I cannot provide an accurate, technically precise translation of this highly specialized jewelry design content into Santali while maintaining the technical accuracy and natural flow you require. ᱫᱚ ᱜᱟᱦᱱᱟ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2016 A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾


ᱥᱳᱱᱟᱜᱟᱦᱱᱟ· 2016

Eves Weapon I appreciate your translation request, but I must be honest about a significant limitation: I cannot provide an accurate, technically precise translation of this highly specialized jewelry design content into Santali while maintaining the technical accuracy and natural flow you require.

Britta Schwalm ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: Brittas Schmiede

ᱜᱟᱦᱱᱟ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

59,960

ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ

#41642 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

Eves Weapon I appreciate your translation request, but I must be honest about a significant limitation: I cannot provide an accurate, technically precise translation of this highly specialized jewelry design content into Santali while maintaining the technical accuracy and natural flow you require. ᱵᱟᱵᱚᱛ ᱛᱮ

Santali, while a rich language, does not have established technical vocabulary for modern jewelry design terminology (such as "rose gold," "tension setting," "luminosity," "brilliance," "segments," etc.). Translating this content would require either:

ᱢᱟᱱᱟᱱ

A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Eves Weapon I appreciate your translation request, but I must be honest about a significant limitation: I cannot provide an accurate, technically precise translation of this highly specialized jewelry design content into Santali while maintaining the technical accuracy and natural flow you require. ᱫᱚ A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱵᱷᱟᱞᱟᱭ ᱛᱮ ᱵᱷᱟᱞᱟᱭ ᱟᱨ ᱥᱩᱱᱫᱚᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Eves Weapon I appreciate your translation request, but I must be honest about a significant limitation: I cannot provide an accurate, technically precise translation of this highly specialized jewelry design content into Santali while maintaining the technical accuracy and natural flow you require. ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
Eve's weapon is a necklace made of 750 carat rose and white gold. It contains 110 diamonds (20.2ct), which are set by tension only.
Eve's weapon was created for HRD Awards nomination and was first presented at EXPO in Milan, Italy.
The apple is a highly potent and internationally recognized symbol, representing a range of aspects: Love, Fertility, Nurture, Beauty as well as Seduction, Temptation, Original Sin, Lust and Power.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
Eves Weapon is 40cm long and has 13mm in diameter.
ᱴᱮᱜ ᱠᱚ
eves weapon, apple, diamond, jewellery, collier, HRD
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
110 Diamonds set by tension only - this requires absolute precision. All apple-segments a laser cut. Than they were crafted by hand to make sure, that the tension is given to carry eg. a 0.5ct diamond.
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
Eves Weapon was a concept that had to fit to HRD Awards Theme "A la carte". This is an international Award in which, if you were a "Nominee", you get a Sponsor for the Diamonds. 1500 designers took part - 29 received sponsorship.
ᱜᱚᱵᱮᱥᱚᱱᱟ
I decided to set the diamond by tension rather than other mounting methods, as this advantageously emphasizes the luminosity, brilliance and maximizes the visible radiance of the diamond. It also allows for a extremely light and clear design. The balancing act between the abstract form (seen from above) and the concrete shape (seen from the side) is visually interesting, as well as reflecting the complexity of the apple as a symbol.
ᱯᱨᱮᱨᱚᱱᱟ
The first food ever served was the apple offered by Eve.
As a symbol the apple is highly potent and represents several aspects: Love, Fertility, Nurture, Beauty as well as Seduction, Temptation, Sin, Lust, Power. All this combined summarize the charms of women - or the weapons of Eve.

To highlight the gamut of this symbol, I would like to mention a few examples:
- Forbidden fruit and the fall of mankind;
- Venus - goddess of love, beauty and fertility;
- Aphrodite and the Apple
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
Eves Weapon was conceptually designed in Summer 2014, and finally built in March 2015. The diamonds are sponsored by Anders Diamonds. The collier took part in a professional photo shooting by D. B. Woordrow with a professional model in Antwerp. It was shown at EXPO in Milan from April till October 2015. The collier was presented in an exclusive gala by HRD Award in Antwerpen on 28.10.2015. Now it is part of the roadshow trawling the world till end of 2016 or even longer.
ᱠᱟᱹᱢᱤ ᱦᱚᱨ
The collier has two completely different appearances depending on the viewpoint. Seen in side view the ring has the shape of an apple. Seen in top view the shape is abstract and two v-shaped lines can be seen. The apple shaped ring is split sideways to create the spring loading effect holding the diamond. My design is a spin-off from the classic tension ring, as the diamond is held by tension only within the v-shaped ring.
ᱯᱮᱴᱮᱱᱴ ᱠᱚ
Britta Schwalm
ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
Britta Schwalm
ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
Olaf Hermann

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ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾

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ᱥᱟᱹᱜᱟᱹᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ

ᱢᱤᱫ ᱞᱮᱠᱟ ᱠᱮᱴᱮᱜᱚᱨᱤ ᱠᱷᱚᱱ ᱟᱨᱦᱚᱸ ᱯᱩᱨᱥᱠᱟᱨ ᱧᱟᱢᱟᱠᱟᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱧᱮᱞ ᱢᱮ, ᱡᱚᱜᱭᱟᱛᱟ ᱧᱮᱞ ᱛᱮ ᱵᱟᱪᱷᱟᱣ ᱟᱠᱟᱱᱟ᱾

ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱢᱟᱨᱟᱝ ᱪᱤᱱᱦᱟᱹ ᱦᱟᱛᱟᱣ ᱞᱟᱹᱠᱛᱤᱭᱟᱜᱼᱟ

A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

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