Emanuele Grittini nisqap Feral Horses Brand Identity Llamk'ay Sutichay (Corporate Identity) diseñonqa Shuyu Kamay Atipanakuy T'aqapi 2018 A' Design Award Qullqi Premiu nisqap ancha chaniyuq atipaqninmi.

QullqiShuyu· 2018

Feral Horses Brand Identity Llamk'ay Sutichay (Corporate Identity)

Emanuele Grittini rurasqa

Mañakuq: Feral Horses

Shuyu T'aqapi A' Design Award Qullqi Premiu Atipaq

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Taripasqa Premio Atipaq

#65397 nisqapaq Premio Kayninta Taripay

Sitio Web Qhaway A' Design Award ukhupi Qhaway Prensa Willakuy Premio Unanchay

Llinphikuna

Diseñomanta

Feral Horses Brand Identity Llamk'ay Sutichay (Corporate Identity) nisqamanta

Feral Horses Marka Sutichaymi huk empresapaq ruwasqa, kay empresaqa kunan pacha arte inversión ruwaypi llamk'an. Kay sutichayqa kimsa uyariqkunaman rimarin: arte munaqkuna, propesional rantiqkuna, hinaspa yachayta munaq atipaqkuna. Huk sapallan pictograma-mi arte hinaspa qulqi rikch'aynin markapaq huñun. Logotipoq hinaspa hukniraq rikch'aynin pixel-piqa ancha allin, chaymi kay señal sut'i hinaspa reqsisqa kanqa. Llimp'ikunaqa Pantone sistemawan churakurqan, chaymantaqa sRGB hinaspa CMYK-man tikrarqan. Akllasqa qillqa rikch'ayninkunaqa imprentapipas, pantallapipas allinta llamk'an.

Riqsichiy

A' Design Award Qullqi Premiu nisqamanta

Feral Horses Brand Identity Llamk'ay Sutichay (Corporate Identity) A' Design Award Qullqi Premiu mishak kan, ancha jatun yupaychay, kayta hanak, sumak shinallatak mancharina diseñukunaman kun. Qullqi mishak kashkakunaka ancha achikyaska shinallatak ancha mushuk ruraykunami, paykunata rurakkunapak yachayta, yuyayta shinallatak ushayta rikuchinku. Feral Horses Brand Identity Llamk'ay Sutichay (Corporate Identity) ruray yachak, ñawpak shinallatak mushuk yuyayta charik sumak rurashka kanata munanku. Kay Qullqi Premiu japishka diseñuka ancha riksishka shinallatak yupaychashka yuyay kan, arti, siensia, diseñu shinallatak tekinolojía ñawpak ñankunata kichuk. Feral Horses Brand Identity Llamk'ay Sutichay (Corporate Identity) achka runakunapak munashka rurashka kan, munayta kallarichin, alli yuyaykunata kun shinallatak mancharichin.

Diseño Qhipanpi

Prensa Kit

Diseñadorpa quska créditos, llamk'aq runakunapas técnico willaykuna.

Sapaq Kayninkunamanta: The brand has three diverse targets: art enthusiasts, professional traders, and curious achievers.
The company operates within the contemporary art investment field.
The naming had to express the business vision of freeing art investment.
Finally, due to Feral Horses’ mission to mingle the artistic world with the financial one, it was also crucial to come up with a fil rouge that would have brought some harmony and would have balanced creativity and uniqueness with strictness and standards.
Tupukuna & P'istuy: All corporate product supports meet ISO standards. The color palette was decided first through the Pantone system and then declined into sRGB for the web and CMYK for cases where printing was impossible via Pantone. The fonts used for the realization of the project are compatible both with printing and with web visualization. The pictogram and the set of variants of the logo are pixel perfect so as to be always recognizable and well distinguishable.
Etiquetakuna: art, investment, economy, financial, artist, artwork,
Ruway Tecnología: For the development of the project the practice of "participatory planning" was used, this technique increases the interaction between the designer and the client, making sure to develop a project in a more linear way, sharing the various choices, informing and training the client on the rules and practices that have been followed by case history to better understand the decisions made by the designer.
Diseño Sasachakuy: The most complex part of the design was to find the right combination between the art and finance sectors. This is because the brand is made up of a team of young professionals willing to show their diversity and the innovation of their project. Furthermore, the naming chosen by the client had to be inserted into a logo that gave the idea of a serious and stable company even if linked to the world of investment in art, so as to give confidence to investors.
T'aqwiy: The design was carried out together with the customer to facilitate the understanding of the project, the main objective was the representation in a single pictogram of all the souls of the brand and the sectors in which it operates. Very intense the phase of realization of the logo of the brand, with various proposals to get to the winning one. In addition to satisfying the customer, the result obtained several appreciations and helped the brand achieve its goals.
Kallpachay: The design inspiration is derived in part from the understanding of the values that the client wanted to convey, and partly from the desire to create a strong and unique project in the sector that is inspired by a strong and concrete line to be well defined and recognizable.
Llamk'ay Pacha: The project started in October 2016 in Milan and finished in january 2017 in Milan.
Purichiy Puriy: The interaction with the brand identity takes place in different phases, first of all through the slides that are pro-rated in the various conventions and webinars where the client promotes his activity. Secondly, the customer of the brand, interacts with the brand through corporate materials suitable for promotional use such as folders for documents. Lastly, the users of any type, interact with the social part, specifically designed to be respected in the corporate graphics.