Embrace Şêwazê Taybet bo Cih لەلایەن Supernova Art Embassy

دیزاینی Embrace Şêwazê Taybet bo Cih لەلایەن Supernova Art Embassy خەڵاتگرێکی بەناوبانگی خەڵاتی شکۆمەندی 2021 Xelata A' Design Award a Hesinîn لە پۆلی پێشبڕکێی Dîzayna Hunerên Bedew û Sazkirina Hunerî.

HesinHunera Bedew· 2021

Embrace Şêwazê Taybet bo Cih

لەلایەن Supernova Art Embassy

کڕیار: Memorandum Project

خەڵاتگری Xelata A' Design Award a Hesinîn لە پۆلی Hunera Bedew

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پشتڕاستکردنەوەی باری خەڵات بۆ #121349

سەردانی ماڵپەڕ بینین لە A' Design Award ڕاگەیاندنی چاپەمەنی نیشانەی خەڵات

ڕەنگەکان

دیزاینەکە

دەربارەی Embrace Şêwazê Taybet bo Cih

Naveroka Pertûk: Embrace şêwazeke şênber e ku li ser rûyê avahiyek li Sterlitamakê hatiye kişandin. Ev şêwaz 27 metre bilind û 15 metre fireh e, digel rûyeke boyaxkirî ya 405 metre çargoşe. Boyaxên rûkar û rolên boyaxê hatine bikaranîn, û balankêşên rûkar dane îmkan ku li bilindahiyê were kişandin. Xebata hunerî sê hefte domand. Çîroka ku têde tê xuyakirin, wek bîranîna leşkerekî lêşkerê 170ê peyayên Sterlitamakê ye, yê ku bi saetek berîmî zîv ber bi eniyê ve çû û soz da ku bi wê vegere. Perçeyên laşê wî û saet di sala 2015an de hatin dîtin û ji bo jina wî anîne mal.

پێناسەکردن

دەربارەی Xelata A' Design Award a Hesinîn

Embrace Şêwazê Taybet bo Cih xelatgirê Xelata A' Design Award a Hesinîn e, nasîneke bi prestîj ku ji sêwiranên baş re tê dayîn, yên ku pêdiviyên pîşeyî û pîşesaziyê yên ku ji afirandinên baş hatine sêwirandin têne hêvîkirin tînin cih. Xelatgirên Hesinînê jêhatîbûna mezin, pisporiya bilind, têgihiştina pisporî û kapasîteya afirîner a afirînerên xwe nîşan didin. Tê hêvîkirin ku Embrace Şêwazê Taybet bo Cih afirandineke pir hatiye rêzgirtin, sitayişkirin û delal, pratîkî û nûjen be. Ev sêwirana bi Hesinînê serketî pratîkên çêtirîn ên pîşesaziyê yekgirtî dike û xwedî taybetmendiyên teknîkî yên jêhatî ye ku bi zanîn û jêhatîbûnê ve girêdayî ne. Embrace Şêwazê Taybet bo Cih ji ber baldariya xwe tê rêzgirtin û hatiye sêwirandin da ku kalîteya jiyanê baştir bike û alîkariya çêtirkirina dinyayê bike.

لە پشت دیزاینەوە

کیتی چاپەمەنی

باوەڕپێکراوەکان، ئەندامانی تیم و وردەکاری تەکنیکی کە لەلایەن دیزاینەرەوە پێشکەش کراون.

تایبەتمەندییە تایبەتەکان: The word "memorandum" is translated from Latin as "something you have to memorize", that is why the Memorandum project is dedicated to complex contexts and topics.

Coming home is always an exciting event. That is why the Sterlitamak stage of the project was called "Coming home". It included several emotional aspects of this concept. It was reflected in the approach of Lidiia Averina, the curator, and in the plots of all participants. This project is her personal comeback to her hometown.
قەبارە و پاکێج: Height 27 m, width 15 m, total artistic painting square 405 sq.m
تاگەکان: mural art, spray art, public art, fine arts, storytelling, embrace, heritage, memory
تەکنەلۆژیای بەرهەمهێنان: Some activists took great care of their ancestors memories and the works which may appear basing on historical data and archive photographs. There were different attempts to influence the curator and the artist work. However, the compromise was reached quite quickly and the work turned to constructive direction. The artistic part of the work was done by facade paints and paint rollers. For work at a height, facade lifts (scaffolds) were used.
هەڵەنگاندنی دیزاین: 4 locations were selected, each of them having common connection with historical old town (although none of the buildings selected was a historically original building). They were different in meanings and the way they belong. Connection with "coming back" had been found immediately and we also had artists sharing common values. That was particularly important for their harmony.
توێژینەوە: Memory of the place is an eclectic mixture of emotions; it is impossible to catch a sole scent. There are pure facts, personal stories, critics, and embellishment. Interpretations multiply and fragment. This is the reason why we want to show our perception among many others.

Andreys work finely reflects the location context with lost wooden buildings as well as the irony on current town situation with chaotic architectural add-ons (tiny business centers) which try to squeeze into any available space and corners.
ئیلهام: The works plot is based in the story of a soldier from 170th Sterlitamak infantry division: in May, 1941, the storys main character wanted to leave his silver pocket watch to his wife. However, his wife said: "You leave with this watch and youll come back with this watch!"

In 2015, during the expedition his remains and personal belongings were found. After 74 years he came home with the watch, as promised, and his 97 years old wife met him.
ماوەی پڕۆژە: The work is dedicated to 75th anniversary of the Great Victory, therefore it must have been finished in 2020 before rainy autumn weather.

There were repair works on the building facades, so the whole project implementation period was 1.5 months. The artistic work implementation took 3 weeks.
ڕێڕەوی کارکردن: Now there is one of the main streets of town which connects an old town with new districts, therefore there are always a lot of students and pedestrians on the street. The works are on a high altitude and are well visible.

It is also important that the headquarters of 170th Sterlitamak infantry division was located nearby and here there was a path which was taken by the soldiers leaving to the railway station to go to the frontline. Where new standard buildings stand now, there were wooden houses and buildings.
پەتێنتەکان: Copyright belongs to Andrey Olenev and Dmitry Kudinov, 2020
ئەندامانی تیم: Curator: Lidiia Averina
Artist: Andrey Olenev
Support: Dmitry Kudinov, Alexey Agafonov, Ludmila Averina
کرێدیتی وێنەکان: Image #1: Photographer – Dmitry Kudinov, Embrace #1, 2020.
Image #2: Photographer – Dmitry Kudinov, Embrace #2, 2020.
Image #3: Photographer – Dmitry Kudinov, Embrace #3, 2020.
Image #4: Photographer – Dmitry Kudinov, Embrace #4, 2020.
Image #5: Photographer – Dmitry Kudinov, Embrace #5, 2020.
Video Credits: Dmitry Kudinov, Hyperlapse, Embrace and Shihans from bird’s-eye perspective, 2020.