Land of Abundance Ammas n Uznuzu sɣur Tina Sheng d anerbaz yettwaqadren meqqren n 2020 Tarbaḥt A' Design Award n Ddheb deg Taggayt n Tnaflit n Afeṣṣel n Ugensu, Taddart n Uzenz d Uskan.
DdhebAgensu· 2020
Land of Abundance Ammas n Uznuzu
sɣur Tina Sheng
Amsaɣ: Beijing Serendipper Space Design Co.ltd
Anerbaz n Tarbaḥt A' Design Award n Ddheb deg Taggayt n Agensu
Anerbaz n Urraz Yettwasenqden
Senqed Addad n Urraz i #94111Afeṣṣel
Ɣef Land of Abundance Ammas n Uznuzu
Land of Abundance d ammas n uznuzu yellan di temdint n Chengdu, di Sichuan. Daxel-is yeṭṭef 1200 n lmitrat imkuẓen, yekfa lebni-ines deg Yulyu 2019. Aseɣnew-agi yesseqdac tafulut n Ccerq s tutlayt n useɣnew tatrart. Tawwurt tafrawant, fessus, tesbeggen-d anekcum yerna tefka udem i tallunt merra. Tamnaḍt n ṭṭabla n ijdi teldi, tewseɛ, u izirigen ileqqaqen yeḥman ttazzalen deg tallunt. Yiwet n teftilt tameqqrant isem-is Nnig Usigna tersa nnig ṭṭabla n ijdi, tettak i inerza tarmit tafennant d temyigawt.
Asmekti
Ɣef Tarbaḥt A' Design Award n Ddheb
Land of Abundance Ammas n Uznuzu d amerbaḥ n Tarbaḥt A' Design Award n Ddheb, tagmat tuffirt i yisnulfa n umezwaru yelhan s waṭas. Imerbaḥen n Ddheb d isnulfa d imaynuten d imeqqranen. Land of Abundance Ammas n Uznuzu ad d-yefk lqima ur nesɛi amgarad, ad yeǧǧ ddunit tennuɣ.
Deffir n ufeṣṣel
Tagrurt n tɣamsa
Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.
- Taɣara Tasuft
- The sales center not only represents the accumulation of regional culture and history, but also gathers the modern trend of thought. Thereby the design unfolds.
As an old saying goes, Like sounds in the air, colors in shapes, the moon in water, images in a mirror, there is an end to the words but not to their message. The follow in the mirror and the moon in the water is a unique Oriental aesthetic. - Tigejdiwin & Akemmus
- The property is 1200 square meters.
- Tibzimin
- Sale Center, Panda, Luxury, Interior, Modern, Residential
- Tasnakta n Ufares
- The giant sand table lamp Beyond the Clouds is a perfect match for the sand table on the ground, providing visitors with an artistic and interactive experience. The spatial scale of the sand table area is open and powerful, enabling the warm and smooth lines to flow and shuttle in the space. It is a kind of artistic conception to express the emotion by describing things, and it is a kind of emotional conception to take advantage of a scene to express the emotion. When this natural poetry is integrated into the space shape, it is like a poem that has the power to shock people.
- Asewḥel n Usnulfu
- We hope that concise modern design can add connotation of time to the elegant Oriental style, so as to create a clear, transparent, ethereal, and poetic freedom that that the body and mind can be immersed in the wonderful moment and deeply resonate with it.
The negotiation area borrows the charm of the landscape in Sichuan. Taking time and space as the link, it employs modern Oriental design language in depicting the softness and clarity, and constructs the whole space with modern fashion elements, creating an Oriental context to explore the cultural connotation unable to be copied. - Anadi
- As the poem Yunshuiyao goes, “Moving over the water, and along the landscape, I am calm and relaxed watching the scenery on the bank, the bamboo raft drifted gently with the wind.” On the pulsating Jian River, the peonies are in full bloom. “Perchance I come near where a rill would disappear, then I'll sit and watch clouds rise in that clime.” The poetic vitality of human and nature represented by Oriental art is present at this moment.
- Aseḥbiber
- In the architects memory, Sichuan is a place with picturesque scenery of green hills and clear waters. Multiple cultures influence and permeate each other here, at the same time, she firmly continues her unique cultural heritage. As the poems say, Pengzhou, which has the reputation of little Chengdu, is a wonder of the world, the heart of Sichuan, and the origin of Taoism. Fairy land is a true portrayal of this thousand year old city.
- Tanzagt n Usenfar
- The project finished on July 2019 in Chengdu City, Sichuan.
- Tanila n Umahil
- Based on the logic of Oriental aesthetics, the architect ponders contemporary design language, that is, more modern, more fashionable, more artistic, and more poetic Oriental language.
The entrance, as the starting point of the artistic conception of the whole space, defines the temperament of the whole interior space. A transparent and lightsome door combines the unique poetry and art here, opening a poetic journey about historical inheritance, exquisite skills, and unique creativity for visitors. - Igmamen n Terbaɛt
- Director: Tina Sheng
Yettwaxellṣen
Snirem Seld Designers.org
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