Yearning For Art Hana Nui: Hoʻolālā ʻO Loko No Ka Hale Noho na Yan Ru Chen

ʻO Yearning For Art Hana Nui: Hoʻolālā ʻO Loko No Ka Hale Noho na Yan Ru Chen he mea lanakila hanohano loa o ka 2021 A' Design Award Keleawe ma ka Māhele Hoʻokūkū Hoʻolālā Loko Hale a me Hōʻike.

KeleaweLoko Hale· 2021

Yearning For Art Hana Nui: Hoʻolālā ʻO Loko No Ka Hale Noho

na Yan Ru Chen

Mea Kūʻai: Mu’s Design

Mea Lanakila A' Design Award Keleawe ma ka Māhele Loko Hale

7,870

Mea Lanakila i Hōʻoia ʻIa

Hōʻoia i ke Kūlana Makana no #106955

Nānā ma A' Design Award Hoʻolaha Nūhou Hōʻailona Makana

Nā Waihoʻoluʻu

Ka Hoʻolālā

E Pili Ana iā Yearning For Art Hana Nui: Hoʻolālā ʻO Loko No Ka Hale Noho

Kikokikona Puke: ʻO Ka ʻIʻini No Ka Hana Noʻeau kahi hoʻolālā ʻo loko no ka hale noho i hoʻopau ʻia ma ke Kūlanakauhale ʻo Kaohsiung, Taiwan. Hoʻohana ʻia ke kula loko i ka ʻōnaehana kala ʻeleʻele, keʻokeʻo, a ʻāhinahina e hana i kahi kaiapili mālie a hou. Ua wehe ʻia a ākea ka wahi lehulehu, e hoʻopili ana i ka lumi noho, ka lumi ʻaina, a me ka ʻāina kīʻaha kuke, a ua kau ʻia kekahi papaʻaina lōʻihi me nā noho he nui ma ka lumi ʻaina no nā malihini. Hoʻokaʻawale nā puka pahele aniani i nā wahi lehulehu a me ka pilikino, a mālama nō hoʻi i ka pilikino. ʻO ka pena kūikawā, ka pā like me ka pōhaku marble, ka pā keleawe pā'ū, ka pā uhi titāniuma, a me nā papa lāʻau louvers e hāʻawi ana i ka ʻiliʻili paia i kahi kaiapili papa lehulehu, kaiapili ʻekolu-nui.

Ka Hoʻomaikai

E Pili Ana i ka A' Design Award Keleawe

Ua lanakila ka hoʻolālā Yearning For Art Hana Nui: Hoʻolālā ʻO Loko No Ka Hale Noho i ka A' Design Award Keleawe, he ʻike hoʻohanohano nui loa i hāʻawi ʻia i nā hoʻolālā kūʻokoʻa i ʻike ʻia ma o ka hana noʻeau, ka akamai a me ka makakoho. He mau hana mākaukau a hana noʻeau kupaianaha nā lanakila Keleawe e hōʻoia ana i ka ʻike nui, ka noʻonoʻo a me ka maʻalea o kā lākou poʻe hoʻolālā. Manaʻo ʻia ʻo ka hoʻolālā Yearning For Art Hana Nui: Hoʻolālā ʻO Loko No Ka Hale Noho he mea i mahalo nui ʻia, hoʻohiwahiwa ʻia a aloha ʻia, he ʻoihana a hou loa. ʻO kēia hoʻolālā i lanakila i ka A' Design Award Keleawe e hoʻohui ana i nā hana maikaʻi loa o ka hana noʻeau, ka ʻepekema, ka hoʻolālā a me ka ʻenehana, a maikaʻi no kona nānā ʻana i nā kikoʻī. Hoʻokō maikaʻi ka hoʻolālā Yearning For Art Hana Nui: Hoʻolālā ʻO Loko No Ka Hale Noho i nā pono, hoʻopā i ka makemake, hoʻohiwahiwa i nā manaʻo a huki i ka makemake e ʻike.

Ma Hope o ka Hoʻolālā

ʻEke Nūhou

Nā hōʻoia, nā lālā hui a me nā kikoʻī ʻenehana i hāʻawi ʻia e ka mea hoʻolālā.

Nā ʻAno Kūʻokoʻa: The "black white gray" color system has the characteristics of evoking visual perception and also has the effect of relieving stress. The design team combines the pure residential elements with "commercial space" to clearly point out the theme of the guest house. The space lays out the substrate in the pure colors through an artistic and pleasurable perspective. With stone surface, metal, rusted surface, wooden louvers and other material surfaces, the space has a rich visual layer. At the same time, it also changes the texture of the wall from a flat surface to a three-dimensional one.
Nā Ana a me ka Hoʻopili: This case is a 55-ping space, and the client often invites relatives and friends to come to the house as guests. The public area is open and spacious, connecting the living room, dining room, and kitchen island, creating a smooth and comfortable circulation, and setting up a long table with multiple seats in the dining room to show the hospitality. Besides, the use of glass sliding doors between the public and private areas not only brings a mysterious beauty into the space, but also allows the client to maintain personal privacy and security.
Nā Lepili: Modern, artistic, guest house, leisure, relaxation
ʻEnehana Hana: Special paint, marble-like tile, rust-copper tile sheet, titanium-plated sheet, wooden louvers. Art and feelings, comfort and taste are inextricably linked with life, and also have a deep resonation with the site of this project. The design team carefully interprets the causal relationship between space and people. In the phenomenon of low chromatic colors, the media, lines, light and shadow, etc., which are very visible, are consciously expressed through the diversity of the forms, linking the aesthetics and the life, thereby leading the resident to a spiritual environment.
Pilikia Hoʻolālā: The male client likes a clean and modern feeling, and the female client yearns for a gentle and elegant life, and made a disagreement during the first design phase. Through communication with the design team, integrating the needs of the two, from opposition to harmony and balance, propose the most appropriate design plan. In addition, this project uses many large-scale thin-plate tiles, which have certain difficulties in the transportation and implementation process. Through many attempts and adjustments, this problem has been successfully solved.
Noiʻi: The design team then used the core concepts of "art" and "travel" to launch a diverse dialogue between aesthetics and leisure. The entrance is surrounded by iron and glass materials, creating a clear and ambiguous hidden boundary and shaping a unique space area. The main wall of the living room is paved with imitation marble and thin bricks, and the detailed texture is reflected in the bright surface, and the shape a restrained and soft configuration. The elegant gray cabinet at the back of the dining area is complemented by dense dividing lines and geometric hollow design, which expresses the goal of quality of life.
Hoʻoulu Manaʻo: For the design team, space and site region have some kind of "metaphysical" connection, so with the soft intervention of "art", through the fusion of spatial narrative, the urban context is extended from the inside out to the state of "daily life aesthetics". In this project, simple and clear low chromatic color is used to create a very modern spatial context. At the same time, with the unique texture of materials and the black and white shades, the visual freedom, from artistic paintings to space scenes.
Ka Lōʻihi o ka Papahana: The project finished in January 2020 in Kaohsiung City, Taiwan.
Kaʻina Hana: There are crossing beams in the public area. The design team use titanium-plated metal to cover the separation between the living room and the dining room, and frame the exquisite interior view. In addition, the use of black and white stacked ceiling layers and concise shape echoes the overall color system, bringing a longitudinal visual extension.
Nā Lālā Hui: MU’S DESIGN
Nā Kuleana Kiʻi: MU’S DESIGN