Soli Apyka João Demele omba'apóva ha'e rembiporuarã oñemba'eguaséva 2026 A' Design Award Brónse pegua Mba'epyru Jejapo Ñeha'ã Categoría-pe.

BrónseMba'epyru· 2026

Soli Apyka

João Demele -gua

Mba'eporuhára: Morada Decor

A' Design Award Brónse Rembiporuarã Mba'epyru Categoría-pe

7,727

Premio Rembiporuarã Oñemoneĩva

Emoneĩ Premio Reko #176791 Peg̃ua

Ehecha A' Design Award-pe Marandu Myasãi Mba'ete Jeguerohory

Sa'y

Diseño

Soli Apyka Rehegua

Soli haʼe peteĩ apyka ojejapóva ojeguapy hag̃ua ára ko'ẽre. Pe diseño ombojoja ergonomía, vevuikue ojehechakuaáva ha estructura hekopetéva. Ijestructura yvyra atãgui ojejapo, yvyra Jequitibá oñeñotỹjeýva ha ojeporavo hekopete, ohasa syryry ha ojoajúvo hetymakuéra, tenda ojeguapyha ha atukupe jokoha ndive. Pe atukupe jokoha karẽ oñemoĩ vakapipe ári ha omoĩ porã ñande rete oĩ hag̃ua hekopete, oikotevẽʼỹre mbaʼeveichagua mecanismo oñemboheko hag̃ua. Umi karẽ retepykuéra ojoguáva ha pe espuma imbaretéva omeʼẽ pytuʼu porã. Pe mbaʼeʼapo industrial omeʼẽ hekopeteha, ha pe ijapopaha pópe ojejapóva ha oñeñangarekóva oñongatu pe material teete ha imbarete are hag̃ua.

Jeguerohory

A' Design Award Brónse Rehegua

Soli Apyka ohupyty A' Design Award Brónse, peteĩ ñehechakuaa heta prestigioso oñeme'ẽva diseño sobresaliente-pe ojekuaáva creatividad, ingenio ha astucia rupi. Umi ganador Brónse ha'e artefacto hábil ha creativo ohechaukáva experiencia, imaginación ha recurso umi diseñador-pe. Oñeha'ãrõ Soli Apyka ha'eha peteĩ objeto ojehayhúva, admirado ha estimado, profesional ha innovador. Ko diseño ohupytýva A' Design Award Brónse ombojoaju mejor práctica arte, ciencia, diseño ha tecnología rehegua ha iporãiterei detalle rehe. Soli Apyka ombohory necesidad, ohupyty ipotapy, ombovy'a sentimiento ha ohenói curiosidad.

Diseño Rapykuéri

Marandu Aty

Diseñador ome'ẽva'ekue crédito, aty pegua ha mba'e técnico.

Mba'e Iñambuéva: The chair explores the balance between ergonomics visual lightness and structural precision resulting in a contemporary piece with sculptural presence. Its solid wood structure features smooth and continuous transitions between legs seat and backrest highlighting craftsmanship and technical mastery. The curved leather upholstered backrest gently supports the body while precise stitching and hand finishing reinforce material integrity and the uniqueness of each piece.
Tuichakue ha Ñemyenyhẽ: Width: 560 mm x Depth: 600 mm x Height: 840 mm. Height Seat: 460 mm.
Ñe'ẽ Rape: Wooden chair, Sustainable design, Ergonomic chair, Contemporary furniture, Organic curves, Eco-friendly materials, Brazilian Furniture, Brazilian Culture.
Ñeapopy Tecnología: The chair production is guided by sustainability and industrial efficiency. It uses responsibly sourced reforested Jequitiba wood and components designed to reduce waste throughout manufacturing. The seat incorporates curves that adapt to human anatomy combined with high performance foam for comfort and support. Industrial machining ensures precision and repeatability while controlled manual finishing preserves material integrity and durability.
Diseño Jepy'apy: The main challenge was balancing ergonomics and form. Developing a continuous curved backrest capable of adapting to different bodies required extensive research, testing, and fine adjustments. Manufacturing the wooden structure demanded high technical precision to achieve organic forms and smooth transitions without compromising structural strength. Integrating wood and leather also required careful detailing to ensure durability, comfort, and consistent aesthetic quality in potential scaled production.
Ñesẽheka: This design project was developed through research into sustainable materials applied to contemporary furniture, combined with an understanding of function as an adaptive element responsive to different bodies and contexts. The design process integrated hand sketching, 3D modeling, and full-scale prototyping to refine form, structure, and ergonomics, particularly the backrest curvature. The combination of wood and leather references Brazilian modern furniture, positioning craftsmanship as the conceptual core of the object.
Inspiración: The Soli chair inspire by a synthesis of form, identity, and materiality. Its design is structured as a continuous gesture, in which seat and backrest are unified through a single curve. Each curvature is carefully dimensioned to accommodate diverse body types, reflecting the plurality of Brazilian culture. Inspired by traditional wooden furniture and natural elements such as branches and animal horns, the combination of wood and leather emphasizes material honesty, lightness, stability, and tactile comfort, enhancing the users sensorial experience.
Proyecto Ára Tuichakue: The Soli chair was developed through close collaboration between designer and manufacturer with the objective of creating a chair that intuitively adapts to the human body. Completed in 2025 the project followed a rigorous development process with multiple prototypes ergonomic adjustments and formal refinements. The result is a contemporary chair that balances comfort aesthetic identity and production feasibility reflecting research collaboration and care in its creation.
Mba'apo Rape: The chair works as a single, continuous gesture. The seat supports the body, while the curved backrest approaches like an embrace, intuitively guiding posture. There are no adjustments or mechanisms: comfort comes directly from the form itself, which naturally adapts to different body types. The wooden structure sustains this movement with lightness and stability, transforming the act of sitting into a natural, welcoming, and efficient everyday experience.
Patente-kuéra: Unspecified
Aty Rembiguái: João Demele – Designer

Juliano Schmidt and Rafael Schmidt – Project approval
Juliano Schmidt and Luiz Eduardo Bossardi – Execution and prototyping
Ta'ãnga Mba'eñemoneĩ: Images developed by designer João Demele.