Perception of the Eyes Ao Arte Ojejogua Vaerã Karina Frances Edmonds omba'apóva

Perception of the Eyes Ao Arte Ojejogua Vaerã Karina Frances Edmonds omba'apóva ha'e rembiporuarã oñemba'eguaséva 2020 A' Design Award Brónse pegua Ao Jejapo Ñeha'ã Categoría-pe.

BrónseAo· 2020

Perception of the Eyes Ao Arte Ojejogua Vaerã

Karina Frances Edmonds -gua

Mba'eporuhára: Karina Frances

A' Design Award Brónse Rembiporuarã Ao Categoría-pe

37,236

Premio Rembiporuarã Oñemoneĩva

Emoneĩ Premio Reko #102508 Peg̃ua

Eike Tendápe Ehecha A' Design Award-pe Marandu Myasãi Mba'ete Jeguerohory

Sa'y

Diseño

Perception of the Eyes Ao Arte Ojejogua Vaerã Rehegua

Perception of the Eyes ha'e peteĩ ao arte ojejogua vaerã, oñemoheñóiva tesa ha ma'ẽre. Ko ao ohechauka peteĩ tesa rechaka pyahẽme, upépe pyahẽ ohechauka tesa rechaka, ha pyahẽ apytere ombojoja tesaraso. Tirekue osẽ upe guive yvýpe guarã, ojohasa hendaguasúpe oñemoĩ hag̃ua peteĩ ta'ãnga oikóva ýpe. Ko ta'ãnga omomandu'a mba'e kuaarã ta'ãngakuéra tesape osẽva ojehesái vove. Pyahẽ ojejapo peteĩ corsé-cha, alambre ha kuero japyre atãva reheve, upéva omoneĩ tirekuéra ojejoko atã hag̃ua. Tenondegua rape omomandu'a ymaguare jekuaa ko'agãgua tekoetépe.

Jeguerohory

A' Design Award Brónse Rehegua

Perception of the Eyes Ao Arte Ojejogua Vaerã ohupyty A' Design Award Brónse, peteĩ ñehechakuaa heta prestigioso oñeme'ẽva diseño sobresaliente-pe ojekuaáva creatividad, ingenio ha astucia rupi. Umi ganador Brónse ha'e artefacto hábil ha creativo ohechaukáva experiencia, imaginación ha recurso umi diseñador-pe. Oñeha'ãrõ Perception of the Eyes Ao Arte Ojejogua Vaerã ha'eha peteĩ objeto ojehayhúva, admirado ha estimado, profesional ha innovador. Ko diseño ohupytýva A' Design Award Brónse ombojoaju mejor práctica arte, ciencia, diseño ha tecnología rehegua ha iporãiterei detalle rehe. Perception of the Eyes Ao Arte Ojejogua Vaerã ombohory necesidad, ohupyty ipotapy, ombovy'a sentimiento ha ohenói curiosidad.

Diseño Rapykuéri

Marandu Aty

Diseñador ome'ẽva'ekue crédito, aty pegua ha mba'e técnico.

Mba'e Iñambuéva: The uniqueness in my design is born from the empowerment created for one to radiate. Empowerment is also my inspiration. My design mirrors an embodiment of this spirit. This garment speaks about eyes and their poetic power. The design boldly enhances the human body, through the rawness of the breasts, mimicking eyes, to the enhanced hip lines, through sculpture. The leather strips, architecturally strike down from the pupil (nipple) to create an illusion lasering out as a form of vision and structural support. Beauty in design shines when poetry meets function.
Tuichakue ha Ñemyenyhẽ: Size 6
Ñe'ẽ Rape: wearable art, eyes, vision, perception, poetry
Ñeapopy Tecnología: The materials used for the geometric elements are particularly effective. By constructing a corsetry bodice from more robust elements with wire and stiffer fabric such as faux leather, the contrasting silhouette strips are enabled to be pulled tight and hold the criss-cross pattern beautifully, before falling into waves. This is reminiscent of scientific diagrams of refraction of light. The production of this design regarded structure, architecture, form and the body. In the making and testing of this design, I thought about physics regarding matters like the laws of gravity and structure in terms of its architecturally inspired form.
This dress has a sense of history in its construction echoing vintage hip lines whilst displaying thoroughly contemporary vision.(regard pdf) for full version of "Production, realization technology and materials)
Diseño Jepy'apy: Beginning with the research I was challenged with deep inner reflection, about myself, and identity regarding the theme “Who am I”. Especially because I haven't found myself in this stage of my life as a 15 year old. I believe we are always changing and growing as people, and a society. Also, I faced challenges that regarded transferring my ideas from my pen to the needle, as this was the first time I had created a collection.
Ñesẽheka: I looked at many sources that helped me better define my knowledge to create a 5 piece collection that could reflect me as a person and unravel my identity. Second, after building my knowledge to a level at which I was confident, I could begin the artistic journey, I began designing. Even when designing it seems as if research and design overlapped, because I was always learning something new. Everything I learned was applied to enhance my skills and help my ability in creating material that is so new to me in the arts. (regard pdf for full research)
Inspiración: I was inspired by eyes and their magical properties with their ability to connect, reflect, and create visual poetry of the world around us. This poetic and magical ability for an eye to radiate vision is the inspiration for this dress. One can see these definitions through the garments architectural forms and illusions that run from the nipple to the ground.
Proyecto Ára Tuichakue: My fashion journey began with research April 2019, designing in May 2019, and finally completed in the summer of June 2019. The dresses were then showcased on the runway at NewYork FashionWeek Fall season (F/SS NYFW), the 7th of September 2019
Mba'apo Rape: The design has specific details that make the whole difference when looking at its performance as wearable art. While wearable art is very abstract and not the most wearable, I tried to make my designs so that they can still perform with attributes of the body making them more wearable. There are significant details that allow for this to happen, still encouraging the possibility of my design without making any major adjustments. This includes different systems created to convert art into wearable art.
Patente-kuéra: N/A
Aty Rembiguái: Tailor 15% work with patterns-( technical element).
Ta'ãnga Mba'eñemoneĩ: Image #1: Bruce Wang, 2019
Optional Image #2: Bruce Wang, 2019
Optional Image #3: Bruce Wang, 2019
Optional Image #4: Bruce Wang, 2019
Optional Image #5: Bruce Wang, 2019