The Birth of a Book Leabhar le Urszula Giren

Tha The Birth of a Book Leabhar le Urszula Giren na bhuannaiche air leth urramach anns an fharpais chliùitich 2020 Duais Òir A' Design Award ann an Roinn Farpais Dealbhadh Meadhanan Clò-bhuailte agus Foillsichte.

ÒrClò-bhualadh· 2020

The Birth of a Book Leabhar

le Urszula Giren

Neach-ceannach: Urszula Gireń

Buannaiche Duais Òir A' Design Award ann an Roinn Clò-bhualadh

80,127

Buannaiche Duais Dearbhaichte

Dearbhaich Inbhe na Duaise airson #97144

Tadhail air an Làrach Seall aig A' Design Award Brath Naidheachd Suaicheantas Duaise

Dathan

An Dealbhadh

Mu dheidhinn The Birth of a Book Leabhar

'S e foillseachadh clò-bhuailte a th' ann am Breith Leabhair mu dhealbhadh leabhraichean anns a' Phòlainn san 16mh linn. Tha an leabhar a' taisbeanadh seann chlò-bhualaidhean aig am fìor mheud, gus am faic luchd-leughaidh na cruthan tùsail. Tha an t-seacaid dhuslaich a' sealltainn an dòigh suidheachaidh a chleachdte airson an t-seann fhòrmat octavo. Tha comharra-leabhair rioban a' comharrachadh àirdean leabhraichean folio, quarto agus octavo. Tha na gearraidhean-fiodha air na duilleagan-tiotail air an clò-bhualadh ann an tionndadh dhathan, a' cuimhneachadh mhaitricsean còmhdaichte le inc dhubh. Is e am fòrmat 256 air 320 millemeatair, le 560 duilleag agus mu 1200 dealbh. Is e an t-amas dòighean clò-bhualaidh an Ath-bheothachaidh a mhìneachadh do luchd-leughaidh farsaing.

An Aithneachadh

Mu dheidhinn Duais Òir A' Design Award

Tha The Birth of a Book Leabhar air Duais Òir A' Design Award a bhuannachadh, aithneachadh anabarrach urramach a bheirear do dhealbhaidhean den chiad ìre, mìorbhaileach agus sònraichte. Tha buannaichean Òir nan cruthachaidhean anabarrach ùr-ghnàthach, làn lèirsinn agus drùidhteach a nochdas gèinidh, gliocas agus comas an luchd-dealbhaidh. Thathar an dùil gum bi The Birth of a Book Leabhar na innleachd a gheibh moladh mòr, a stèidhicheas gluasadan agus mòr-chuimhneachain a bheir luach nach fhacas riamh roimhe. Tha an dealbhadh seo a bhuannaich Duais Òir A' Design Award na phròiseact sònraichte, urramach a bhrosnaicheas crìochan ealain, saidheans, dealbhaidh agus teicneolais gu mòr. Bidh The Birth of a Book Leabhar a' cruthachadh faireachdainnean làidir miann, a' dùsgadh dealas, a' brosnachadh cruthachalachd agus a' glacadh sinn.

Air Cùl an Dealbhaidh

Pasgan Naidheachd

Creideasan, buill sgioba agus fiosrachadh teicnigeach a chuir an dealbhaiche ri chèile.

Feartan Sònraichte: The designed structure of publications presents the old prints in real size and the method of their production in additional elements like a dust jacket which show printing sheet, typographic composition at 1:1 scale. The woodcuts in color inversion on the title pages refer to matrices covered with black ink. The compositions of this pages were plotted on a scheme invented by Villard de Honnecourt, 13th century artist, and refer to the proportions of columns, margins used in the 16th century.
Tomhasan & Pacadh: Format:
256 x 320 mm in a 1.25 ratio, 560 pages, the page format allowed the calculation of a multi-level grid for the composition of individual elements, including 1200 illustrations.
Tagaichean: renaissance book, first roman typefaces, old prints, typography
Teicneòlas Cinneasachaidh: The work was digitally printed and a hardback, paper binding, thermo-gluing was used. The covering is made of black beater-dyed paper. There are also a dust jacket reflecting an imposition method for the old octavo book format, as well as a ribbon - bookmark, depicting the folio, quarto and octavo heights. Covering: Geltex Negro Antracita 191 Embossing LS 115 g (beater-dyed paper), silver color - screen printing, binder's board: spine board 2 mm, base case 3 mm, Dust Jacket: Color Style Black Smooth 120 g (beater-dyed paper) silver color - screen printing, Endpaper: Geltex Negro Antracita 191 Embossing LS 130 g (beater-dyed paper), Book-block: Pergraphica Natural Smooth 120 g, CMYK - digital printing, HP Indigo, printing according to fiber direction, PUR glue, Headband: Black, Ribbon bookmark: Black, silver color
Dùbhlan Dealbhaidh: The biggest challenge was complicated structure of the text - a lot of auxiliary and descriptive texts, an unusually large number of various illustrations - 1274. Organizing the appropriate grid required several verifications. I based the project largely on mathematical calculations related to the content of the publication. The divisions and colors used resulted entirely from the content and the assumption of the best possible exposure of illustrations and text. By learning the methodology of 16th-century typographers, you can see frequent references to numbers that have always been present in nature. The search for systematization the surrounding world by the renaissance artists was huge inspiration. Each element in the world has its place and meaning, nothing is accidental, everything is connected with each other and interacts with each other. I also wanted to build a relationship system in the design of my publication, where the smallest part would result from the structure of the whole.
Rannsachadh: The first part of book contains basic information about printing, introduces the reader to the general principles of Renaissance design. In the second part of the publication, printing in Poland was discussed in more detail. This part was divided into 5 chapters, four of which have been assigned specific cities. The choice of places was justified by the pioneering activity of the printing houses, which opened there, their size, as well as the quality of the publications they produced.
Brosnachadh: The main inspirations were the general principles of Renaissance design. The first stage of the project included gathering graphic material necessary to conduct research on the old European, Polish books. The study covered individual elements, starting from the materials from which books were created: papers, binding materials, typefaces, ornaments, graphics. Information was also collected on the most well-known Polish and European publishers, typographers and punchcutters.
Faid a' Phròiseict: The project started in May 2017 in Bialystok and finished in February 2019 in Katowice, Poland
Sruth Obrachaidh: All the elements in the book have been designed to familiarize the reader with the methodology of creating books in the 16th century. Starting from the format of the book showing real formats of old prints, to the dust jacket presenting the printing imposition, or the ribbon indicating the height of old books - folio, quarto, otavo.
Creideasan Dhealbhan: Urszula Gireń / 2019