Plus 81 Ibha, Iklabhu Yasebusuku ngu-Takahiro Todoroki

Umdwebo Plus 81 Ibha, Iklabhu Yasebusuku ngu-Takahiro Todoroki ungumnqobi ohlonishwa kakhulu womklomelo odumile we-2026 Umklomelo Webhulonzi we-A' Design Award Esigabeni Somncintiswano se-Ukudizayina Ingaphakathi.

IbhulonziIngaphakathi· 2026

Plus 81 Ibha, Iklabhu Yasebusuku

ngu Takahiro Todoroki

Iklayenti: Engine, Inc

Umnqobi we-Umklomelo Webhulonzi we-A' Design Award Esigabeni se-Ingaphakathi

6,585

Umnqobi Womklomelo Oqinisekisiwe

Qinisekisa Isimo Somklomelo se-#183476

Vakashela Isayithi Buka ku-A' Design Award Isitatimende Sabezindaba Ibheji Yomklomelo

Imibala

Ukuklama

Mayelana ne-Plus 81 Ibha, Iklabhu Yasebusuku

I-Plus 81 iyingaphakathi lebha neklabhu yasebusuku elakhiwe ngaphakathi kwesitolo esikhulu esesigugile. Ubuso bangaphandle bufana nendawo yokwakha yesikhashana embozwe ngamaphephandaba aseJapan, kanti umnyango ufihlwe ngemuva kwesitolo sezithombe ezincane, okudala ukushintsha kancane kancane ekungeneni ngaphakathi. Ibha ephakathi nendawo iyisisekelo sohlelo lwendawo, kanti izindawo ezizungezile zisekela ukudla, izihlalo zokuphumula, i-karaoke kanye nemibuthano yangasese. Uphahla olunohlelo lwamagridi olunezibani ze-RGB luphendula ekuphakameni okuphansi kophahla futhi lwengeza isigqi esibonakalayo. Izinto ezisetshenzisiwe zihlanganisa insimbi eqiniswe nge-zinc, izibuko eziqoshiwe kanye nephansi le-resin elinemibhalo yobuciko.

Ukuqashelwa

Mayelana ne-Umklomelo Webhulonzi we-A' Design Award

Plus 81 Ibha, Iklabhu Yasebusuku iwinile uMklomelo Webhulonzi we-A' Design Award, ukwaziswa okuhloniphekile kakhulu okunikezwa imiklamo ephawulekayo eyehlukaniswa ukudala, ubuhlakani nobukhali bengqondo. Abawinile beBhulonzi yimisebenzi enobuchule obukhulu nedala ngokumangalisayo eqinisekisa isipiliyoni esibanzi, umcabango nobuhlakani babaklami babo. Plus 81 Ibha, Iklabhu Yasebusuku ilindeleke ukuba ibe yinto exatshwa kakhulu, edunyiswayo nethandwayo, enobungcweti obuphawulekayo nezinto ezintsha. Lo mklamo owinile uMklomelo Webhulonzi we-A' Design Award uhlanganisa izindlela ezinhle kakhulu ebuciko, esayensi, ekuklameni nasebuchwepheshe futhi uhamba phambili ngenxa yokunaka kwawo imininingwane. Plus 81 Ibha, Iklabhu Yasebusuku iyanelisa izidingo ngokumangalisayo, ithinta izifiso, iheha imizwa futhi ikhanga ukufuna ukwazi.

Ngemuva Kokuklama

Iphakheji Yabezindaba

Ama-credit, amalungu eqembu nemininingwane yobuchwepheshe ehlinzekwe ngumklami.

Izici Ezihlukile: This project introduces a Neo Tokyo Speakeasy hidden within an aging mall, blending into its surroundings with a facade resembling a temporary construction site clad in Japanese newspapers. A concealed entrance through a figure shop creates a narrative transition into a vibrant interior. The design contrasts secrecy and spectacle, revealing a dynamic nightlife space. A grid ceiling with RGB lighting compensates for low height while generating visual rhythm, transforming spatial limitations into an immersive experience.
Izilinganiso Nokupakisha: Total area: 240 sqm. Ceiling height: 2355 mm. Structure: steel frame. Materials: wood panels, plaster with aggregates, etched mirrors, zinc-galvanized steel, resin, LED neon. Ceiling: timber frame with paint and random zinc panel cladding. Floor: pigmented mortar with urethane coating and kanji graphics. Walls: wood panels, plaster, mirrors, printed wallpaper. Lighting: 50 lux ambient, 2700K. Equipment includes projection mapping floor, digital display columns, and Void Acoustics sound system.
Amathegi: Club, Bar, Lounge, Speakeasy, Japanese, Philippines, Anime, Manga
Ubuchwepheshe Bokukhiqiza: The spatial design integrates club, bar, dining, and karaoke functions through strategic zoning and circulation planning. A central bar anchors the layout, while surrounding areas enable continuous movement. Acoustic performance was optimized by avoiding flat surfaces and applying geometric wall patterns. Materials include zinc-galvanized steel with exposed rivets, etched mirrors with integrated RGB lighting, and resin-coated flooring with graphic typography. Construction methods were systematized to match local skill levels, supported by detailed drawings and modular fabrication techniques.
Inselele Yokudweba: The main challenge was designing a high-impact nightlife space within the constraints of a low ceiling and limited footprint in an aging commercial building. Additionally, the complexity of the design led many contractors to decline participation, and initial costs exceeded the budget. These issues were addressed by simplifying construction systems and clearly communicating design intent through detailed drawings. Continuous adjustments and rework were required to achieve the intended quality under inconsistent construction conditions and scheduling delays.
Ucwaningo: This is an applied interior and experience design research. The objective was to create a multifunctional nightlife venue within a low ceiling and limited footprint by reinterpreting Japanese subculture. The methodology integrated zoning, atmospheric design, acoustic control, and narrative sequencing over a 3-month design and 7-month construction period. Data were gathered through user scenarios, site constraints, and mock-ups using drawings, 3D models, lighting tests, and material studies. The result enhanced user engagement and commercial performance.
Ugqozi: The design is inspired by Japan 1980s and 1990s subculture and bubble era nightlife, reinterpreted in a contemporary context. It draws from manga, neon, and retro materials to evoke nostalgia and energy. The concept also reflects the idea of multifunctional entertainment spaces, similar to karaoke culture in Japan. Given the limited scale, the project aims to maximize usage beyond nightlife by creating zones adaptable for dining, socializing, and private gatherings, merging cultural memory with modern urban lifestyles.
Ubude Bephrojekthi: This project began its design phase in Japan in 2023 and opened in Manila, Philippines, in May 2025.
Ukuhamba Kokusebenza: The venue operates as a lounge bar and restaurant on weekdays and transforms into a nightclub on weekends. It accommodates diverse user needs, including dancing, dining, drinking, and karaoke. Guests enter through a hidden route, gradually building anticipation before reaching the main space. The layout encourages exploration, allowing users to move freely between zones such as bar counter, lounge seating, and private rooms. This layered experience creates excitement and discovery, making each visit unique and engaging.
Amakhredithi Ezithombe: Photographer : Katsumi Hirabayashi