Beimu Isakhiwo Sangaphakathi Sesitolo Esikhulu ngu-Huson

Umdwebo Beimu Isakhiwo Sangaphakathi Sesitolo Esikhulu ngu-Huson ungumnqobi ohlonishwa kakhulu womklomelo odumile we-2021 Umklomelo Webhulonzi we-A' Design Award Esigabeni Somncintiswano se-Ukudizayina Ingaphakathi.

IbhulonziIngaphakathi· 2021

Beimu Isakhiwo Sangaphakathi Sesitolo Esikhulu

ngu Huson

Iklayenti: Beimu Home

Umnqobi we-Umklomelo Webhulonzi we-A' Design Award Esigabeni se-Ingaphakathi

11,250

Umnqobi Womklomelo Oqinisekisiwe

Qinisekisa Isimo Somklomelo se-#116018

Vakashela Isayithi Buka ku-A' Design Award Isitatimende Sabezindaba Ibheji Yomklomelo

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Ukuklama

Mayelana ne-Beimu Isakhiwo Sangaphakathi Sesitolo Esikhulu

I-Beimu iyisakhiwo sangaphakathi sesitolo esikhulu esitholakala eDongguan, eChina, esimbozwe ubukhulu obungamamitha ayisikwele angu-800. Umklamo unciphisa ukuboniswa kwemikhiqizo futhi ugcizelela indawo ngokwayo, ukuze izivakashi zibanjwe umsindo wangaphakathi sendawo. Ingaphambili linqunywe laba yizingcezu ezimnyama nezimhlophe ngemigqa elula. Eduze kophawu lwebhrendi, kuvuliwe iwindi elilodwa elingamamitha ayisikwele angu-3.3, okudala ukubukana phakathi kwangaphandle nangaphakathi. Umbala obomvu nomnyama wakha indlela ende encishisa ijubane lokuhamba. Amatafula nezihlalo ezingobukhulu obehlukene zinikeza izinhlelo ezahlukene zemihlangano, ukuphumula, kanye nezingxoxo.

Ukuqashelwa

Mayelana ne-Umklomelo Webhulonzi we-A' Design Award

Beimu Isakhiwo Sangaphakathi Sesitolo Esikhulu iwinile uMklomelo Webhulonzi we-A' Design Award, ukwaziswa okuhloniphekile kakhulu okunikezwa imiklamo ephawulekayo eyehlukaniswa ukudala, ubuhlakani nobukhali bengqondo. Abawinile beBhulonzi yimisebenzi enobuchule obukhulu nedala ngokumangalisayo eqinisekisa isipiliyoni esibanzi, umcabango nobuhlakani babaklami babo. Beimu Isakhiwo Sangaphakathi Sesitolo Esikhulu ilindeleke ukuba ibe yinto exatshwa kakhulu, edunyiswayo nethandwayo, enobungcweti obuphawulekayo nezinto ezintsha. Lo mklamo owinile uMklomelo Webhulonzi we-A' Design Award uhlanganisa izindlela ezinhle kakhulu ebuciko, esayensi, ekuklameni nasebuchwepheshe futhi uhamba phambili ngenxa yokunaka kwawo imininingwane. Beimu Isakhiwo Sangaphakathi Sesitolo Esikhulu iyanelisa izidingo ngokumangalisayo, ithinta izifiso, iheha imizwa futhi ikhanga ukufuna ukwazi.

Ngemuva Kokuklama

Iphakheji Yabezindaba

Ama-credit, amalungu eqembu nemininingwane yobuchwepheshe ehlinzekwe ngumklami.

Izici Ezihlukile: The client of Beimu flagship store hopes to further improve its brand paradigm through space design strategy.

The creative logic of a designer consists of three parts: the change of business model and the manipulation of consumer psychology under the background of the era; the uniqueness and displeasure of cultural aesthetics in the context of globalization; and the gradual design refinement technology starting from concept to form
Izilinganiso Nokupakisha: The store is about 40M（L）*20M（W） and covers an area of 800 square meters.
Amathegi: Flagship store, BEIMU Home, Commercial Exhibition, OD·O office
Ubuchwepheshe Bokukhiqiza: designers strive to create the symbol and spirit of the brand. Through the building facade, black and white color blocks are cut out with simple lines. Beside the highlighted brand logo, only a window of 3.3 square meters is opened to form a mutual peeping relationship inside and outside. The window plays the role of "soul and eye" and sends heartbeat signals to passers-by. Red and black construct a maze of time stagnation, guiding visitors to observe and pay attention to the strangeness after alienation. On the one hand, the deliberately elongated channel serves as the adjustment and transition of emotions, and on the other hand, it further strengthens the curiosity of the first-time visitors. Mirrors, stairs, and clever use of light all connect the feelings between people and space.
Inselele Yokudweba: Symbol and spirit communication of brand building
Ucwaningo: the creative logic of designers consists of three parts: the change of business model and the pinch of consumer psychology under the background of the great times, the uniqueness and unpleasure of cultural aesthetics in the context of globalization, and the gradual design refinement technology which begins with the concept of form.
Ugqozi: Designers advocate weakening products, emphasizing space, retaining visitors with the charm of space itself, and achieving stronger business interaction. The development of the Internet has transformed space into a new space of the dual world of reality and virtual. Therefore, the design of modern commercial space not only depends on pure aesthetic judgment, but also bears the responsibility of brand identity media.
Ubude Bephrojekthi: The project started in Dongguan in April 2020 and completed in September 2020, opening to the outside world.
Ukuhamba Kokusebenza: How to ease the antagonistic relationship between buyers and sellers is the focus of designers' thinking.
Provide multiple negotiation scenarios for visitors to choose from, the designer's purpose is to weaken the commercial characteristics of space. The combination of tables and chairs with different scales and styles shows that the space is not only a place for commercial negotiation, but also a clubhouse for old friends gathering, but also a place for leisure and rest for the surrounding residents.
Amalungu Eqembu: HUSON
Zhou Yanjie
Yi Yongxian
Lin Wuyuan
Ye Bohui
Tang Xiaobo
Amakhredithi Ezithombe: Picture#0000：photographer Ouyang yun,2020
Picture#0001：photographer Ouyang yun,2020
Picture#0002：photographer Ouyang yun,2020
Picture#0003：photographer Ouyang yun,2020
Picture#0004：photographer Ouyang yun,2020