Shany Dvora 的作品 Shany Abdallah Naji 平面艺术系列

设计师 Shany Dvora 的作品 Shany Abdallah Naji 平面艺术系列荣获了极具声望的 2021 A' Design Award 银奖，竞赛类别为平面、插画与视觉传达设计。

银平面· 2021

Shany Abdallah Naji 平面艺术系列

设计师： Shany Dvora

平面类别A' Design Award 银奖获奖者

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关于 Shany Abdallah Naji 平面艺术系列

《Shany Abdallah Naji》是一组重拾家族命名传统的平面艺术作品。这一传统在家族从伊拉克迁居以色列后中断,按照该传统,新生儿的名字由本名、父名与祖父名依次相连而成。该系列创作于家族旧移民证件被重新发现之后。五件综合媒材作品中,四件尺寸为50×70厘米,一件为75×70厘米,将图像编织进希伯来书法之中,其书法灵感源自12至15世纪间产自伊拉克、也门与摩洛哥的希伯来文手抄本。

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关于A' Design Award 银奖

Shany Abdallah Naji 平面艺术系列是 A' Design Award 银奖得主，这是授予顶级、华美而令人印象深刻的设计的极为崇高的认可。银奖得主是极其卓越、极具创造力的作品，展现出其设计师杰出的专业技能、才华与敏锐。预计Shany Abdallah Naji 平面艺术系列将成为一件出色的典范之作，兼具非凡的专业性与深刻的创新性。这件赢得 A' Design Award 银奖的设计是一项备受瞩目、令人钦佩的发明，造福并拓展艺术、科学、设计和技术的边界。Shany Abdallah Naji 平面艺术系列是一件令人羡慕的创作，它唤起渴望，带来积极的情感，并激发惊叹与赞叹。

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由设计师提供的致谢、团队成员及技术详情。

独特属性: Shany Abdalla Naji is a series of Graphic works attempting to revive the name giving tradition in the designer’s family.
This tradition that broke upon arriving to Israel from Iraq, consists of naming a new born and adding the names of his father and grandfather. Dvora learned all this recently after finding her family's immigration papers. This discovery left her excited thinking names can encompass within them the changes of tradition and culture and it made her question how her own name fits in her family’s ancestry
尺寸与包装: 4 works 50*70 cm
1 work 75*70 cm
标签: Calligraphy, Typography, Hebrew, Eastern
生产技术: Mixed Media
设计挑战: -
研究: For ages, the Middle East has been a meeting point for eastern and western cultures. This region has seen empires rise and fall, ever changing borders and frequent migrations of people looking for a fresh start. But not only the people journeyed across the land, with them came their family history, their stories, ideas, ideals and traditions.

This is the story of Dvora’s grandmother - Juliette Abdallah Moshe.

Juliette immigrated to Israel from Iraq in 1951 with her husband and three young sons. Her birth given name, Juliette Abdallah Moshe, as were the names of her ancestors, consisted of her first name followed by the names of her father and grandfather. When she arrived in Israel her name was changed to “Juliette Dvora” as part of the process of integration. Thus, the tradition linking the children’s names to those of their ancestors was broken. Dvora learned all this only in recent years after finding her grandmother’s original immigration papers. This discovery left her very excited thinking that a name of a man can encompass within it the changes of tradition and culture as it consists of the names of the previous family generations. The excitement was followed by a few questions though. Why is Shany’s name so different from the traditional and deeply rooted names in her family’s ancestry? Where and how does her name fit in there?
In this project She seeks to revive the name giving tradition that still lived on in the time of her grandmother’s birth. She does so through imagery woven into Hebrew calligraphy inspired by 12th-15th century Hebrew manuscripts from Iraq, Yemen and Morocco
灵感: In this project Dvora seeks to revive the name giving tradition that still lived on in the time of her grandmother’s birth. She does so through imagery woven into Hebrew calligraphy inspired by 12th-15th century Hebrew manuscripts from Iraq, Yemen and Morocco
项目周期: 2018-2019, Israel
操作流程: -
专利: -
团队成员: -
图片版权: Shany Dvora