The Japanese Forest Fọtoyiya láti ọwọ́ Masaru Eguchi

The Japanese Forest Fọtoyiya láti ọwọ́ Masaru Eguchi jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2020 Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Fọ́tò Yíya àti Àtúnṣe Fọ́tò.

FàdákàFọ́tò Yíya· 2020

The Japanese Forest Fọtoyiya

látọ̀wọ́ Masaru Eguchi

Oníbàárà: Sunpono

Aṣẹ́gun Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Fọ́tò Yíya

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Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí

Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #95058

Ṣàbẹ̀wò Ojú Òpó Wo ní A' Design Award Ìwé Ìròyìn Àmì Ẹ̀yẹ

Àwọ̀

Àpẹrẹ Náà

Nípa The Japanese Forest Fọtoyiya

A gba Igbimọ Japanese kuro lati oju-ọna ẹsin Japanese kan. Ọkan ninu awọn ẹsin atijọ ti ilu Japan ni Animism. Idaraya jẹ igbagbọ pe awọn ẹda ti kii ṣe eniyan, tun igbesi aye (ohun alumọni, awọn ohun-ara, ati bẹbẹ lọ) ati awọn ohun alaihan tun ni ipinnu. Fọtoyiya jọra si eyi. Masaru Eguchi n yin nkan ti o jẹ ki rilara ninu koko-ọrọ naa. Awọn igi, koriko ati ohun alumọni lero ifẹ ti igbesi aye. Ati paapaa awọn ohun-elo ara bii awọn dams ti o fi silẹ ninu ẹda fun igba pipẹ lero ifẹ. Gẹgẹ bi o ti rii iseda ti ko fọkan, ọjọ iwaju yoo wo iwoye lọwọlọwọ.

Ìdánimọ̀ Náà

Nípa Àmì-ẹ̀yẹ Fàdákà A' Design Award

The Japanese Forest Fọtoyiya jẹ́ olùborí Àmì-ẹ̀yẹ Fàdákà A' Design Award, ìdánimọ̀ onípọ̀nlé lọ́nà àrà ọ̀tọ̀ tí a fún àwọn àwòṣe ìpele gíga jùlọ tó dára tó sì ń kan ọkàn. Àwọn olùborí Fàdákà jẹ́ àwọn iṣẹ́ tó ń tàn yòò gidigidi tó sì ní ìṣẹ̀dá púpọ̀ tí wọ́n ń ṣàfihàn ìmọ̀ ìjìnlẹ̀, ẹ̀bùn àti ìmọ̀ràn àwọn olùṣàwòṣe wọn. A retí pé The Japanese Forest Fọtoyiya yóò jẹ́ iṣẹ́ àgbàyanu, àpẹẹrẹ rere, ti ọ̀jáfáfá lọ́nà tó ṣe pàtàkì tó sì ní ìmúṣẹ̀dá tuntun jinlẹ̀. Àwòṣe tó borí Àmì-ẹ̀yẹ Fàdákà A' Design Award yìí jẹ́ ohun ìmúṣẹ̀dá tó hàn gbangba gidigidi tí a mọrírì tó ń ṣe anfàní tó sì ń tì ààlà iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ síwájú. The Japanese Forest Fọtoyiya jẹ́ ẹ̀dá tí ọ̀pọ̀lọpọ̀ ń ṣe ìlara, tó ń jí ìfẹ́ inú, tó ń mú ìmọ̀lára rere wá tó sì ń jí ìyàlẹ́nu àti ìyanu.

Lẹ́yìn Àpẹrẹ Náà

Àkójọ Ìròyìn

Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.

Àwọn Ohun Àkànṣe: "The Japanese Forest" is taken from a Japanese religious perspective.
In addition, the more it explores the unique perspectives of Japan, the more universal and true nature appears.
The nature in this work is the scenery seen by ancient people, modern people, and future people.
Ìwọ̀n àti Àpò: The camera used in "The Japanese Forest" is NIKON Df. Retouch uses Adobe CC.
Àwọn Àkọlé: Japan, Photo, Nature, Mountain, Forest, Tree, Green, Landscape, Sustainable, Ecology
Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀: The technology required for "The Japanese Forest" is digital retouching. Digital retouching has made it possible to achieve both nostalgia and newness. With this work, He was able to create colors that could not be achieved with film.
Ìpèníjà Àpèsè: The difficulty with this project is that forests are decreasing in Japan. Japanese forests were destroyed by economic growth in the 1960s. Replanted with fast-growing trees, Japanese forests have become similar.
Ìwádìí: Type of study: animism, eight million gods. Research purpose: To preserve the existing landscape in the future. Methodology: photography. Tools: Japanese classic books. Influence of design: The more unique the country landscape, the more universal the beauty.
Ìmísí: One of the beginnings of Japanese religion is the "Yaoyorozu-no-kami". "Yaoyorozu-no-kami" is the belief that there is a god in all things in nature, and it is introduced in foreign countries as "Animism" or "Shinto". Shooting is similar to "Animism". Trees, minerals, and dead grass feel the will of life, and even if an artifact like a dam is left in nature for a long time, it will feel the will of life. Just as we see untouched nature, the future people see the current scenery.
Àkókò Iṣẹ́ Àkànṣe: The project was created between 2013 and 2015. And it was released on eguchimasaru.com.
Ìlànà Ìṣiṣẹ́: This work reminds the user of the view of nature stored in the gene. This work suggest a discussion about what is needed for the future art. This is the role of the work.
Àwọn Ìwé-ẹ̀rí Ohun-Ìmọ̀: Copyright: Masaru Eguchi
Ìfọwọ́sí Àwòrán: Image #1: Photographer Masaru Eguchi, The Japanese Forest, 2013-2020. Image #2: Photographer Masaru Eguchi, The Japanese Forest, 2013-2020. Image #3: Photographer Masaru Eguchi, The Japanese Forest, 2013-2020. Image #4: Photographer Masaru Eguchi, The Japanese Forest, 2013-2020. Image #5: Photographer Masaru Eguchi, The Japanese Forest, 2013-2020.