Rinn Kyoto Miyagawasuji Hitotose Aki Àgbékalẹ̀ Inú Ilé Ìtura láti ọwọ́ Miki Orihara jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2025 Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Àyà Inú Ilé àti Ibi Àfihàn.
FàdákàInú Ilé· 2025
Rinn Kyoto Miyagawasuji Hitotose Aki Àgbékalẹ̀ Inú Ilé Ìtura
látọ̀wọ́ Miki Orihara
Oníbàárà: Rinn Kyoto Miyagawasuji Hitotose Aki
Aṣẹ́gun Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Inú Ilé
Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí
Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #170630Àpẹrẹ Náà
Nípa Rinn Kyoto Miyagawasuji Hitotose Aki Àgbékalẹ̀ Inú Ilé Ìtura
Rinn Kyoto Miyagawasuji Hitotose Aki jẹ́ àgbékalẹ̀ inú ilé ìtura kan tí ó wà ní Miyagawa-suji, ojú pópó kan ní Kyoto tí ó pa ìrísí ojú pópó ìbílẹ̀ mọ́. Àgbékalẹ̀ náà tẹ̀lé àwọn òfin agbègbè tí ó le koko lórí àwọn àwọ̀, ìrísí àti àṣà ilé kíkọ́. Ètò ìtànṣán iná náà ń darí àwọn àlejò láti ibi iná tí kò mọ́lẹ̀ púpọ̀ ní ẹnu ọ̀nà lọ sí àwọn yàrá tí ó mọ́lẹ̀ sí i, àti pé ìtànṣán iná àìtààrà ń fi ìrísí ara àwọn ògiri hàn. Wọ́n lo bébà washi tí a ṣe pẹ̀lú oníṣẹ́ ọnà bébà agbègbè kan ní onírúurú ọ̀nà, títí kan ìtọ́jú kakishibu, lílọ́ koyori àti gbígbé fukuro-bari lélẹ̀ lọ́po lọ́po. Ète náà ni láti ṣẹ̀dá àyè ìdákẹ́jẹ́ tí ó sì gbóná fún ìdúró tí ó tura.
Ìdánimọ̀ Náà
Nípa Àmì-ẹ̀yẹ Fàdákà A' Design Award
Rinn Kyoto Miyagawasuji Hitotose Aki Àgbékalẹ̀ Inú Ilé Ìtura jẹ́ olùborí Àmì-ẹ̀yẹ Fàdákà A' Design Award, ìdánimọ̀ onípọ̀nlé lọ́nà àrà ọ̀tọ̀ tí a fún àwọn àwòṣe ìpele gíga jùlọ tó dára tó sì ń kan ọkàn. Àwọn olùborí Fàdákà jẹ́ àwọn iṣẹ́ tó ń tàn yòò gidigidi tó sì ní ìṣẹ̀dá púpọ̀ tí wọ́n ń ṣàfihàn ìmọ̀ ìjìnlẹ̀, ẹ̀bùn àti ìmọ̀ràn àwọn olùṣàwòṣe wọn. A retí pé Rinn Kyoto Miyagawasuji Hitotose Aki Àgbékalẹ̀ Inú Ilé Ìtura yóò jẹ́ iṣẹ́ àgbàyanu, àpẹẹrẹ rere, ti ọ̀jáfáfá lọ́nà tó ṣe pàtàkì tó sì ní ìmúṣẹ̀dá tuntun jinlẹ̀. Àwòṣe tó borí Àmì-ẹ̀yẹ Fàdákà A' Design Award yìí jẹ́ ohun ìmúṣẹ̀dá tó hàn gbangba gidigidi tí a mọrírì tó ń ṣe anfàní tó sì ń tì ààlà iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ síwájú. Rinn Kyoto Miyagawasuji Hitotose Aki Àgbékalẹ̀ Inú Ilé Ìtura jẹ́ ẹ̀dá tí ọ̀pọ̀lọpọ̀ ń ṣe ìlara, tó ń jí ìfẹ́ inú, tó ń mú ìmọ̀lára rere wá tó sì ń jí ìyàlẹ́nu àti ìyanu.
Lẹ́yìn Àpẹrẹ Náà
Àkójọ Ìròyìn
Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.
- Àwọn Ohun Àkànṣe
- This facility is located on Miyagawa-suji and features a design that emphasizes harmony with its surroundings. The lighting plan makes full use of materials and cooperation with a local washi paper artist has been designed with local production for local consumption in mind. Kakishibu washi paper and the koyori technique are used to add shading, aiming to create a facility with concern and warmth in the traditional streetscape.
- Ìwọ̀n àti Àpò
- Although Japanese paper is used extensively, it is expressed in a variety of ways. Japanese paper mixed with clay and colored Japanese paper plus plastering, kakishibu, which has been used since ancient times for its antiseptic and water-repellent properties koyori, in which Japanese paper is picked up and twisted by hand fukuro-bari, in which the surface is covered to seal the cavity, and furthermore, lighting is installed in the cavity.
- Àwọn Àkọlé
- Interior Design, Hotel Luxury, Living space, Guesthouse, Asia , Japan
- Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
- Kyoto has strict regulations in place to protect its traditional landscape, and the colors, shapes and designs of buildings must conform to a prescribed style. We have actively worked to comply with these regulations, incorporating external lighting into the interior of the first floor without any sense of incongruity, and creating a “stillness” and “movement” atmosphere on the second floor, created by Kyoto artisans.
- Ìpèníjà Àpèsè
- While overcoming the strict landscape regulations, how can we create a new style without destroying the good image that many people have of Kyoto's machiya? We also carefully considered what kind of measures would be needed to ensure that guests would be comfortable in the hot summers and cold winters.
- Ìwádìí
- We held discussions with the Japanese paper artists about colors and construction methods, and solved the problem in a variety of ways. We also reread works such as Junichiro Tanizaki's In Praise of Shadows, E. Oryong's The Shrinking Japanese Mind and Bruno Taut's Nippon and summarized our way of thinking.
- Ìmísí
- The space has been created to reflect the Japanese aesthetics of drawing in, with the intention of capturing the atmosphere of Miyagawa-cho, Kyoto, inside the room. To change from the dim light upon arrival at the inn to the brightness of the interior, the lighting is based on Junichiro Tanizaki's In ei Raisan. In the guest rooms, indirect lighting is used to accentuate the texture of the walls, and the materials and lighting are carefully selected.
- Àkókò Iṣẹ́ Àkànṣe
- 605-0801 4-297-10 Miyagawasuji Higashiyama-ku Kyoto city
Completed on October 26, 2023. - Ìlànà Ìṣiṣẹ́
- Design plays an important role in shaping cities. I also think it has a role to play in passing on culture to the next generation. I hope this book will be a chance for many people to learn about the importance of design.
- Àwọn Ọmọ Ẹgbẹ́
- Lead Designer : Miki Orihara
Interior Designer : Mao Namikawa
Graphic Designer : Kei Sakai
Washi paper-making artist : Wataru Hatano - Ìfọwọ́sí Àwòrán
- Main Image / Toshihide Kajiwara
Image #1 / Toshihide Kajiwara
Image #2 / Toshihide Kajiwara
Image #3 / Toshihide Kajiwara
Image #4 / Toshihide Kajiwara
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