Enno Cheng Daughters Àgbékalẹ̀ Ìtàgé Eré Orin láti ọwọ́ B'in Live jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2025 Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Iṣẹ́ Ọnà Aṣàfihàn, Ìtàgé, Àṣà àti Àyíká.
FàdákàIṣẹ́ Ọnà Aṣàfihàn· 2025
Enno Cheng Daughters Àgbékalẹ̀ Ìtàgé Eré Orin
látọ̀wọ́ B'in Live
Oníbàárà: B'in Live
Aṣẹ́gun Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Iṣẹ́ Ọnà Aṣàfihàn
Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí
Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #163893Àpẹrẹ Náà
Nípa Enno Cheng Daughters Àgbékalẹ̀ Ìtàgé Eré Orin
Daughters jẹ́ àgbékalẹ̀ ìtàgé eré orin tí ó dá lórí kókó-ọ̀rọ̀ ìbánisọ̀rọ̀. Ìtàgé àkọ́kọ́ gbé ìpele mẹ́rin ti àwọn pátákó LED oníhà mẹ́rin dọ́gba, ọ̀kọ̀ọ̀kan jẹ́ mítà 6 sí 6, tí a sì pín sí pátákó mẹ́jọ ti mítà 3 sí 6. Àwọn pátákó náà ń ṣí, wọ́n ń tì, wọ́n ń nà wọ́n sì ń bori ara wọn, wọ́n sì ń rìn ní ìdúró àti ní ìbú láti bá apá kọ̀ọ̀kan eré náà mu. A yan àwọn pátákó LED ìbílẹ̀ dípò àwọn tí ó jẹ́ afínhàn kí ipa ìmọ́lẹ̀ àti òjìji lè hàn kedere síi. A pa ọ̀rọ̀ kíkọ, èdè ara, ìró àti àwọn àmì pọ̀ lórí ìtàgé láti fi hàn bí ìsọfúnni ṣe lè kọjá àwọn ìdíwọ́ èdè. Eré orin náà wáyé ní Taipei ní oṣù Ògún ọdún 2022.
Ìdánimọ̀ Náà
Nípa Àmì-ẹ̀yẹ Fàdákà A' Design Award
Enno Cheng Daughters Àgbékalẹ̀ Ìtàgé Eré Orin jẹ́ olùborí Àmì-ẹ̀yẹ Fàdákà A' Design Award, ìdánimọ̀ onípọ̀nlé lọ́nà àrà ọ̀tọ̀ tí a fún àwọn àwòṣe ìpele gíga jùlọ tó dára tó sì ń kan ọkàn. Àwọn olùborí Fàdákà jẹ́ àwọn iṣẹ́ tó ń tàn yòò gidigidi tó sì ní ìṣẹ̀dá púpọ̀ tí wọ́n ń ṣàfihàn ìmọ̀ ìjìnlẹ̀, ẹ̀bùn àti ìmọ̀ràn àwọn olùṣàwòṣe wọn. A retí pé Enno Cheng Daughters Àgbékalẹ̀ Ìtàgé Eré Orin yóò jẹ́ iṣẹ́ àgbàyanu, àpẹẹrẹ rere, ti ọ̀jáfáfá lọ́nà tó ṣe pàtàkì tó sì ní ìmúṣẹ̀dá tuntun jinlẹ̀. Àwòṣe tó borí Àmì-ẹ̀yẹ Fàdákà A' Design Award yìí jẹ́ ohun ìmúṣẹ̀dá tó hàn gbangba gidigidi tí a mọrírì tó ń ṣe anfàní tó sì ń tì ààlà iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ síwájú. Enno Cheng Daughters Àgbékalẹ̀ Ìtàgé Eré Orin jẹ́ ẹ̀dá tí ọ̀pọ̀lọpọ̀ ń ṣe ìlara, tó ń jí ìfẹ́ inú, tó ń mú ìmọ̀lára rere wá tó sì ń jí ìyàlẹ́nu àti ìyanu.
Lẹ́yìn Àpẹrẹ Náà
Àkójọ Ìròyìn
Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.
- Àwọn Ohun Àkànṣe
- Communication evolves through various methods and media, making it increasingly diverse. The program showcases different communication modes via music and stage design, ensuring messages are conveyed effectively.
By blending music, visuals, body language, and text, the concert captures each song's essence and instills deeper meanings like human compassion, encouraging reflection and letting profound messages resonate long after. - Ìwọ̀n àti Àpò
- To enhance stage dynamics, the screens open, close, stretch, and overlap based on the segment, sometimes forming a complete square for added visual depth. Traditional LED screens are used instead of transparent ones to achieve clearer light and shadow effects through better lighting integration.
The main stage features four 6m x 6m screens divided into eight 3m x 6m rectangles. These screens can move vertically to adapt to different segments and music styles, maximizing their visual impact. - Àwọn Àkọlé
- Concert, Daughters, Enno, Communication, Language, Music, Message
- Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
- Effective communication occurs when the sender can express and the receiver can understand. The music arrangement encourages audience interaction, including clapping and movement. Additionally, dancers use sign language and Taiwanese Hokkien to highlight diverse forms of self-expression and understanding. This approach enriches the concert by showcasing how various mediums enhance experiences and convey messages uniquely.
- Ìpèníjà Àpèsè
- One major technical challenge is the ceiling load issue. The four layers of LED screens, consisting of eight rectangular panels, need to open horizontally and move vertically.
Balancing screen movement and ceiling load becomes a key concern, making pre-show inspections crucial. Additionally, discussions with the lighting designer lead to choosing Fine Art 156 lights. This choice, due to its unlimited rotation capability, maximizes LED screen configuration while meeting safety load limits. - Ìwádìí
- The concert features four main elements: body language, text, sound, and symbols. Rather than following a traditional sequence, these elements are combined in various ways to create new possibilities. Using four layers of square LED screens that move individually, both horizontally and vertically, creating diverse visual forms. This symbolizes neutral communication elements, where different combinations turn simple messages into unexpected reactions, highlighting endless interaction potential.
- Ìmísí
- The Daughters concert, inspired by Wu Ming-Yi's chapter "How the Brain Got Language" from "The Land of Little Rain", complements Enno Cheng's album on communication.
The stage features four square LED screens that move independently, symbolizing communication beyond language barriers. Combining words, gestures, and sounds, it creates dynamic visuals and a chemistry of shared messages, offering a profound and thought-provoking experience focused on human compassion. - Àkókò Iṣẹ́ Àkànṣe
- The concert was held in August 2022 in Taipei.
- Ìlànà Ìṣiṣẹ́
- Communication evolves with technology and time, from an infant's cry and facial expressions to sign language, Morse code, and more.
The "Daughters" concert's stage design and program aim to not only soothe with music but also prompt a re-evaluation of communication's significance. Beyond conveying messages, diverse forms of communication can transcend borders and language barriers, fostering unexpected love and strength for individuals and society. - Àwọn Ọmọ Ẹgbẹ́
- Creative Director:Crystal Chuang
Show Director:Wenyu Shih
Show Crew:Genie Hsiao / Genie Hsiao / Kelly Wang / Doris Li / Ruby Lin
Technical Coordination:B’in Live
Stage Manager:Shiuan Min Pam
Stage & Set Design:Roni Wu / Nia Chen
Lighting Design:(ANH Design) Hwua Hwua Shen / Ashton Wu / Suschi Chen
Video Content Director:Bonnie Kuo
Video Content Design:Bonnie Kuo / Jessic Chen / Ruby Chi / Nas Weng / Minting Lin / (Phototaxi) Nelson Wu, Mo Lee, Caca Ma
Camera Director:Phoebe Lu
Assistant Camera Director:Sing-ru Lin
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