Smritivan Ilé Ìṣẹ̀ǹbáyé àti Ibi Ìrántí Ìmìtìtì Ilẹ̀ láti ọwọ́ Siddharth Bathla jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2023 Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Àyà Inú Ilé àti Ibi Àfihàn.
FàdákàInú Ilé· 2023
Smritivan Ilé Ìṣẹ̀ǹbáyé àti Ibi Ìrántí Ìmìtìtì Ilẹ̀
látọ̀wọ́ Siddharth Bathla
Oníbàárà: Gujarat State Disaster Management Authority
Aṣẹ́gun Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Inú Ilé
Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí
Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #150164Àpẹrẹ Náà
Nípa Smritivan Ilé Ìṣẹ̀ǹbáyé àti Ibi Ìrántí Ìmìtìtì Ilẹ̀
Smritivan jẹ́ ilé ìṣẹ̀ǹbáyé àti ibi ìrántí ìmìtìtì ilẹ̀ tí ó wà lórí òkè Bhujio Dungar ní Bhuj, Gujarat, orílẹ̀-èdè Íńdíà. Ilé ìṣẹ̀ǹbáyé náà gba mítà onígun mẹ́rin ẹgbẹ̀rún mẹ́sàn-án ó lé igba (9200) fún àyè inú ilé àti ìta gbangba, tí a ṣètò sí àwọn ẹ̀ka àkòrí méje àti àwọn gbọ̀ngàn àfihàn mẹ́tàdínlọ́gbọ̀n (27). Àwọn ohun àfihàn náà ń rán wa létí ìmìtìtì ilẹ̀ ọdún 2001 nípasẹ̀ àwọn ìtàn ẹnì kọ̀ọ̀kan, àwọn àkọsílẹ̀ ìtàn àti àkóónú ìmọ̀ sáyẹ́ǹsì. Àwọn oníṣẹ́ ọnà àdúgbò kópa nínú ṣíṣẹ̀dá àwọn iṣẹ́ ọnà náà, a sì da àwọn aṣọ híhun pọ̀ mọ́ irin tí ó lágbára. Ẹ̀rọ àfarawé ìmìtìtì ilẹ̀ ńlá kan àti àwọn ọ̀wọ̀ dídíjítà fún àwọn tí ó ṣàìsí náà wà nínú rẹ̀ pẹ̀lú. Àkòrí àárín gbùngbùn ti àpẹrẹ náà ni agbára ìfaradà ènìyàn.
Ìdánimọ̀ Náà
Nípa Àmì-ẹ̀yẹ Fàdákà A' Design Award
Smritivan Ilé Ìṣẹ̀ǹbáyé àti Ibi Ìrántí Ìmìtìtì Ilẹ̀ jẹ́ olùborí Àmì-ẹ̀yẹ Fàdákà A' Design Award, ìdánimọ̀ onípọ̀nlé lọ́nà àrà ọ̀tọ̀ tí a fún àwọn àwòṣe ìpele gíga jùlọ tó dára tó sì ń kan ọkàn. Àwọn olùborí Fàdákà jẹ́ àwọn iṣẹ́ tó ń tàn yòò gidigidi tó sì ní ìṣẹ̀dá púpọ̀ tí wọ́n ń ṣàfihàn ìmọ̀ ìjìnlẹ̀, ẹ̀bùn àti ìmọ̀ràn àwọn olùṣàwòṣe wọn. A retí pé Smritivan Ilé Ìṣẹ̀ǹbáyé àti Ibi Ìrántí Ìmìtìtì Ilẹ̀ yóò jẹ́ iṣẹ́ àgbàyanu, àpẹẹrẹ rere, ti ọ̀jáfáfá lọ́nà tó ṣe pàtàkì tó sì ní ìmúṣẹ̀dá tuntun jinlẹ̀. Àwòṣe tó borí Àmì-ẹ̀yẹ Fàdákà A' Design Award yìí jẹ́ ohun ìmúṣẹ̀dá tó hàn gbangba gidigidi tí a mọrírì tó ń ṣe anfàní tó sì ń tì ààlà iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ síwájú. Smritivan Ilé Ìṣẹ̀ǹbáyé àti Ibi Ìrántí Ìmìtìtì Ilẹ̀ jẹ́ ẹ̀dá tí ọ̀pọ̀lọpọ̀ ń ṣe ìlara, tó ń jí ìfẹ́ inú, tó ń mú ìmọ̀lára rere wá tó sì ń jí ìyàlẹ́nu àti ìyanu.
Lẹ́yìn Àpẹrẹ Náà
Àkójọ Ìròyìn
Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.
- Àwọn Ohun Àkànṣe
- India’s largest memorial-museum, coming alive with stories of the devastating 2001 earthquake woven into the philosophy of the space. Metaphor of resilience and constant change is presented across 7 thematic blocks. Collaboratively designed with master craftspersons, vibrant, local crafts create scenography. Large-scale quake simulator, digital homage and personal stories bring an emotional connection. To animate the visitor experience, live actors and artists bring the museum journey alive.
- Ìwọ̀n àti Àpò
- An integral part of the memorial, the museum is spread over 9200 square meters of indoor and outdoor experience on the Bhujio-Dungar hill. The exhibition space is divided into seven blocks, which are further divided into 27 galleries. On an average each gallery is 8 meters wide, 12 meters long and 4.5 metres high. The museum also houses other amenities like library, shop, cafe, auditorium, play area and temporary exhibition spaces.
- Àwọn Àkọlé
- Earthquake memorial, earthquake museum, immersive, interactive, craft, human-centric, scenography, storytelling, resilience, Bhuj, culture centre
- Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
- All bespoke installations and narrative elements were custom-designed and fabricated in India, following iterative experimentation and prototyping. A fresh approach to processing local resources was implemented to create contextually-rooted exhibit spaces. Local craft persons were commissioned to co-create the largest ever narrative-based artworks of their repertoire. Contextual materials such as woven textiles, in synergy with durable materials like steel, create a blend of local and global expression.
- Ìpèníjà Àpèsè
- The responsibility to present sensitive personal and complex stories of the earthquake and beyond, to evoke varied emotions was a creative challenge and opportunity. Moving from an incident to an overarching story based on the ideas of resilience was pivotal. The 27 similar galleries dealt with an innovative, contextual design strategy for distinct and memorable thematic experiences. Translating the big idea into a physical reality demanded a smart orchestration of various stakeholders.
- Ìwádìí
- Narrative and design development took shape based on intensive continuous research rooted in ethnography, literature review, and archival data. Being an earthquake museum inspired by resilient stories of people and landscapes, geological, archaeological, and seismological experts directed the entire process. Personal stories and archival data were collected, analyzed, and curated from recurring, extensive field visits undertaken across entire quake-affected areas and humanitarian organizations.
- Ìmísí
- The unique, thriving culture of Kutch in west India, gave impetus to the museum’s content and design. The Timelessness of human resilience, absorbed from a nearby 4000-year-old civilization is carried forward in the museum’s ethos. The region’s rapid recovery post-2001 quake is embodied in Smritivan as universally relatable stories of human determination. Content design, scenography, and installations are based on and emerge from the rich local living traditions and crafts of the Kutch region.
- Àkókò Iṣẹ́ Àkànṣe
- After winning the open design competition on a proposal based on the concept of “eternal resilience” the project was initiated in 2018, in Bhuj city of Kutch district, Gujarat. Following detailed research and design, on-site execution began in 2020. The Smritivan Earthquake Museum and Memorial were inaugurated by the Hon’ble Prime Minister of India in August 2022. We continue to curate and engage with public programming for the museum.
- Ìlànà Ìṣiṣẹ́
- Since its inauguration, the museum receives an average footfall of foreign tourists and locals over 100,000 every quarter. Holistic end-to-end placemaking and local community engagement through digital marketing, and innovative public events are an extension of the design strategy. Each visitor adds a part of themselves to the museum through digital tributes for quake victims, which collect into a bright beam of light. India’s first design biennale on the “art of storytelling” was hosted here recently.
- Àwọn Ọmọ Ẹgbẹ́
- Creative Director: Siddharth Bathla
Design Director: Prashasti Chandra
Visual Design: Masood Khan
Installation, Scenography: Suryanath Sunny
Research,Content: Niharika Joshi
Architect: Prashul Sharma
Special Artist: Mukul Goyal- Sculptor
Special Artist: Vankar Vishram Valji - (weaver shyamjibhai)- weaving
Special Artist: Dr. Ismail Khatri- block printing
Special Artist: Mukesh Bhanani- kala Raksha
Special Artist: Gafur Khatri- Rogan art
Special Artist: Paresh Khamir- lacquered artwork - Ìfọwọ́sí Àwòrán
- Image #1: Photographer Bharat Aggarwal, Smritivan, 2022.
Optional Image #1: Photographer Bharat Aggarwal, Smritivan, 2022.
Optional Image #2: Photographer Bharat Aggarwal, Smritivan, 2022.
Optional Image #3: Illustrator Masood Khan, Smritivan, 2022.
Optional Image #4: Photographer Bharat Aggarwal, Smritivan, 2022.
Video Credits: Cinematographer Sohaib Ilyas, Smritivan, 2022.
Sound Credits: ANBR - Stars, Ardie Son - Come back home, Ardie Son - Tonight is Golden, Smritivan, 2022.
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