Story Index Ìfisọ́lẹ̀ Iṣẹ́ Ọnà láti ọwọ́ Fundesign.tv

Story Index Ìfisọ́lẹ̀ Iṣẹ́ Ọnà láti ọwọ́ Fundesign.tv jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2023 Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Ìgbékalẹ̀ Ìbáṣepọ̀, Ìrírí àti Ìbòmọ́lẹ̀.

FàdákàÌgbékalẹ̀· 2023

Story Index Ìfisọ́lẹ̀ Iṣẹ́ Ọnà

látọ̀wọ́ Fundesign.tv

Oníbàárà: FunDesign.tv

Aṣẹ́gun Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Ìgbékalẹ̀

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Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí

Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #146246

Ṣàbẹ̀wò Ojú Òpó Wo ní A' Design Award Ìwé Ìròyìn Àmì Ẹ̀yẹ

Àwọ̀

Àpẹrẹ Náà

Nípa Story Index Ìfisọ́lẹ̀ Iṣẹ́ Ọnà

Story Index jẹ́ ìfisọ́lẹ̀ iṣẹ́ ọnà tí a ṣe pẹ̀lú ọ̀wọ́ ńlá ti àwọn atẹ́wọ́gbà tẹlifíṣọ̀n ọgọ́rùn-ún kan. Ìhun irin (truss) tí ó gùn ju ọgọ́rùn-ún àti àádọ́ta mítà lọ ni ó gbé àyè ìfihàn kan tí ó fẹ̀ ní ogún mítà, tí ó ga ní mẹ́wàá mítà, tí ó sì gùn ní ogún mítà. Ohun èlò ìsopọ̀ fídíò àti nẹ́tíwọ̀ọ̀kì máa ń fi àwòrán ọ̀tọ̀ọ̀tọ̀ ránṣẹ́ sí atẹ́wọ́gbà kọ̀ọ̀kan. Àwọn àlejò máa ń gbé àwọn ìtàn kúkúrú sórí ìkànnì àjọlò, wọ́n sì máa ń fàmì sí àwọn olùṣètò, lẹ́yìn náà àwọn àkóónú tí a fọwọ́ sí lè fara hàn lórí ọ̀wọ́ atẹ́wọ́gbà náà. Àwọn àkóónú láti inú àkàǹtì tí ó ju ẹgbẹ̀ẹ́dọ́gbọ̀n (5,000) lọ ni a ń fihàn. Ìfisọ́lẹ̀ yìí mú kí ààlà tí ó wà láàrin ìgbésí ayé ojoojúmọ́ àti ìgbésí ayé orí ẹ̀rọ ayélujára hàn kedere.

Ìdánimọ̀ Náà

Nípa Àmì-ẹ̀yẹ Fàdákà A' Design Award

Story Index Ìfisọ́lẹ̀ Iṣẹ́ Ọnà jẹ́ olùborí Àmì-ẹ̀yẹ Fàdákà A' Design Award, ìdánimọ̀ onípọ̀nlé lọ́nà àrà ọ̀tọ̀ tí a fún àwọn àwòṣe ìpele gíga jùlọ tó dára tó sì ń kan ọkàn. Àwọn olùborí Fàdákà jẹ́ àwọn iṣẹ́ tó ń tàn yòò gidigidi tó sì ní ìṣẹ̀dá púpọ̀ tí wọ́n ń ṣàfihàn ìmọ̀ ìjìnlẹ̀, ẹ̀bùn àti ìmọ̀ràn àwọn olùṣàwòṣe wọn. A retí pé Story Index Ìfisọ́lẹ̀ Iṣẹ́ Ọnà yóò jẹ́ iṣẹ́ àgbàyanu, àpẹẹrẹ rere, ti ọ̀jáfáfá lọ́nà tó ṣe pàtàkì tó sì ní ìmúṣẹ̀dá tuntun jinlẹ̀. Àwòṣe tó borí Àmì-ẹ̀yẹ Fàdákà A' Design Award yìí jẹ́ ohun ìmúṣẹ̀dá tó hàn gbangba gidigidi tí a mọrírì tó ń ṣe anfàní tó sì ń tì ààlà iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ síwájú. Story Index Ìfisọ́lẹ̀ Iṣẹ́ Ọnà jẹ́ ẹ̀dá tí ọ̀pọ̀lọpọ̀ ń ṣe ìlara, tó ń jí ìfẹ́ inú, tó ń mú ìmọ̀lára rere wá tó sì ń jí ìyàlẹ́nu àti ìyanu.

Lẹ́yìn Àpẹrẹ Náà

Àkójọ Ìròyìn

Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.

Àwọn Ohun Àkànṣe: A story index is derived from the interdependence between mobile phones and people. Each frame in a story is a "designed" picture, whether it is active delivery, passive display, or interactive attraction. A giant screen matrix materializes the boundaries between reality and the Internet, and the scene reflects the appearance of people's current lives. Your own life will be displayed in the story index, as well as the lives of others.
Ìwọ̀n àti Àpò: This device uses 100 televisions and a truss structure over 150 meters long to build a display space that is 20 meters wide, 10 meters high, and 20 meters long. At the same time, the device uses over 200 meters of network cable and HDMI cable combined.
Àwọn Àkọlé: installation, instagram, art, story, index
Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀: Obviously, this device is basically built around a bunch of television screens, complemented by video integration equipment and network integration equipment. They designed an integrated system that simplifies management, from integrating community accounts to the input terminals for different videos on each television. They can monitor the back end, and after users upload content, they first screen out inappropriate content, then approve the content that has passed the review to be displayed on the front end, to avoid the bombardment of indecent and ineffective content.
Ìpèníjà Àpèsè: In order to enable each television to play different signals, the originally used distributor only supported the copy function. Through software design, we have realized the possibility of outputting different signals on different ports, and the computer in the back end can meet the needs of reallocating or copying signals. Unfortunately, the current development technology has not yet reached the point where television screens can be directly integrated into a single screen. We hope that in the future, animated content can move freely among different screens.
Ìwádìí: To connect with the audience, the creators of the STORY INDEX conducted online surveys and qualitative interviews with design students, professionals, and industry experts to explore the variety of designs in Taiwan. With over 5,000 responses, they decided to center the exhibition around the life segments people share on social media. A giant screen matrix was the focal point, amplifying public dialogue on the exhibition's themes.
Ìmísí: During Taiwan Design EXPO, this is the central art installation for the entrance of the Youth Story exhibition. In order to make it viral, they created a big vision and linked it to real-life acts of young people. Considering People are constantly constrained by screens, they set a giant screen matrix to present the virtual world in reality. In addition to the physical scenery, innumerable network signals and stories are updated continuously around us 24 hours a day.
Àkókò Iṣẹ́ Àkànṣe: The installation was set from 30.09.2022 to 23.10.2022 in Design Zone Kaohsiung Port Warehouse No. 6 of the Pier-2 Art Center, Kaohsiung, Taiwan.
Ìlànà Ìṣiṣẹ́: In this art installation, we display content from more than 5,000 accounts in design, architecture, fashion, food, meme, parent-child, Youth Bureau Of KCG, etc.
By uploading real-time limited-time dynamic content and tagging the organizers, there is a chance to randomly appear on the giant screen matrix at the scene, thereby transforming the on-site participation into online promotion. This not only expands the display content database of art installations but also increases exposure and stimulates public interest in participating in the event and showcasing their personal social media on social platforms.
Àwọn Ọmọ Ẹgbẹ́: Carrie Chang
SK Chen