Bamboo Forest Aworan Fọtoyiya láti ọwọ́ Takeo Hirose

Bamboo Forest Aworan Fọtoyiya láti ọwọ́ Takeo Hirose jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2020 Àmì-ẹ̀yẹ Idẹ A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Fọ́tò Yíya àti Àtúnṣe Fọ́tò.

IdẹFọ́tò Yíya· 2020

Bamboo Forest Aworan Fọtoyiya

látọ̀wọ́ Takeo Hirose

Oníbàárà: Takeo Hirose

Aṣẹ́gun Àmì-ẹ̀yẹ Idẹ A' Design Award nínú Ẹ̀ka Fọ́tò Yíya

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Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí

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Wo Àkójọ Iṣẹ́ Ṣàbẹ̀wò Ojú Òpó Wo ní A' Design Award Ìwé Ìròyìn Àmì Ẹ̀yẹ

Àwọ̀

Àpẹrẹ Náà

Nípa Bamboo Forest Aworan Fọtoyiya

Takeo Hirose ni a bi ni Kyoto, 1962. O bẹrẹ ikẹkọ fọtoyiya ni itara ni ọdun 2011 nigbati Japan jiya ajalu nla pupọju. Nipasẹ iwariri-ilẹ naa o gbọye pe awọn oju iṣẹlẹ ẹlẹwa kii ṣe ayeraye ṣugbọn o jẹ ẹlẹgẹ gaan, ati ṣe akiyesi pataki ti yiya awọn fọto ti ẹwa Japanese. Erongba iṣelọpọ rẹ ni lati ṣalaye agbaye ti awọn kikun awọn ara ilu Japanese ati awọn kikun inki pẹlu oye Jafaniani igbalode ati imọ-ẹrọ fọto. Fun awọn ọdun diẹ sẹhin o ti ṣe agbekalẹ awọn iṣẹ pẹlu idibajẹ oparun kan, eyiti o le ni nkan ṣe pẹlu Japan.

Ìdánimọ̀ Náà

Nípa Àmì-ẹ̀yẹ Idẹ A' Design Award

Bamboo Forest Aworan Fọtoyiya jẹ́ olùborí Àmì-ẹ̀yẹ Idẹ A' Design Award, ìdánimọ̀ olókìkí gan-an tí a fún àwọn àwòṣe tó tayọ tí wọ́n yàtọ̀ nípasẹ̀ ìṣẹ̀dá, àrékérekè àti ọgbọ́n inú. Àwọn olùborí Idẹ jẹ́ àwọn ohun èlò tó ní ìjáfáfá gan-an tí wọ́n sì ní ìṣẹ̀dá tó yani lẹ́nu tí wọ́n ń ṣe ẹ̀rí ìrírí gbígbòòrò, ìrònú àti ọgbọ́n àwọn olùṣàwòṣe wọn. A retí pé Bamboo Forest Aworan Fọtoyiya yóò jẹ́ ohun tí a kà sí gidigidi, tí a gbóríyìn fún tí a sì nífẹ̀ẹ́, tó jẹ́ ti ọ̀jáfáfá lọ́nà tó ṣe pàtàkì tó sì ní ìmúṣẹ̀dá tuntun. Àwòṣe tó borí Àmì-ẹ̀yẹ Idẹ A' Design Award yìí ń kó àwọn ọ̀nà tó dára jùlọ nínú iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ jọ, ó sì tayọ nítorí àfiyèsí rẹ̀ sí àwọn àlàyé kékeré. Bamboo Forest Aworan Fọtoyiya ń tẹ́ àwọn ohun tí a nílò lọ́rùn lọ́nà àgbàyanu, ó ń fọwọ́ kan àwọn ìfẹ́ inú, ó ń gbà ọkàn ó sì ń fa ìfẹ́ láti mọ̀ mọ́ra.

Lẹ́yìn Àpẹrẹ Náà

Àkójọ Ìròyìn

Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.

Àwọn Ohun Àkànṣe: For the past few years the designer has produced the works in the motif of bamboo, which can be associated with Japan. In the project, he is trying to seize the reason why bamboo images strongly associates with Japan.
Ìwọ̀n àti Àpò: Print size / A3 (297mm X 420mm)
Àwọn Àkọlé: bamboo, B&W, japan, oriental, monochrome, kyoto, asia, zen, cool, relax, suibokuga
Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀: The designer thinks the distinctive characteristics of bamboo are even more attractive in monochrome images using the modern techniques of photography.
At first he takes color photos, and develops them to monochrome images with photoshop and other sophisticated tools.
For development he uses Dell 8K monitor to express delicate touch and light & shade.
Ìpèníjà Àpèsè: Bamboo itself is very common in Japan, however it is not easy to extract the Japanese beauty from the common motif and create different types of works.
The designer has been trying to get close image to old Japanese paintings and Suibokuga (Japanese ink painting) by creative methods.
Ìwádìí: The shots from bottom to top is suitable for expression of dignitiy of baoboo forests, while the designer found that the position of each bamboo is very important for the beauty of works.
He found the cyanotype tone suits the atmosphere of the bamboo forests most, and they look like contemporary Suibokuga.
Ìmísí: Modern photo artists like Hiroshi Sugimoto and Andreas Gursky inspire the designer so much. However old Japanese artists like Hokusai, Hasegawa Tohaku, Zyakuchu, Ogata Korin etc. also inspire him a lot.
Àkókò Iṣẹ́ Àkànṣe: The project started in November 2016 in Kyoto and finished in December 2018 in Kamakura.
Ìlànà Ìṣiṣẹ́: The designer has visited many places of beautiful bamboo forests in Japan. He has also visited several night festivals at which bamboo forests are illuminated.
Actually, there are so many bamboos in Japan, however most are too dense or not trimmed by human, and such bamboo forests are not suitable for his works.
Ìfọwọ́sí Àwòrán: All images by Takeo Hirose