Tibet Shannan Isazisi Senkampani ngu-River Liu

Uyilo olubizwa ngokuba yi-Tibet Shannan Isazisi Senkampani olwenziwe ngu-River Liu ngumwini obekekileyo webhaso elinobukhazikhazi le-2023 Ibhaso Lesilivere le-A' Design Award Kudidi Lokhuphiswano lwe-Uyilo lweGrafiki, umZobo kunye noNxibelelwano oluBonakalayo.

IsilivereIgrafiki· 2023

Tibet Shannan Isazisi Senkampani

ngu River Liu

Umxhasi: River Liu Design

Umwini we-Ibhaso Lesilivere le-A' Design Award Kudidi Lwe-Igrafiki

38,074

Umwini Webhaso Oqinisekisiweyo

Qinisekisa Isimo Sebhaso se-#145618

Tyelela iSayithi Jonga kwi-A' Design Award Uxwebhu Lweendaba Ibheji Yembasa

Imibala

Uyilo

Malunga ne-Tibet Shannan Isazisi Senkampani

Iprojekthi yeTibet Shannan ejolise ekukhuthazeni ishishini lokhenketho eShannan. Ngokwenza uphawu lommeli ukwandisa imbonakalo yesixeko ngeemveliso ezicwangcisiweyo kunye nabakhokeli babakhenkethi. Ukuphefumlelwa kwelogo kutsalwa kwiimpawu zeShannan kwaye kwenziwe lula kwiisimboli ngobugcisa bale mihla. I-logo ngokwayo iyaguquguquka kwaye iyancipha, iyakwazi ukudibanisa ngaphandle komthungo kwiimveliso ezahlukeneyo. Lo msebenzi unethemba lokuzisa amandla alungileyo kunye anomdla kubaphulaphuli, ukuhlangabezana ngcono neemfuno zemarike yanamhlanje kunye nokunceda esi sixeko samandulo sibonise iinkalo ezahlukeneyo.

Ukuqatshelwa

Malunga ne-Ibhaso Lesilivere le-A' Design Award

Tibet Shannan Isazisi Senkampani ngumphumeleli weIbhaso Lesilivere le-A' Design Award, ukuqatshelwa okuhlonitshwayo ngokungaqhelekanga okunikwa imiyilo yomgangatho ophezulu, entle nechukumisayo. Abaphumeleleyo beSilivere ziimveliso ezikhazimlayo kakhulu nezidala kakhulu ezibonisa ubungcali obuphawulekayo, italente nobukrelekrele babayili bazo. Tibet Shannan Isazisi Senkampani iyathenjwa ukuba ibe ngumsebenzi omhle womzekelo, onobungcali obuphawulekayo nezinto ezintsha ezinzulu. Lo myilo uphumeleleyo weIbhaso Lesilivere le-A' Design Award yimveliso ebonakalayo kakhulu, ethandwayo enceda kwaye inyusa imida yobugcisa, inzululwazi, uyilo kunye nobuchwephesha. Tibet Shannan Isazisi Senkampani yimveliso enomona omkhulu kuyo evusa iinqwenelo, izisa iimvakalelo ezintle kwaye ivuselela ukumangaliswa nokumangala.

Emva Koyilo

Ikhithi Yeendaba

Iziqinisekiso, amalungu eqela kunye neenkcukacha zobugcisa ezinikezelwe ngumyili.

Iimpawu Ezizodwa: Shannan is the birthplace of Tibetan civilization. In Tibet, the visual design symbolizes the harmonious combination of heaven, earth, and man. The overall shape of the logo is inspired by the Himalayas and the Mani stone, while the colors that symbolize Shannan are derived from local attractions and culture. The logo incorporates an energizing visual aspect that contrasts with the brand's deep cultural connotation, boosts the logo's memorability, and represents a city that embraces all things.
Imilinganiselo nePakishini: The product's design was developed using a vector graphics editor, ensuring that the image can be scaled up or down without compromising its quality. The final branding designs were submitted in both RGB and CMYK color variants, catering to both printing and social media marketing needs. By adopting this approach, the brand maintains its visual consistency across all media, without any loss in quality.
Iithegi: Brand Identity, Logo, Visual Identity, Art Direction, Traveling, Merchandise, City, Culture,
Ubuchwepheshe Bokuvelisa: The icon was crafted using Procreate, while the typography and other graphic elements were produced in Adobe Illustrator to maintain their vector quality. The final designs were provided in various color formats, including RGB, CMYK, and Pantone, to ensure consistency in the brand's color appearance across all media platforms. This approach guarantees that the brand's visual identity will be accurately represented, no matter the medium in which it is displayed.
Umngeni Woyilo: Shannan's relative obscurity prompted the design team to prioritize identifying the city's unique attributes. With an increasing number of young people interested in culturally rich destinations, the challenge was to create a visually engaging system that reflects Shannan's heritage while remaining current and appealing to contemporary sensibilities. This project demanded a deep understanding of cultural heritage and modern design practices to deliver an effective solution.
Uphando: With the development of public transportation, networks, and quality of life, more and more remote regions are experiencing economic growth. Shannan's vision is randomly identified in such a large area, necessitating its own urban visual communication system. It is a visual representation of the city's historical context and overall color scheme. The design and installation of an effective image system will have a beneficial influence on the rapid formation of the city's brand image and the rapid enhancement of the city's competitiveness.
Inkuthazo: Here's a more professional version: Shannan is a city with a rich historical and cultural heritage, known as the cradle of ancient Tibetan civilization. Upon learning of Shannan City's initiative to increase public awareness through the collection of city signs, I took on the task of developing a comprehensive visual system to support their efforts. Utilizing the region's unique cultural and natural characteristics as inspiration, the visual design aims to capture the essence of Shannan and tell its captivating story to the world.
Ubude Beprojekthi: The project started in July 2021 in China and finished in Jun 2022.
Ukuhamba Komsebenzi: The prototype of the logo was hand-painted before being processed and colored in illustration software. Logo design software is used to create a portion of the typeface design, which is subsequently included in the final logo. The retrieved elements are then used to create a visual gallery and apply it to relevant peripheral products.
Iipathenti: Copyrights belong to River Liu,2022
Amalungu Eqela: River Liu
Amagunya Emifanekiso: Illustrator River Liu
Designer River Liu
Image #2: Photographer Raimond Klavins, JqT2Wp5S0Dk, 2012.
Image #4: Photographer Raimond Klavins, L6jxljMeUoo, 2012.