Rebecca Burt tarapyndan The Passion of the Card Leadlight Series Özüni Tanatmak

Rebecca Burt tarapyndan döredilen The Passion of the Card Leadlight Series Özüni Tanatmak dizaýny Grafika, Illýustrasiýa we Wizual Aragatnaşyk Dizaýny Bäsleşik Kategoriýasynda 2020 A' Design Award Bürünç Baýragy baýragynyň abraýly ýeňijisidir.

BürünçGrafika· 2020

The Passion of the Card Leadlight Series Özüni Tanatmak

dizaýner: Rebecca Burt

Müşderi: Flexicon

Grafika Kategoriýasynda A' Design Award Bürünç Baýragy Ýeňijisi

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Tassyklanan Baýrak Ýeňijisi

#90602 üçin Baýrak Ýagdaýyny Barlaň

Sahypa giriň A' Design Award-da görüň Metbugat beýannamasy Baýrak nyşany

Reňkler

Dizaýn

The Passion of the Card Leadlight Series Özüni Tanatmak hakynda

Dokalanan aýna penjireler, gün şöhlesiniň kömegi bilen owadan we bu dizaýny we çap etmäni görkezmegiň ajaýyp usulydyr. Bu wizit kartoçkalar diýen ýaly elde ýasalýar. Silüpek ekrany arassa plastmassa ätiýaçda çap edilip, bir gezekde bir reňk guradyldy. Arassa ýerler aksiýanyň doly dizaýn potensialyny açýan reňk hökmünde kabul edilýär. Merjen möhür we UV artykmaçlygy prosesi tamamlaýar we çylşyrymly täsirleri döredýär. Kartalar penjire tutulanda dizaýn hakykatdanam janlanýar.

Ykrar etme

A' Design Award Bürünç Baýragy hakynda

The Passion of the Card Leadlight Series Özüni Tanatmak A' Design Award Bürünç Baýragynyň ýeňijisidir; bu döredijilik, ussatlyk we ýiti akyl bilen tapawutlanýan tapawutly dizaýnlara berilýän aşa abraýly ykrarnamadyr. Bürünç ýeňijileri dizaýnerleriniň giň tejribesini, hyýalyny we tapawutlylygyny tassyklaýan örän ussat we geň galdyryjy derejede döredijilikli eserlerdir. The Passion of the Card Leadlight Series Özüni Tanatmak uly baha berilýän, haýran galynýan we söýülýän, üns çekiji derejede hünärmenlikli we täzelikçi zat bolmagy garaşylýar. A' Design Award Bürünç Baýragyny gazanan bu dizaýn sungatda, ylymda, dizaýnda we tehnologiýada iň oňat tejribeleri öz içine alýar we jikme-jiklige edýän üni bilen ajaýypdyr. The Passion of the Card Leadlight Series Özüni Tanatmak zerurlyklary ajaýyp derejede kanagatlandyrýar, isleglere degýär, duýgulary özüne çekýär we gyzyklanmany çekýär.

Dizaýnyň sahna arkasy

Metbugat toplumy

Dizaýner tarapyndan berlen kreditler, topar agzalary we tehniki maglumatlar.

Üýtgeşik Aýratynlyklar: These business cards are silk screen printed on a clear plastic stock, then dried one colour at a time. They are virtually hand made. Utilising a process called Opaque Barrier Technique, clear is treated as a colour to create a myriad of effects. A pearlescent seal and UV overgloss were added to complete the design. The design really comes to life when the cards are held up to a window, just as a stained glass window comes to life with the light shining through.
Ölçegler we Gaplama: Stock is clear PVC plastic. Width 55mm x Height 90mm.
Bellikler: Brand Identity, Business Card, Screenprinting, Graphic Design
Önümçilik Tehnologiýasy: Clear effects were designed into the PVC plastic unlocking the full design potential of the clear base stock. Artwork was formatted using a unique and highly-skilled process that ensures accurate registering of colours, positioning and the sequence of ink layers before film is output. Cards are silk screen printed and dried in racks with each colour pass, embellished with a pearl seal, UV overgloss and then die cut.
Dizaýn Kynçylygy: The most challenging part of this design activity is the production of the cards. Preparation of the artwork files for film output has to be 100% accurate. The screen printing can be challenging as each colour is printed and dried on a rack before the next colour can be added.
Gözleg: I researched images as they would be telling the story and evoking emotion. The objective was to capture the feeling of the awe and wonderment you feel when observing stained glass windows backlit by the sun. Although there is no religious message or meaning behind the project, I was looking for strong imagery that would not only showcase our passion for the design and print process, but would invoke a feeling of quiet contemplation, as if the observer was in a cathedral, appreciating the craftsmanship and remembering a loved one.
Ylham: The purpose behind this project The Passion of the Card Leadlight Series, was to illustrate the design capabilities for premium plastic business cards. Evan Reiman was an Entrepreneur and Screen Printer by trade and was taught these printing skills by his Father who was an influential figure in his life, but who had passed away. His Father was one of the last people in New Zealand to complete an apprenticeship for making stained glass windows, so the inspiration for these cards was to honour his memory by creating a special series of cards we felt passionate about.
Taslama Dowamlylygy: Project took 6 weeks from design to production completion. Designed and printed in Auckland, New Zealand.
Iş Akymy: Designing on a clear substrate means transparent or opaque colours can interact from side A to side B, creating sophisticated effects that traditional paper cards cannot deliver. The substrate will outlast a paper card and have less wear and tear.
Topar Agzalary: Evan Reiman.
Surat Awtorlary: Image #1: Photographer Aaron Lang, Product Photography
Image #2: Photographer Aaron Lang, Product Photography
Image #3: Photographer Aaron Lang, Product Photography
Image #4: Photographer Aaron Lang, Product Photography
Image #5: Photographer Aaron Lang, Product Photography