Mateus Matos Montenegro tarapyndan döredilen Logotype SETMA Logotip dizaýny Grafika, Illýustrasiýa we Wizual Aragatnaşyk Dizaýny Bäsleşik Kategoriýasynda 2019 A' Design Award Bürünç Baýragy baýragynyň abraýly ýeňijisidir.
BürünçGrafika· 2019
Logotype SETMA Logotip
dizaýner: Mateus Matos Montenegro
Müşderi: Mateus Matos Montenegro
Grafika Kategoriýasynda A' Design Award Bürünç Baýragy Ýeňijisi
Tassyklanan Baýrak Ýeňijisi
#85377 üçin Baýrak Ýagdaýyny BarlaňDizaýn
Logotype SETMA Logotip hakynda
SETMA, Jijoca de Jericoacoara şäher syýahatçylyk we daşky gurşaw sekretariaty, söwda markasy Mawy lagun, Serrote, deşilen daş, deňiz we Dunesdäki ajaýyp Gün ýaşmagy bilen şäheriň sazlaşykly landşaftyny we tebigy ajaýyplyklaryny görkezýär. Dizaýner, bu elementleriň hemmesini şäheriň ýaşaýjylary we dünýäniň köp sanly myhmanlary tarapyndan owadan hasaplanýan şäheriň berýän ähli tebigy gözellikleriniň we tejribeleriniň arasyndaky ýygylygy, deňagramlylygy we deňagramlylygy görkezýän sinus tolkunlarynyň egri elementlerini ulanmak bilen sazlaşdyrdy.
Ykrar etme
A' Design Award Bürünç Baýragy hakynda
Logotype SETMA Logotip A' Design Award Bürünç Baýragynyň ýeňijisidir; bu döredijilik, ussatlyk we ýiti akyl bilen tapawutlanýan tapawutly dizaýnlara berilýän aşa abraýly ykrarnamadyr. Bürünç ýeňijileri dizaýnerleriniň giň tejribesini, hyýalyny we tapawutlylygyny tassyklaýan örän ussat we geň galdyryjy derejede döredijilikli eserlerdir. Logotype SETMA Logotip uly baha berilýän, haýran galynýan we söýülýän, üns çekiji derejede hünärmenlikli we täzelikçi zat bolmagy garaşylýar. A' Design Award Bürünç Baýragyny gazanan bu dizaýn sungatda, ylymda, dizaýnda we tehnologiýada iň oňat tejribeleri öz içine alýar we jikme-jiklige edýän üni bilen ajaýypdyr. Logotype SETMA Logotip zerurlyklary ajaýyp derejede kanagatlandyrýar, isleglere degýär, duýgulary özüne çekýär we gyzyklanmany çekýär.
Dizaýnyň sahna arkasy
Metbugat toplumy
Dizaýner tarapyndan berlen kreditler, topar agzalary we tehniki maglumatlar.
- Üýtgeşik Aýratynlyklar
- The SETMA, the Municipal Tourism and Environment secretariat, brand of Jijoca de Jericoacoara must be what the municipality and its environment represents for all the people who enjoy the unique and wonderful moments of happiness and peace there. It must be an extremely expressive brand, but light and harmonious. A visual representation of a paradise.
- Ölçegler we Gaplama
- The logo showcases the five colorful natural elements that unify and represent the city of Jijoca de Jericoacoara. We transformed these elements in icons and unified those using harmonious sine waves curves, implying they are all part of one environment. We overlapped the elements that connects between themselves.
- Bellikler
- Jijoca de jericoacoara, setma, logotype, environment, harmony, transcendent, tourism
- Önümçilik Tehnologiýasy
- The mais insight of the design was to unify all the main city elements using the harmony that their own environment provides, with the sine curves waves in resonance with nature.
- Dizaýn Kynçylygy
- The main creative challenge in the concept was to find a way to be simple, but at the same time represents the whole city, environment and the amazingness feeling of freedom, all together connected with nature.
We found this harmony in the sine waves that represent all life. We are all made of energy waves that resonate with each other and our environment. - Gözleg
- The research for the design was to find what where the main elements of the city. Witch ones represented more the city as a whole. The collection of data came from a study related do images from social media and which ones were most shared by its visitors.
- Ylham
- The logotype appropriates the natural wonders of the municipality to represent in a drawing everything that it offers to its tourists and visitors. From the lagoon, the serrote, the pierced stone, the sea and the iconic sunset on the dunes.
To unify all these elements, we use harmonious curved sine-wave elements, which represent the frequency, balance, harmony and equilibrium between all the natural beauty and the transcendent experience it provides. - Taslama Dowamlylygy
- The project started by the end of January 2018 and ended in the middle of March 2018.
- Iş Akymy
- From the beginning of the project, the main idea was to have a harmony, an energy, a flow in which the design would represent the environmental wonders with de transcendent feeling of its users.
- Topar Agzalary
- Mateus Matos Montenegro
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