Zhenhao Ou and Sheng Li tarapyndan Adw Works Exhibition Çäre Brendingi

Zhenhao Ou and Sheng Li tarapyndan döredilen Adw Works Exhibition Çäre Brendingi dizaýny Grafika, Illýustrasiýa we Wizual Aragatnaşyk Dizaýny Bäsleşik Kategoriýasynda 2026 A' Design Award Bürünç Baýragy baýragynyň abraýly ýeňijisidir.

BürünçGrafika· 2026

Adw Works Exhibition Çäre Brendingi

dizaýner: Zhenhao Ou and Sheng Li

Müşderi: Asia Design Week (ADW)

Grafika Kategoriýasynda A' Design Award Bürünç Baýragy Ýeňijisi

13,815

Tassyklanan Baýrak Ýeňijisi

#182089 üçin Baýrak Ýagdaýyny Barlaň

A' Design Award-da görüň Metbugat beýannamasy Baýrak nyşany

Reňkler

Dizaýn

Adw Works Exhibition Çäre Brendingi hakynda

Adw Works Sergisi, Hytaýyň Sýunan şäherinde geçirilýän Hebei Halkara Senagat Dizaýn Hepdeliginiň aýratyn bölümi hökmünde Aziýa Dizaýn Hepdeligi üçin döredilen çäre brending programmasydyr. Bu identifikasiýa medeni köpdürlüligi aňladýan ýokary doýgunlykly goşmaça meýdanlary emele getirmek üçin reňk bloklaryny, tipografiýany we grafiki gatlaklary birleşdirýär, geçiş gradient zolaklary bolsa integrasiýany aňladýar. Geometrik kompozisiýa rasional gurluş bilen emosional aňlatmanyň deňagramlylygyny saklaýar. Ulanyş görnüşlerine 3x5 metrlik bannerler, 70x100 santimetrlik plakatlar we birnäçe iş rugsatnamalary degişlidir.

Ykrar etme

A' Design Award Bürünç Baýragy hakynda

Adw Works Exhibition Çäre Brendingi A' Design Award Bürünç Baýragynyň ýeňijisidir; bu döredijilik, ussatlyk we ýiti akyl bilen tapawutlanýan tapawutly dizaýnlara berilýän aşa abraýly ykrarnamadyr. Bürünç ýeňijileri dizaýnerleriniň giň tejribesini, hyýalyny we tapawutlylygyny tassyklaýan örän ussat we geň galdyryjy derejede döredijilikli eserlerdir. Adw Works Exhibition Çäre Brendingi uly baha berilýän, haýran galynýan we söýülýän, üns çekiji derejede hünärmenlikli we täzelikçi zat bolmagy garaşylýar. A' Design Award Bürünç Baýragyny gazanan bu dizaýn sungatda, ylymda, dizaýnda we tehnologiýada iň oňat tejribeleri öz içine alýar we jikme-jiklige edýän üni bilen ajaýypdyr. Adw Works Exhibition Çäre Brendingi zerurlyklary ajaýyp derejede kanagatlandyrýar, isleglere degýär, duýgulary özüne çekýär we gyzyklanmany çekýär.

Dizaýnyň sahna arkasy

Metbugat toplumy

Dizaýner tarapyndan berlen kreditler, topar agzalary we tehniki maglumatlar.

Üýtgeşik Aýratynlyklar: The typographical relationship of geometric shapes is essentially a reconciliation of rational design and emotional expression. Each visual conflict is a dialectical process of design thinking, ultimately achieving a cross-cultural dialogue in a dynamic balance and expressing a visual statement of unity in the context of globalization.
Ölçegler we Gaplama: The basic design features exhibition displays, including banners and posters measuring 3 meters by 5 meters and 70 centimeters by 100 centimeters, as well as several work passes.
Bellikler: Visual Design, Event Design, Material Design, Poster Design
Önümçilik Tehnologiýasy: The primary visual display section for an event in China's Xiongan New Area must embody an international design perspective while emphasizing aesthetic appeal. This exhibition area highlights design materials with a global outlook.
Dizaýn Kynçylygy: The biggest challenge of this project is printing-related issues.
Gözleg: In 2025,Asia Design Weekwill join hands with11 renowned associations from Asia and Europeto make its official debut inXiong’an, China, as a featured section (A01) of theHebei International Industrial Design Week. This showcase will gather leading design institutions and renowned designers from across Asia, with a focus onsustainable design, AI-driven art, and future lifestyle innovations. Through its close collaboration with the Hebei International Industrial Design Week, Asia Design Week will not only highlight the diversity and vitality of Asian design but also inject new momentum into positioning Xiong’an as an international hub for innovative and creative industries.
Ylham: This key visual creates a field of tension through the collision of color blocks, text, and graphic overlays. High-water levels of complementary colors often symbolize cultural diversity, while transitional zones of transformation suggest the possibility of integration.
Taslama Dowamlylygy: The project commenced in Xiong'an, China in September 2025 and was completed in October 2025. Subsequent exhibitions were held in locations including Kuala Lumpur, Malaysia.
Iş Akymy: This main visual design was specifically created for the Asia Design Week Organizing Committee and the Hebei International Industrial Design Week, and will be exhibited in China's Xiong'an New Area.
Topar Agzalary: Creative Director: Zhenhao Ou
Curator: Sheng Li,
Designer: Zhenhao Ou
Motion Design: Zhikun Luo