Sofia Porto Iannuzzi tarapyndan Regen Esasy Wezipe: Biodizaýn Kommunikasiýasy

Sofia Porto Iannuzzi tarapyndan döredilen Regen Esasy Wezipe: Biodizaýn Kommunikasiýasy dizaýny Durnukly Önümler, Taslamalar we Ýaşyl Dizaýn Bäsleşik Kategoriýasynda 2026 A' Design Award Bürünç Baýragy baýragynyň abraýly ýeňijisidir.

BürünçDurnukly Önüm· 2026

Regen Esasy Wezipe: Biodizaýn Kommunikasiýasy

dizaýner: Sofia Porto Iannuzzi

Müşderi: Universidad de Monterrey

Durnukly Önüm Kategoriýasynda A' Design Award Bürünç Baýragy Ýeňijisi

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Sahypa giriň A' Design Award-da görüň Metbugat beýannamasy Baýrak nyşany

Reňkler

Dizaýn

Regen Esasy Wezipe: Biodizaýn Kommunikasiýasy hakynda

Kitap Teksti: Regen janly kök gurluşlarynyň hem görüş dili, hem-de material esas hökmünde işleýän grafiki ulgamyny hödürleýär. Işjeňsiz üstlere çap etmegiň ýerine, kommunikasiýa gözegçilik edilýän biologik ösüş arkaly ýüze çykýar. Her bir eser bir wagtyň özünde görüş habary, janly organizm we biodegradasiýa duçar bolýan netije hökmünde hereket edýär. Okalyşlygy ekologik siklleri bilen deňleşdirmek arkaly, taslama grafiki önümçiligi täzeden dikeldiji proses hökmünde gaýtadan gurnaýar we kommunikasiýanyň galyndy döretmegiň ýerine tebigy ulgamlara ösýän, özgerýän we gaýtadan birleşýän alternatiw modelini teklip edýär.

Ykrar etme

A' Design Award Bürünç Baýragy hakynda

Regen Esasy Wezipe: Biodizaýn Kommunikasiýasy A' Design Award Bürünç Baýragynyň ýeňijisidir; bu döredijilik, ussatlyk we ýiti akyl bilen tapawutlanýan tapawutly dizaýnlara berilýän aşa abraýly ykrarnamadyr. Bürünç ýeňijileri dizaýnerleriniň giň tejribesini, hyýalyny we tapawutlylygyny tassyklaýan örän ussat we geň galdyryjy derejede döredijilikli eserlerdir. Regen Esasy Wezipe: Biodizaýn Kommunikasiýasy uly baha berilýän, haýran galynýan we söýülýän, üns çekiji derejede hünärmenlikli we täzelikçi zat bolmagy garaşylýar. A' Design Award Bürünç Baýragyny gazanan bu dizaýn sungatda, ylymda, dizaýnda we tehnologiýada iň oňat tejribeleri öz içine alýar we jikme-jiklige edýän üni bilen ajaýypdyr. Regen Esasy Wezipe: Biodizaýn Kommunikasiýasy zerurlyklary ajaýyp derejede kanagatlandyrýar, isleglere degýär, duýgulary özüne çekýär we gyzyklanmany çekýär.

Dizaýnyň sahna arkasy

Metbugat toplumy

Dizaýner tarapyndan berlen kreditler, topar agzalary we tehniki maglumatlar.

Üýtgeşik Aýratynlyklar: Regen uses cultivated root structures as both visual language and material substrate for communication. Instead of printing on inert surfaces, the message emerges through controlled biological growth. The project replaces linear production logic with a regenerative cycle: cultivation, communication, transformation, and natural reintegration. Each artifact operates simultaneously as a graphic piece, living organism, and biodegradable outcome. Regen positions biological growth as a design medium, proposing a scalable approach to regenerative visual communication.
Ölçegler we Gaplama: Artifact dimensions vary according to biological growth. Poster-scale applications range from approximately 300 × 420 mm to 500 × 700 mm. Thickness depends on root density accumulation. All materials are plant-based, compostable, and designed for full biological reintegration.
Bellikler: Regenerative Design, Biodesign, Visual Communication, Living Materials, Circular Systems, Material Innovation
Önümçilik Tehnologiýasy: The project utilizes root domestication techniques, biodegradable substrates, controlled humidity environments, and mold-guided growth systems to direct biological formation into legible graphic structures. Analog prototyping, material testing, and circularity assessment were integrated to align organic growth with visual clarity and structural stability.
Dizaýn Kynçylygy: The main challenge was reconciling graphic precision with biological unpredictability. Root growth is inherently variable, requiring a design approach that balances control and emergence. Constraints included growth variability, time dependency, structural fragility, and environmental sensitivity. The solution required designing adaptive systems rather than fixed compositions.
Gözleg: Regen investigates root domestication as a reproducible substrate for graphic communication. Through iterative cultivation and material testing, the project evaluates structural integrity, visual legibility, and ecological performance. Circularity was assessed using the Material Circularity Indicator (MCI), demonstrating measurable improvements across prototype iterations and identifying pathways to eliminate remaining linear support materials.

Circularity was assessed using the Material Circularity Indicator (MCI), demonstrating quantifiable improvement across prototype iterations and identifying pathways to eliminate remaining linear support materials.
Ylham: Regen transforms biological growth into a functional medium for communication, replacing inert graphic surfaces with living systems. Instead of relying on extractive, synthetic, and disposable substrates, the project proposes a regenerative alternative rooted in living processes. Informed by biodesign research and circular thinking, Regen studies root growth behavior and material life cycles to develop living graphic substrates. The result is a shift from static surfaces toward evolving visual systems that actively participate in ecological regeneration.
Taslama Dowamlylygy: Developed between January and November 2024 in Monterrey, Mexico, Regen was produced through experimental research and prototyping at Universidad de Monterrey as part of an academic design research initiative focused on regenerative graphic systems.
Iş Akymy: Regen artifacts are cultivated through guided root domestication rather than mechanically assembled. Growth patterns are influenced through mold-guided pathways and environmental calibration, including humidity, light, and substrate density. Interaction occurs over time, as viewers experience gradual transformation, texture emergence, and organic variability. After fulfilling its communicative function, the artifact decomposes naturally, completing a regenerative material cycle.
Patentler: All visual, material and graphic components of the Regen project are protected under academic and creative authorship. No patents or trademarks have been registered for this project.
Topar Agzalary: Sofia Porto Iannuzzi
Surat Awtorlary: Main: Photographer Sofia Porto, Living Poster Series, 2025.
Image #1: Photographer Sofia Porto, Root-Based Artifact, 2025.
Image #2: Photographer Sofia Porto, Root Structure Close-Up, 2025.
Image #3: Photographer Sofia Porto, Biodegradable Artifact Detail, 2025.
Image #4: Photographer Sofia Porto, Biodesign Poster Outdoor, 2025.
Image #5Photographer Sofia Porto, Root Textile Surface, 2025.