Yuxin Feng tarapyndan Intelligent Creativity Forum Wizual Identifikasiýa

Yuxin Feng tarapyndan döredilen Intelligent Creativity Forum Wizual Identifikasiýa dizaýny Grafika, Illýustrasiýa we Wizual Aragatnaşyk Dizaýny Bäsleşik Kategoriýasynda 2026 A' Design Award Bürünç Baýragy baýragynyň abraýly ýeňijisidir.

BürünçGrafika· 2026

Intelligent Creativity Forum Wizual Identifikasiýa

dizaýner: Yuxin Feng

Müşderi: Nanjing University of Finance & Economics, School of Art & Design

Grafika Kategoriýasynda A' Design Award Bürünç Baýragy Ýeňijisi

8,137

Tassyklanan Baýrak Ýeňijisi

#180259 üçin Baýrak Ýagdaýyny Barlaň

A' Design Award-da görüň Metbugat beýannamasy Baýrak nyşany

Reňkler

Dizaýn

Intelligent Creativity Forum Wizual Identifikasiýa hakynda

Intelligent Creativity Forum sungat we dizaýn mekdebi üçin döredilen wizual identifikasiýadyr. Bu identifikasiýa D we I harplaryndan gurlup, olar böleklere bölünip, dinamiki geometrik forma gaýtadan birleşdirilýär. Modullar arhitektura izometrik logikasyna eýerip, 45 dereje ok boýunça basgançakly ýerleşdirilýär. Gatlaklaşdyrma dolulyk bilen boşlugyň üç ölçegli özara täsirini döredýär. Asimmetrik gurluş sanly intellekt bilen döredijilikli pikirlenmäniň birleşmegini aňladýar. Modully setka ulgamyň sazlaşyklylygyny saklaýar, wektor çeper eseri bolsa geçiş kartlaryna, nyşanlara, ýüpek şarflara we depderlere ulanylýar.

Ykrar etme

A' Design Award Bürünç Baýragy hakynda

Intelligent Creativity Forum Wizual Identifikasiýa A' Design Award Bürünç Baýragynyň ýeňijisidir; bu döredijilik, ussatlyk we ýiti akyl bilen tapawutlanýan tapawutly dizaýnlara berilýän aşa abraýly ykrarnamadyr. Bürünç ýeňijileri dizaýnerleriniň giň tejribesini, hyýalyny we tapawutlylygyny tassyklaýan örän ussat we geň galdyryjy derejede döredijilikli eserlerdir. Intelligent Creativity Forum Wizual Identifikasiýa uly baha berilýän, haýran galynýan we söýülýän, üns çekiji derejede hünärmenlikli we täzelikçi zat bolmagy garaşylýar. A' Design Award Bürünç Baýragyny gazanan bu dizaýn sungatda, ylymda, dizaýnda we tehnologiýada iň oňat tejribeleri öz içine alýar we jikme-jiklige edýän üni bilen ajaýypdyr. Intelligent Creativity Forum Wizual Identifikasiýa zerurlyklary ajaýyp derejede kanagatlandyrýar, isleglere degýär, duýgulary özüne çekýär we gyzyklanmany çekýär.

Dizaýnyň sahna arkasy

Metbugat toplumy

Dizaýner tarapyndan berlen kreditler, topar agzalary we tehniki maglumatlar.

Üýtgeşik Aýratynlyklar: Centered on the initials "D" and "I", this design constructs a dynamic geometric form through deconstruction and recombination. The unique 45-degree staggered layering creates a 3D interplay of positive and negative space. Transcending standard letterforms, this asymmetrical structure serves as a powerful metaphor for the innovative fusion of digital intelligence and creative thinking.
Ölçegler we Gaplama: The visual system are designed in vector format to make it suitable for different sizes of digital and printed media.
Bellikler: Digital、Intelligence、Creativity、Visual identity
Önümçilik Tehnologiýasy: Graphics are adapted in various scenarios, such as work passes, badges, silk scarves, notebooks, etc. The process involves foil gold, silk, UV printing, etc.
Dizaýn Kynçylygy: Internal Challenge: The primary obstacle was balancing abstract symbolism with legibility. We needed to visualize the weight of "New Quality Productive Forces" without using generic tech clichés, ensuring the deconstructed "D" and "I" remained recognizable.
External Challenge: Technically, the 45-degree isometric geometry posed alignment issues. Achieving a seamless interplay of solid and void required complex optical corrections. We overcame this by developing a rigorous modular grid, ensuring the "dynamic instability" remained structurally coherent across all media scales.
Gözleg: We conducted qualitative visual research to redefine "Digital Intelligence." Analyzing global tech trends, we found traditional typography lacked dynamism. Using morphological analysis and digital prototyping tools, we tested various modular structures. Results indicated that static forms failed to convey "fusion," whereas a 45-degree staggered system created unique 3D depth. The key insight is that controlled instability generates visual attention. This identity effectively differentiates the brand in the commercial market, communicating complex innovation through simple, memorable geometry.
Ylham: Driven by the blurring lines between the digital and physical, we aimed to transcend static forms. The design draws from architectural isometry, using a 45-degree axis to represent innovation. Our goal was to visualize "New Quality Productive Forces" through a dynamic balance of solid and void, turning abstract code into a living structure.
Taslama Dowamlylygy: The project starts in July 2024 and ends in August 2024 in Nanjing, China
Iş Akymy: Think of this logo as a dynamic structure rather than a static image. It operates by slicing the letters "D" and "I" into modules. The transformation occurs along a 45-degree axis, where parts slide and overlap like a precise puzzle. Keyframes capture the shift from flat shapes to a 3D illusion of depth. This interaction visualizes the "fusion" of data and creativity. It offers superior performance because its flexible, modular nature adapts perfectly to both digital screens and physical prints.
Surat Awtorlary: Yuxin Feng，2024