Zilong Chen tarapyndan Mei Tao Wan Wizual Identifikasiýa, Ýol Görkeziji Ulgamy

Zilong Chen tarapyndan döredilen Mei Tao Wan Wizual Identifikasiýa, Ýol Görkeziji Ulgamy dizaýny Grafika, Illýustrasiýa we Wizual Aragatnaşyk Dizaýny Bäsleşik Kategoriýasynda 2026 A' Design Award Bürünç Baýragy baýragynyň abraýly ýeňijisidir.

BürünçGrafika· 2026

Mei Tao Wan Wizual Identifikasiýa, Ýol Görkeziji Ulgamy

dizaýner: Zilong Chen

Müşderi: City University of Macau

Grafika Kategoriýasynda A' Design Award Bürünç Baýragy Ýeňijisi

8,052

Tassyklanan Baýrak Ýeňijisi

#180006 üçin Baýrak Ýagdaýyny Barlaň

A' Design Award-da görüň Metbugat beýannamasy Baýrak nyşany

Reňkler

Dizaýn

Mei Tao Wan Wizual Identifikasiýa, Ýol Görkeziji Ulgamy hakynda

Mei Tao Wan — Hytaýyň Foşan şäherindäki taryhy keramika ýerinde ýerleşýän medeni seýilgäh üçin döredilen wizual identifikasiýa we ýol görkeziji ulgamydyr. Dizaýn Nanfeng Gadymy Küre etrabynyň gurluş çyzyklaryny geometrik skelete öwürýär. Bu skelet 26 harpdan we 0-dan 9-a çenli sanlardan ybarat ýörite şrift bilen bilelikde geometrik nyşanlary emele getirýär. Görkeziji belgiler ýokary aýdyňlykly akrilden we gara mis örtükli poslamaýan polatdan ýasalandyr. Esasyna oturdylan LED yşyklandyryş tekstiň gijelerine hem okalmagyny üpjün edýär. Bu ulgam ýeriň taryhyny onuň täze medeni wezipesi bilen baglanyşdyrýar.

Ykrar etme

A' Design Award Bürünç Baýragy hakynda

Mei Tao Wan Wizual Identifikasiýa, Ýol Görkeziji Ulgamy A' Design Award Bürünç Baýragynyň ýeňijisidir; bu döredijilik, ussatlyk we ýiti akyl bilen tapawutlanýan tapawutly dizaýnlara berilýän aşa abraýly ykrarnamadyr. Bürünç ýeňijileri dizaýnerleriniň giň tejribesini, hyýalyny we tapawutlylygyny tassyklaýan örän ussat we geň galdyryjy derejede döredijilikli eserlerdir. Mei Tao Wan Wizual Identifikasiýa, Ýol Görkeziji Ulgamy uly baha berilýän, haýran galynýan we söýülýän, üns çekiji derejede hünärmenlikli we täzelikçi zat bolmagy garaşylýar. A' Design Award Bürünç Baýragyny gazanan bu dizaýn sungatda, ylymda, dizaýnda we tehnologiýada iň oňat tejribeleri öz içine alýar we jikme-jiklige edýän üni bilen ajaýypdyr. Mei Tao Wan Wizual Identifikasiýa, Ýol Görkeziji Ulgamy zerurlyklary ajaýyp derejede kanagatlandyrýar, isleglere degýär, duýgulary özüne çekýär we gyzyklanmany çekýär.

Dizaýnyň sahna arkasy

Metbugat toplumy

Dizaýner tarapyndan berlen kreditler, topar agzalary we tehniki maglumatlar.

Üýtgeşik Aýratynlyklar: MEITAOWAN transforms the historic ceramic site in Foshan into a cultural hub. The design extracts the architectural structure of the Nanfeng Ancient Kiln historic district. This architectural DNA is rigorously applied to the wayfinding system evolving into a custom 3D typeface comprising 26 English letters and numbers 0 to 9. Distinct from traditional signage the implementation uses black glazed ceramics fired at 1800 degrees Celsius. This approach integrates the material soul of the site into the visual identity creating a system where every character is not just a sign but a durable eco friendly piece of ceramic art.
Ölçegler we Gaplama: Primary Physical Application Banners and Posters 600mm x 900mm. Wayfinding Totem 600mm x 1800mm x 150mm. Wall Signage 400mm x 400mm. Main Logo Application Variable sizes adapted to building facades. Materials Acrylic Stainless Steel with Black Copper Finish LED components.
Bellikler: Visual Identity, Wayfinding System, Foshan Shiwan, Ceramic Culture, Architectural Typography, Urban Renewal, Industrial Heritage, Branding.
Önümçilik Tehnologiýasy: To contrast with the rough texture of the historic red brick buildings the signage system employs modern industrial materials high transparency acrylic and stainless steel with a black copper finish. A key technical innovation is the integrated LED lighting at the base which allows the text and icons to appear as if floating in the dark. This ensures maximum legibility for night time navigation while minimizing light pollution achieving a balance between safety guidance and artistic atmosphere.
Dizaýn Kynçylygy: The main challenge was to modernize traditional cultural symbols without losing their historical gravity. We needed to avoid cliché representations of ceramics while ensuring the wayfinding was functional. The solution lay in the strict geometric abstraction of the architecture converting physical building forms into a flexible typographic system that works across various scales and materials.
Gözleg: The project addresses the challenge of revitalizing an industrial ruin into a modern cultural landmark. Research focused on the visual semantics of Shiwans ceramic history. By analyzing the structural lines of local heritage buildings the team developed a visual grammar that unifies the disparate spaces of the park. This approach ensures the brand identity is not just a label but a continuation of the site historical narrative providing a platform for artists to create and exhibit.
Ylham: The inspiration is deeply rooted in the Nanfeng Ancient Kiln a living fossil of Foshan ceramic history. We analyzed the structural logic of the kiln sloping roofs and the surrounding historic brick buildings. By extracting these architectural lines we designed a geometric skeleton that forms the basis of the 26 letters and 0 to 9 digits. The choice of black glaze ceramic as the medium is a direct tribute to the site production heritage symbolizing the transformation of mud into eternal art through fire.
Taslama Dowamlylygy: The project started in December 2023 in Foshan, China and finished in August 2024. The project is located in Shiwan, Foshan, Guangdong Province, China.
Iş Akymy: Visitors navigate the park using intuitive geometric icons derived from the brand architectural logic. The signage acts as a silent guide linear patterns on glass surfaces create a rhythmic visual play between transparency and privacy mimicking the stacking of ceramic tiles. This immerses visitors in the ceramic culture atmosphere immediately upon entry making wayfinding an integral part of the artistic experience rather than just a functional necessity.
Topar Agzalary: Designer：CHEN ZILONG
Surat Awtorlary: Image #1-5 : CHEN ZILONG