Ji Duan tarapyndan The Wind Knows We Meet Illýustrasiýa tapgyry

Ji Duan tarapyndan döredilen The Wind Knows We Meet Illýustrasiýa tapgyry dizaýny Grafika, Illýustrasiýa we Wizual Aragatnaşyk Dizaýny Bäsleşik Kategoriýasynda 2026 A' Design Award Bürünç Baýragy baýragynyň abraýly ýeňijisidir.

BürünçGrafika· 2026

The Wind Knows We Meet Illýustrasiýa tapgyry

dizaýner: Ji Duan

Müşderi: Ji Duan

Grafika Kategoriýasynda A' Design Award Bürünç Baýragy Ýeňijisi

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Tassyklanan Baýrak Ýeňijisi

#177222 üçin Baýrak Ýagdaýyny Barlaň

A' Design Award-da görüň Metbugat beýannamasy Baýrak nyşany

Reňkler

Dizaýn

The Wind Knows We Meet Illýustrasiýa tapgyry hakynda

«Şemal duşuşjagymyzy bilýär» — häzirki zaman şäher durmuşyndaky duşuşyklar we ýoldaşlyk barada döredilen illýustrasiýa tapgyrydyr. Şemal manyly duşuşyklaryň metaforasy hökmünde ulanylýar. Tapgyrda açyk we hemmeleri gujak açyp garşylaýan atmosferany döretmek üçin dramatik perspektiwa, gyzylymtyl-goňur mähirli reňkler hem-de ýyly ýagtylyk we kölege ulanylýar. Giň şäher görnüşleri we janly gahrymanlar toparlary sanly surat çekiş programma üpjünçiligi arkaly çekilipdir. Bu illýustrasiýa tapgyry sanly eýýamdaky sosial aralyga jogap bolup, tomaşaçylary hakyky durmuşda emosional baglanyşyklar gurmaga çagyrýar.

Ykrar etme

A' Design Award Bürünç Baýragy hakynda

The Wind Knows We Meet Illýustrasiýa tapgyry A' Design Award Bürünç Baýragynyň ýeňijisidir; bu döredijilik, ussatlyk we ýiti akyl bilen tapawutlanýan tapawutly dizaýnlara berilýän aşa abraýly ykrarnamadyr. Bürünç ýeňijileri dizaýnerleriniň giň tejribesini, hyýalyny we tapawutlylygyny tassyklaýan örän ussat we geň galdyryjy derejede döredijilikli eserlerdir. The Wind Knows We Meet Illýustrasiýa tapgyry uly baha berilýän, haýran galynýan we söýülýän, üns çekiji derejede hünärmenlikli we täzelikçi zat bolmagy garaşylýar. A' Design Award Bürünç Baýragyny gazanan bu dizaýn sungatda, ylymda, dizaýnda we tehnologiýada iň oňat tejribeleri öz içine alýar we jikme-jiklige edýän üni bilen ajaýypdyr. The Wind Knows We Meet Illýustrasiýa tapgyry zerurlyklary ajaýyp derejede kanagatlandyrýar, isleglere degýär, duýgulary özüne çekýär we gyzyklanmany çekýär.

Dizaýnyň sahna arkasy

Metbugat toplumy

Dizaýner tarapyndan berlen kreditler, topar agzalary we tehniki maglumatlar.

Üýtgeşik Aýratynlyklar: The illustration series interprets encounters through expansive city landscapes and animated ensembles of characters. Using dramatic perspective, reddish brown warm tones, and warm light and shadow, the series creates an open and immersive atmosphere that vividly conveys the core idea that through encounters we grow, encouraging viewers to build emotional connections in the real world.
Ölçegler we Gaplama: The use of professional software like Photoshop and Procreate, along with the pressure-sensitive graphics tablet, ensures smooth lines and clear color grading. Strict adherence to the ISO 12646 color calibration standard guarantees that the visual details and colors remain consistent across different media, such as digital screens and printed materials, without any distortion or color shifts.
Bellikler: Urban Life, Interpersonal Distance, Emotional Connection, Encounters and Companionship, Wind, Dramatic Perspective, Warm Light and Shadow, Visual Storytelling
Önümçilik Tehnologiýasy: During creation, Procreate was used for concept development and preliminary drawing, ensuring expressive and accurate forms. SAI, with its smooth brushstrokes, was used for large area coloring, producing clean and vibrant tones. Photoshop was used to shape light and shadow, refine details, and enhance the overall atmosphere, unifying and elevating the visual impact of the series.
Dizaýn Kynçylygy: The design challenge was to transform the philosophical idea of human connections with the world and with one another and the emotional experience of warm encounters into a concrete visual language. The designer maps out relationships through composition, conveys emotion through color, and embeds meaning in symbolic elements to illustrate people’s complex emotions in cities, achieving a harmony between artistic expression and emotional resonance.
Gözleg: The illustration series is grounded in a fundamental insight. As social beings, humans have an intrinsic need for genuine encounters and warm companionship. Yet, the fast pace of modern urban life and overreliance on digital interactions exacerbate social isolation and emotional disconnection, which runs counter to human nature. The series seeks to bridge gaps among people through artistic illustration, fostering a deep sense of human connection in society.
Ylham: The Wind Knows We Meet draws inspiration from the interpersonal challenges arising in the digital era where people are becoming more connected online yet more distant in real life. The designer, having experienced the loneliness and longing for companionship in fastpaced cities, chose to tell stories through illustration. By capturing fleeting yet precious moments often lost in digital life, the illustration guides viewers back to emotional connections in the real world.
Taslama Dowamlylygy: Designed and developed in Beijing in December 2024, the project was launched in China in December 2025.
Iş Akymy: The series employs dramatic perspective to emphasize spatial depth and the grandeur of urban architecture, creating an open, inclusive atmosphere that enhances immersion. Reddish brown tones, set against the glow of warm sunlight, enhance the human touch and familiarity of the scenes. Wind runs as a guiding thread, weaving the series together. A wellbalanced, layered layout guides users to reflect on urban life and interpersonal relationships.
Topar Agzalary: JI DUAN