Eluan Araujo tarapyndan Rebrand Next Esasy Wezipe: Brendleşdirme

Eluan Araujo tarapyndan döredilen Rebrand Next Esasy Wezipe: Brendleşdirme dizaýny Grafika, Illýustrasiýa we Wizual Aragatnaşyk Dizaýny Bäsleşik Kategoriýasynda 2026 A' Design Award Bürünç Baýragy baýragynyň abraýly ýeňijisidir.

BürünçGrafika· 2026

Rebrand Next Esasy Wezipe: Brendleşdirme

dizaýner: Eluan Araujo

Müşderi: Ash Studio

Grafika Kategoriýasynda A' Design Award Bürünç Baýragy Ýeňijisi

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Tassyklanan Baýrak Ýeňijisi

#167125 üçin Baýrak Ýagdaýyny Barlaň

Sahypa giriň A' Design Award-da görüň Metbugat beýannamasy Baýrak nyşany

Reňkler

Dizaýn

Rebrand Next Esasy Wezipe: Brendleşdirme hakynda

Kitap Teksti: Bu taslama umumy institusional çäklerde dürli nesilleriň arasyndaky bilelikde ýaşamagy we üznüksizligi görkezmek üçin döredilen wizual şahsyýet ulgamyny hödürleýär. Teklip wizual yzygiderliligi saklap, çeýe ulanmaga mümkinçilik berýän aýdyň we modully geometrik gurluşa esaslanýar. Nyşan resmi ýönekeýligi simwoliki çuňluk bilen birleşdirip, birnäçe formatda we diňleýji köpçüligine uýgunlaşmaga mümkinçilik berýär. Netije, häzirki zaman aňlatmasy bilen däp-dessuryň arasynda deňagramlylygy talap edýän gurşawlar üçin amatly, çydamly we işjeň şahsyýetdir.

Ykrar etme

A' Design Award Bürünç Baýragy hakynda

Rebrand Next Esasy Wezipe: Brendleşdirme A' Design Award Bürünç Baýragynyň ýeňijisidir; bu döredijilik, ussatlyk we ýiti akyl bilen tapawutlanýan tapawutly dizaýnlara berilýän aşa abraýly ykrarnamadyr. Bürünç ýeňijileri dizaýnerleriniň giň tejribesini, hyýalyny we tapawutlylygyny tassyklaýan örän ussat we geň galdyryjy derejede döredijilikli eserlerdir. Rebrand Next Esasy Wezipe: Brendleşdirme uly baha berilýän, haýran galynýan we söýülýän, üns çekiji derejede hünärmenlikli we täzelikçi zat bolmagy garaşylýar. A' Design Award Bürünç Baýragyny gazanan bu dizaýn sungatda, ylymda, dizaýnda we tehnologiýada iň oňat tejribeleri öz içine alýar we jikme-jiklige edýän üni bilen ajaýypdyr. Rebrand Next Esasy Wezipe: Brendleşdirme zerurlyklary ajaýyp derejede kanagatlandyrýar, isleglere degýär, duýgulary özüne çekýär we gyzyklanmany çekýär.

Dizaýnyň sahna arkasy

Metbugat toplumy

Dizaýner tarapyndan berlen kreditler, topar agzalary we tehniki maglumatlar.

Üýtgeşik Aýratynlyklar: The project presents a visual identity system that translates continuity direction and belonging through a unique symbolic solution. The integration of the letters N and X creates a modular sign representing collective movement and generational evolution. The system allows adaptations without compromising visual consistency making the identity flexible contemporary and enduring across multiple contexts.
Ölçegler we Gaplama: The identity was developed as a modular vector based system built on a rational geometric structure and principles of harmonic proportion. The elements maintain clarity and recognition across different scales and media. The system includes responsive variations grid specifications color standards typographic hierarchy and guidelines for digital print event and signage applications.
Bellikler: branding, graphic design, visual identity, rebranding, youth, contemporary, modular system, symbol, logo, institutional
Önümçilik Tehnologiýasy: The development involved hand drawn sketches geometric studies and progressive digital refinement. Multiple monogram configurations were tested before defining the final structure. Vector construction ensures precision scalability and consistent reproduction. The system replaces a previously generic symbol with a proprietary identity designed for long term visual longevity.
Dizaýn Kynçylygy: The primary challenge was balancing the expectations of three distinct audiences teenagers shaped by post 2010 digital culture young adults influenced by early 2000s references and leadership grounded in traditional values. The identity needed to feel contemporary without alienating institutional expectations. This required a restrained yet expressive visual language resulting in a system that achieved cross generational acceptance and reinforced cultural relevance.
Gözleg: Research type qualitative and comparative. The objective was to understand generational visual perception. Methodology included cultural analysis visual benchmarking and symbolic mapping. Data was collected through literature review visual audits and group observation. The result was a modular system with improved cohesion relevance and communication sustainability.
Ylham: This project emerged from the need to create a visual identity capable of representing two distinct generations within a shared institutional purpose. The inspiration came from observing how teenagers and young adults relate to symbols identity and belonging. The goal was to build a visual language that respects cultural and behavioral differences while reinforcing unity and collective continuity.
Taslama Dowamlylygy: The project was developed between March and April 2024 in Curitiba, Brazil.
Iş Akymy: The visual system operates in a clear and intuitive way enabling immediate recognition and consistent use. Its structure allows subdivisions for different groups age ranges and activities while maintaining visual unity. Audiences interact through simple visual cues while leadership benefits from easy application and cohesive communication.