Vanja Vizner tarapyndan Trinity Sanly Surat Çekmek

Vanja Vizner tarapyndan döredilen Trinity Sanly Surat Çekmek dizaýny Grafika, Illýustrasiýa we Wizual Aragatnaşyk Dizaýny Bäsleşik Kategoriýasynda 2021 A' Design Award Bürünç Baýragy baýragynyň abraýly ýeňijisidir.

BürünçGrafika· 2021

Trinity Sanly Surat Çekmek

dizaýner: Vanja Vizner

Müşderi: Art of core

Grafika Kategoriýasynda A' Design Award Bürünç Baýragy Ýeňijisi

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Sahypa giriň A' Design Award-da görüň Metbugat beýannamasy Baýrak nyşany

Reňkler

Dizaýn

Trinity Sanly Surat Çekmek hakynda

Üçbirlik adama gönükdirilendir: biologiki, emosional we akyl taýdan üýtgemegi. Akyl we duýgy prosesleriniň üsti bilen jemgyýet, ene-atalar we daşky gurşaw bilen gatnaşyklary gözden geçirýär. Has giň perspektiwada ösmek üçin esas döredýän jemgyýetiň negatiw we oňyn taraplaryny kabul etmek. Suratkeş, aýralyk däl-de, hemme zady birleşdirmäge gönükdirmäge we üns bermezlige garşy düşünmäge ünsi jemlemäge çagyrýar.

Ykrar etme

A' Design Award Bürünç Baýragy hakynda

Trinity Sanly Surat Çekmek A' Design Award Bürünç Baýragynyň ýeňijisidir; bu döredijilik, ussatlyk we ýiti akyl bilen tapawutlanýan tapawutly dizaýnlara berilýän aşa abraýly ykrarnamadyr. Bürünç ýeňijileri dizaýnerleriniň giň tejribesini, hyýalyny we tapawutlylygyny tassyklaýan örän ussat we geň galdyryjy derejede döredijilikli eserlerdir. Trinity Sanly Surat Çekmek uly baha berilýän, haýran galynýan we söýülýän, üns çekiji derejede hünärmenlikli we täzelikçi zat bolmagy garaşylýar. A' Design Award Bürünç Baýragyny gazanan bu dizaýn sungatda, ylymda, dizaýnda we tehnologiýada iň oňat tejribeleri öz içine alýar we jikme-jiklige edýän üni bilen ajaýypdyr. Trinity Sanly Surat Çekmek zerurlyklary ajaýyp derejede kanagatlandyrýar, isleglere degýär, duýgulary özüne çekýär we gyzyklanmany çekýär.

Dizaýnyň sahna arkasy

Metbugat toplumy

Dizaýner tarapyndan berlen kreditler, topar agzalary we tehniki maglumatlar.

Üýtgeşik Aýratynlyklar: The main focus of the artwork is on the growth of mental, and emotional body by passing various stages of human development. It addresses the challenges in one's relation to gender, social, parental, political preconditioning including self-conditioning. Its main idea is to show the path of constant learning development to improve one's cognition, heart and mind connection to its environment in order to overcome stagnation created by setting absolute values of opinions, which creates repetition over time.
Ölçegler we Gaplama: The size of digital art of is 720 mm x 720 mm/72 dpi.
Bellikler: trinity, visionary art, digital art, humanity, artofcore, vanja vizner
Önümçilik Tehnologiýasy: Base sketch was a pencil drawing that was further developed in "Photoshop" by using "Wacom" graphics tablet. Finished artwork was done by use of regular paintbrushes, filters, layer styles and effects with stylized changes. Process of making was experimental progressive painting without a clear motive in mind.
Dizaýn Kynçylygy: The challenge was to improvise while keeping the technical part and the structure of the image meaningful without knowing the outcome. This kind of experimentation was mentally intensive and time-consuming. The artist overcame the obstacle by switching between abstraction and rational.
Gözleg: Human society has set values in the past to make clear distinction of man and woman roles in society. These roles were initially set by practicality through order. The artist tries to convey the message that, whilst this approach may have been practical in the past, it may cause fragmentation in the mind of humans. Humans suppressed the feminine or masculine part of their beings and restrained themselves from reaching full potential of their mind.
Ylham: Inspiration came from the artists exploration of unconditional Love and nonattachment towards living beings and their environment. Accepting the world as one continuous process with all its faults and imperfections.
Taslama Dowamlylygy: The project started from May 2015 and finished in August 2015. The design is done in Zagreb, and was exhibited in Psychedelic Dream Temple Gallery August 2017.
Iş Akymy: The artwork is arranged in a linear way from bottom to top. The information presented to the public has three points: 1. Realization of the negative aspects of society 2. Acknowledgement of their own ancestral legacy 3. Growth and its own responsibility in the universe by expanding to the unknown.
Patentler: Copyrights belong to Vanja Vizner, 2015.
Surat Awtorlary: Image #1: Illustrator Vanja Vizner, Trinity, 2015.