Young Huale tarapyndan Fil Esasy funksiýa: Brend şahsyýeti

Young Huale tarapyndan döredilen Fil Esasy funksiýa: Brend şahsyýeti dizaýny Grafika, Illýustrasiýa we Wizual Aragatnaşyk Dizaýny Bäsleşik Kategoriýasynda 2020 A' Design Award Kümüş Baýragy baýragynyň abraýly ýeňijisidir.

KümüşGrafika· 2020

Fil Esasy funksiýa: Brend şahsyýeti

dizaýner: Young Huale

Müşderi: By-Enjoy

Grafika Kategoriýasynda A' Design Award Kümüş Baýragy Ýeňijisi

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Reňkler

Dizaýn

Fil Esasy funksiýa: Brend şahsyýeti hakynda

FIL — dizaýner kolleksiýalaryny we beýleki dizaýn önümlerini satýan dükan üçin döredilen brend şahsyýet ulgamydyr. FIL ady fransuz dilinde "çyzyk" diýmegi aňladýar. Üznüksiz çyzyk üç harpyň ortasyndan geçýär, şeýlelik bilen brendiň aňyrsyndaky pikir gönümel we görnükli bolýar. Çyzyk uzaldylyp ýa-da gysgaldylyp bilner, bu bolsa logotipi dürli uzynlyklarda we dürli ýerlerde ulanmaga mümkinçilik berýär, şol bir wagtda birleşdirilen ýeke-täk keşbi saklaýar. Bu şahsyýet dükan belgilerine, wizit kartlaryna, gaplama önümlerine, iş kagyzlaryna, at bellik kartlaryna, sumkalara we kagyz önümlerine ulanylýar.

Ykrar etme

A' Design Award Kümüş Baýragy hakynda

Fil Esasy funksiýa: Brend şahsyýeti A' Design Award Kümüş Baýragynyň ýeňijisidir; bu owadan, belent we täsirli ýokary derejeli dizaýnlara berilýän adatdan daşary abraýly ykrarnamadyr. Kümüş ýeňijileri dizaýnerleriniň ajaýyp bilimini, zehinini we ýiti aňyny görkezýän aşa ýalpyldawuk we örän döredijilikli eserlerdir. Fil Esasy funksiýa: Brend şahsyýeti ajaýyp, nusgalyk, üns çekiji derejede hünärmenlikli we çuňňur täzelikçi eser bolmagy garaşylýar. A' Design Award Kümüş Baýragyny gazanan bu dizaýn sungatyň, ylmyň, dizaýnyň we tehnologiýanyň çäklerine peýda berýän we ony öňe sürýän örän üns çekiji, haýran galynýan oýlap tapyşdyr. Fil Esasy funksiýa: Brend şahsyýeti köpüň gabanjyna sezewar bolýan, isleglerimizi oýarýan, oňyn duýgulary getirýän we haýranlyk we geň galmagy döredýän eserdir.

Dizaýnyň sahna arkasy

Metbugat toplumy

Dizaýner tarapyndan berlen kreditler, topar agzalary we tehniki maglumatlar.

Üýtgeşik Aýratynlyklar: FIL is a brand new buyer's shop of designer collection, selling a variety of interesting and design items.
FIL is the French word for "line." It like the name: It can be the most fundamental of thousands of aesthetic forms, but it does not exist independently.
Ölçegler we Gaplama: Large specifications include shop signs, and small specifications range from business cards, packaging, and stationery. It involves different materials such as paper and devices.
Bellikler: Brand/visual system/logo/clothing/fashion/store/modern/design
Önümçilik Tehnologiýasy: Different length and length logos are used in many scenes such as paper, name brands, handbags, and signboards.
Dizaýn Kynçylygy: The space of this brand is also a great work in itself, and the clothing sold in this space is also very product-oriented. Therefore, how the brand flat graphics can achieve design highlights and integrate into the brand space is a problem that will be considered in project design. Although this is a bit difficult, it is finally solved through such graphic design.
Gözleg: FIL project address is located in fuzhou, fujian province. China.Considering the application of the whole set of brand image system and the environment of various media, different designs will be reflected in the performance, but still the same design language. After the project was launched, f-i-l immediately became a popular brand that was quickly discussed by the public and the market.
Ylham: The “line” runs through the three fonts, making the logo and the “line” of the brand concept real and intuitive. It looks like a progress bar or a regulator, and can expand and contract the entire length of the logo. Therefore, this FIL brand The image system can really be extended and scaled like a line, and any measure. They can be used in the brand image system at different lengths and arbitrary positions, but with a unified image.
Taslama Dowamlylygy: 2019.09
Iş Akymy: The "line" runs through the middle of the three fonts, so that the "line" of the logo and the brand concept is real and intuitive, and the "I" in the middle of the font and the "lines" on the left and right sides form a role of the entire logo interaction.
Topar Agzalary: Designer:
Young Huale
Hong Jing
Zheng Rong
Surat Awtorlary: Photographer:Zou Xunkai