Ataraxia Pokello Ea Mabenyane ka Yilan Liu

Moralo oa Ataraxia Pokello Ea Mabenyane ka Yilan Liu ke mohlodi oa khau e hlomphehang haholo ya 2020 Moputso oa Khauta oa A' Design Award Mokhahleong oa Tlhodisano oa Moralo wa Mekgabiso.

KhautaMekgabiso· 2020

Ataraxia Pokello Ea Mabenyane

ka Yilan Liu

Moreki: Yilan Jewelry

Mohlodi oa Moputso oa Khauta oa A' Design Award Mokhahleong oa Mekgabiso

89,952

Mohlodi oa Khau ea Netefaditsweng

Netefatsa Boemo ba Khau bakeng sa #90013

Etela Sebaka Sheba ho A' Design Award Tokollo ya Boraditaba Baeche ya Moputso

Mebala

Moralo

Mabapi le Ataraxia Pokello Ea Mabenyane

Ha o kopana le theknoloji ea feshene le e tsoetseng pele, morero ona o ikemiselitse ho theha mekhabiso ea mabenyane e ka etsang hore lintho tsa Gothic tsa khale e be setaele se secha, li tšohla menyetla ea setso mo maemong a mehleng ena. Ka ho khahloa ke tsela eo Gothic vibes e susumetsang bamameli, projeke e leka ho tsosa boiphihlelo bo ikhethileng ka tšebelisano-mmoho, ho hlahlobisisa kamano lipakeng tsa moralo le ba apereng. Majoe a mabotho a maiketsetso, e le thepa e tlaase ea eco-imprint, a ne a pongoa libakeng tse sephara tse sa tloaelehang ho akhela mebala ea tsona letlalong ho matlafatsa tšebelisano.

Kamohelo

Mabapi le Moputso oa Khauta oa A' Design Award

Ataraxia Pokello Ea Mabenyane ke mohapi oa Moputso oa Khauta oa A' Design Award, kananelo e hlomphehang haholo e fuoang meralo ea maemo a pele, e ntle ka ho makatsa le e ikhethang. Bahapi ba Khauta ke lintho tse hlahisitsoeng tse nang le mehopolo e mecha haholo, tse shebileng pele le tse khanyang ka ho foufatsa, tse bontšang botsebi, bohlale le bokhoni ba baqapi ba tsona. Ataraxia Pokello Ea Mabenyane e lebelletsoe ho ba mohopolo o babatsoang haholo, o thehang mekhoa e mecha le o moholo, o tlisang boleng bo sa kang ba bonoa. Moralo ona o hapileng Moputso oa Khauta oa A' Design Award ke mosebetsi o tsosang maikutlo, o hlomphehang, o tlisang molemo o moholo le o sutumelletsang meeli ea bonono, mahlale, moralo le theknoloji. Ataraxia Pokello Ea Mabenyane e hlahisa maikutlo a matla a takatso, e tsosa tjantjello, e khothalletsa boqapi mme e re khahlisa.

Ka Mora Moralo

Sete ya Boraditaba

Litlhaku, ditho tsa sehlopha le lintlha tsa botekgeniki tse fanoeng ke moetsi wa moralo.

Boleng bo Ikhethang: Inspired by Gothic architecture, the collection encapsulates the sublime internal atmosphere, exploiting Gothic structural details to stimulate the particular feelings and explore emotional experience. Synthetic gemstones, as a lower eco-imprint material, were cut into unusually flat surfaces to cast their colors onto the skin to enhance the vibe. Immersive exploration of the precious culture is encouraged by the collection. The jewelry acts as a media to provoke unique individual experience. The design challenged the production to realize all the details to achieve the final result.
Boholo le Phuthelo: Ring No.1: 41mm x 18mm x 30mm;
Ring No.2: 28mm x 28mm x 36mm;
Bangle: 75mm x 75mm x 22mm;
Earring: 21mm x 59mm x 8mm
Lithegi: jewelry, ring, bangle, earring, Gothic architecture, culture, emotional experience, eco-friendly, interaction, synthetic gemstones
Theknoloji ya Tlhahiso: The production lasted about one month including wax curving, casting, stone cutting, model modification, stone setting, metal finishing and gold plating. Some design details were adjusted during this process. The materials are synthetic gemstones including cubic zirconia, synthetic spinel and synthetic ruby which were cut into usually flat surfaces. For the metal part, the material is goldplated silver.
Phephetso ya Moralo: The challenge was to realize all the design details to achieve the best result. There were many details in the design which made it difficult to well polish all the corners without damaging. After several experiments, I finally chose sand blasting as the main metal finishing which combined with full polish of the top faces of the settings, ensuring all the details as well as giving the collection a feel of flexibility. Also, the stone cutting process went through a lot of experiments to decide the thickness to gain the best effect.
Dipatlisiso: The research concentrated on Gothic culture and the purchasing behavior of customers towards contemporary jewelry from books, journals, online articles and relevant market data. The research showed the potential of making the old into the new in the perspectives of market and technology. Besides, the case studies were given on market, trend and manufacture with online research and interviews, as first-hand investigations underscoring the value of the project. All the research promoted the development of the project and completed the project in the academic way.
Kgothaletso: The collection was inspired by ancient Gothic architecture. This traditional style is fading with time, but it can be reborn in a new way with jewelry. Combining with fashion and advanced technology, the project aims to create jewelry pieces which can make the old into a new style, discussing the potential of the traditional in the contemporary context. With the interest in the way how the Gothic vibe influences audience and based on the vast research on Gothic culture, the project also tries to provoke unique individual experience through playful interaction, exploring the relationship between design and wearers.
Nako ya Projeke: The project started in October 2017 in London and finished in May 2019 in London, and was exhibited in Central Saint Martins Degree Show in June 2019 and was awarded as Distinction. The production was finished in China.
Tsamaiso ya Mosebetsi: The designs were inspired from Gothic architecture. Wearers will be easily attracted by its amazing appearance with elegant details. The pieces combine the old with the new, explaining the traditional culture with contemporary fashion language. When wearing the jewelry, the beautiful lines flow with the body, the bright colors cast onto the skin, creating a poetic experience for individuals. It is jewelry, but more than jewelry. It is a combination of culture, aesthetic, fashion and emotion.
Litlotla tsa Setshwantsho: #1, 2, 3, 4, 5: Photographer Xiaowu Yu, 2019