Guanshan Boitsebiso ba Setjhaba ka Hong Jia Min

Moralo oa Guanshan Boitsebiso ba Setjhaba ka Hong Jia Min ke mohlodi oa khau e hlomphehang haholo ya 2025 Moputso oa Tšepe oa A' Design Award Mokhahleong oa Tlhodisano oa Moralo wa Dikerafikhe, Ditshwantsho le Puisano ka Pono.

TšepeKerafikhe· 2025

Guanshan Boitsebiso ba Setjhaba

ka Hong Jia Min

Moreki: Jijia Brand Creative Studio

Mohlodi oa Moputso oa Tšepe oa A' Design Award Mokhahleong oa Kerafikhe

2,022

Mohlodi oa Khau ea Netefaditsweng

Netefatsa Boemo ba Khau bakeng sa #172951

Sheba ho A' Design Award Tokollo ya Boraditaba Baeche ya Moputso

Mebala

Moralo

Mabapi le Guanshan Boitsebiso ba Setjhaba

Guanshan ke boitsebiso ba setjhaba bo entsoeng bakeng sa lebenkele la tee ea lebese. Moralo ona o sebelisa litlhaku tsa Sechaena e le motheo oa oona 'me o nchafatsa sebopeho sa mongolo oa khale oa liofisi ha o ntse o boloka moea oa oona oa setso. O tsejoa metsong ea botle ba lintho tsa Bochabela, boitsebiso bona bo kopanya setšoantšo sa liphepheng tsa inki le lisebelisoa tsa tee. Setšoantšo se ka hare se bontša phepheng le komiki ea tee ka moralo o kopaneng, o hlahisang tlhaloso e habeli. Metsi a inki a bontša moralo oa mokoallo oa lehlaka oa phepheng ea sesele ea setso, 'me sebopeho sa komiki se ipapisitse le libakete tsa tee tsa Jianzhan.

Kamohelo

Mabapi le Moputso oa Tšepe oa A' Design Award

Guanshan Boitsebiso ba Setjhaba ke mohapi oa Moputso oa Tšepe oa A' Design Award, kananelo e hlomphehang e fuoang meralo e metle e finyellang litlhoko tsa porofeshenale le tsa indasteri tse lebelletsoeng ho lintho tse hlahisitsoeng tse entsoeng hantle. Bahapi ba Tšepe ba bontša bokhoni bo boholo, bokhethehi bo phahameng, kutloisiso ea litsebi le bokhoni ba boqapi ba baqapi ba bona. Guanshan Boitsebiso ba Setjhaba e lebelletsoe ho ba ntho e hlahisitsoeng e hlomphuoang haholo, e ratoang le e ratehang, e sebetsang le e nang le mehopolo e mecha. Moralo ona o hapileng Moputso oa Tšepe oa A' Design Award o kenyelletsa mekhoa e metle ka ho fetesisa ea indasteri mme o na le litšobotsi tsa theknoloji tse nang le bokhoni tse amanang le tsebo le talenta. Ka lebaka la botlalo ba eona, Guanshan Boitsebiso ba Setjhaba e tšoanelehela tlhompho mme e entsoe ho fana ka ntlafatso ea bophelo e thusang ho etsa hore lefatše le be sebaka se molemo.

Ka Mora Moralo

Sete ya Boraditaba

Litlhaku, ditho tsa sehlopha le lintlha tsa botekgeniki tse fanoeng ke moetsi wa moralo.

Boleng bo Ikhethang: Anchored in the philosophy of teahouse as home, we construct a contemporary sanctuary for tea connoisseurs. Our brews extract primal essences from ancient tea groves, harmonized with mountain springs and melted snow to reveal terroir authenticity. Spaces crystallize tea mountains textures and light interplay, crafting immersive nomadic tea sanctuaries that engage all senses.
Boholo le Phuthelo: The brand multi series tea collections employ phytographic design extracting each teas botanical essence and marrying it with Chinese aesthetic principles. This methodology crystallizes into Neo Chinese packaging that embodies product specific visual identities.
Lithegi: Oriental, Creativity, Tea , Ink Painting, Chinese
Theknoloji ya Tlhahiso: The creative process prioritizes onomastic morphology deriving visual forms directly from the brands nomenclature while integrating product typology. This methodology undergoes cultural synthesis through strategic collisions between contemporary creativity and Chinese heritage elements, generating innovative semiotic expressions rooted in commercial context.
Phephetso ya Moralo: The project requires the seamless integration of multiple elements to simultaneously communicate the brand core identity, embody Oriental aesthetics, and ensure versatile application across diverse scenarios.
Dipatlisiso: We reconfigure tea rituals through Ceramic Deconstructionism transposing bamboo brazier fans mechanical logic into ergonomic curves, translating ink bleeds into tactile gradients on vessel surfaces. Packaging evolves into Tactile Typology archives where material stratigraphy chronicles tea history, Neo Chinese design manifests as Parametric Archaeology methodology.
Kgothaletso: Rooted in Chinese tea ware aesthetics, the concept reimagines Song Dynasty tea house imagery through calligraphic brushwork. Capturing the symbiotic relationship between luzan brazier fans and tea utensils, Ink tonalities outline the fan silhouette, its flowing strokes organically morphing into modern teacups streamlined forms. This visual philosophy of holding a fan while contemplating tea manifests through design.
Nako ya Projeke: Located in Dongguan, Guangdong Province, China, this project was designed in October 2024.
Tsamaiso ya Mosebetsi: Carve the eraser into desired shapes, saturate its sculpted surfaces with ink, then employ this unconventional tool as a brush substitute. Through rhythmic imprinting and calculated pressure variations on paper, the rubber matrix undergoes iterative experimentation. Each impression accumulates ink dynamics angular edges deposit geometric patterns while worn facets create mist like gradients.
Diphatente: Copyrights belong to Hong Jia Min, 2024.
Litho tsa Sehlopha: Hong Jia Min
Litlotla tsa Setshwantsho: Hong Jia Min