Orbit A Collection Mosebetsi oa Mantlha: Pokello ea Mahlabo a Boiketlo ka Suyu Chen

Moralo oa Orbit A Collection Mosebetsi oa Mantlha: Pokello ea Mahlabo a Boiketlo ka Suyu Chen ke mohlodi oa khau e hlomphehang haholo ya 2022 Moputso oa Tšepe oa A' Design Award Mokhahleong oa Tlhodisano oa Moralo wa Mekgabiso.

TšepeMekgabiso· 2022

Orbit A Collection Mosebetsi oa Mantlha: Pokello ea Mahlabo a Boiketlo

ka Suyu Chen

Moreki: Suyu Chen

Mohlodi oa Moputso oa Tšepe oa A' Design Award Mokhahleong oa Mekgabiso

15,518

Mohlodi oa Khau ea Netefaditsweng

Netefatsa Boemo ba Khau bakeng sa #131168

Etela Sebaka Sheba ho A' Design Award Tokollo ya Boraditaba Baeche ya Moputso

Mebala

Moralo

Mabapi le Orbit A Collection Mosebetsi oa Mantlha: Pokello ea Mahlabo a Boiketlo

Mongolo oa Buka: Orbit A Collection ke letoto la mahlabo a boiketlo a entsoeng ka matsoho, a kenyelletsang broche le likhwene tse peli. Ntho ka 'ngoe ke e ikhethang 'me e kopanya silevera e tsitsitseng le lithupa tsa polasetiki, letsopa la resini le pente. Karolo e tšoanang ea polasetiki e phetoa e le sesebelisoa sa motheo ho theha meaho e fapaneng eo ho ka aparoang le e bopilweng ka bonono. Mekhoa ea setso ea ho sebetsa ka tsepe joalo ka ho fitha, ho theha le ho etsa liketane e sebelisoa, hammoho le ho fitha polasetiki, ho ntlafatsa ka photha-pshatla le ho fana ka mebala. Pokello ena e bontša kamano lipakeng tsa bokhabane ba setso le tlhahiso ea mahareng ea sejoale-joale.

Kamohelo

Mabapi le Moputso oa Tšepe oa A' Design Award

Orbit A Collection Mosebetsi oa Mantlha: Pokello ea Mahlabo a Boiketlo ke mohapi oa Moputso oa Tšepe oa A' Design Award, kananelo e hlomphehang e fuoang meralo e metle e finyellang litlhoko tsa porofeshenale le tsa indasteri tse lebelletsoeng ho lintho tse hlahisitsoeng tse entsoeng hantle. Bahapi ba Tšepe ba bontša bokhoni bo boholo, bokhethehi bo phahameng, kutloisiso ea litsebi le bokhoni ba boqapi ba baqapi ba bona. Orbit A Collection Mosebetsi oa Mantlha: Pokello ea Mahlabo a Boiketlo e lebelletsoe ho ba ntho e hlahisitsoeng e hlomphuoang haholo, e ratoang le e ratehang, e sebetsang le e nang le mehopolo e mecha. Moralo ona o hapileng Moputso oa Tšepe oa A' Design Award o kenyelletsa mekhoa e metle ka ho fetesisa ea indasteri mme o na le litšobotsi tsa theknoloji tse nang le bokhoni tse amanang le tsebo le talenta. Ka lebaka la botlalo ba eona, Orbit A Collection Mosebetsi oa Mantlha: Pokello ea Mahlabo a Boiketlo e tšoanelehela tlhompho mme e entsoe ho fana ka ntlafatso ea bophelo e thusang ho etsa hore lefatše le be sebaka se molemo.

Ka Mora Moralo

Sete ya Boraditaba

Litlhaku, ditho tsa sehlopha le lintlha tsa botekgeniki tse fanoeng ke moetsi wa moralo.

Boleng bo Ikhethang: Each piece in this collection is handcrafted and one-of-a-kind, featuring a combination of precious metals and mixed materials, such as plastic tubes and resin. By composing jewelry works that relate to subtle forms and marks, the works embody the relationships between practices and artificial objects in traditional arts and modern mass production. Through random separating, texturing, and coloring the plastic tubes, the jewelry pieces present unique consequences with an emphasis on minimalism and elegant forms.
Boholo le Phuthelo: Brooch: 35*35*145mm
Double-tube necklace:127*40*50mm
Chain link statement necklace: 250*250*30mm
Lithegi: jewelry, necklace, brooch, craft, mixed material, art jewelry
Theknoloji ya Tlhahiso: The metal structure utilized traditional metalsmithing techniques, such as soldering, forming, and chain-making. For the alternative medium parts, plastic-welding and various paints combination were applied, including enamel paints, gesso, and acrylic.

Material: sterling silver(925 silver), plastic tube, resin clay, enamel paints, gesso, acrylic, stainless steel(for the brooch pin)
Phephetso ya Moralo: Methods to assemble and secure the parts were the most essential and challenging throughout the whole process, while various experimentation had been performed in preparation. Although the tubes were manufactured within the same standard, they were however not entirely equivalent. The slight form difference requires a more precise structure design in order to assemble all parts together perfectly. Especially for the metal part, multiple models need to be done and tested before the final outcome.
Dipatlisiso: By studying the history of craft-making, traditional apprenticeship culture both in China and western society, and the idea of modularity in the art fields through books, articles, and interviews, this project focuses on the repeated use of the same component, plastic electrical conduits, to create both wearable and sculptural objects. Making art using a certain strict component or principle is not uncommon in art history. The occurrence not only happened in the craft fields, but also in fine arts and even literary creation. The nature of human activities and artifacts becomes a part of the artwork concept.
Kgothaletso: By exploring the Chinese cultural background, and the idea of modularity in the traditional art fields, the project focuses on the repeated use of the same component, plastic electrical conduits, to create both wearable and sculptural objects. The aim of the work is not simply to compose forms or examine functions of jewelry within one simple material, but also to memorialize and symbolize mixed thoughts related to the experience of nostalgia and self-identity that arise from being away from home.
Nako ya Projeke: The project started in January 2019 in Rochester, New York, United States, and was completed in December 2020. The collection works had been exhibited internationally, including in New York City Jewelry Week 2019(NYC, US), JOYA 2020(Barcelona, Spain), Gioielli in Fermento 20|21(Milan, Italy), Art in Media 2021 (Burchfield Penny Art Center, Buffalo, US) and Beijing International Jewellery Exhibition(Beijing, China).
Tsamaiso ya Mosebetsi: This collection focused on the variation and transformation of endless forms by continued use of the same artifact as a basic module. Revealing subtle layers of imperfection through painting, sanding, separating, and combining.
Litho tsa Sehlopha: Suyu Chen
Litlotla tsa Setshwantsho: Image #1, #2, #3 and #4 Photographer Suyu Chen, Orbit A Collection, 2019
Image #5, Photographer Jiageng Lin, Orbit A Collection, 2020