Shany Abdallah Naji Primary Function: Letoto la Bonono ba Litšoantšo ka Shany Dvora

Moralo oa Shany Abdallah Naji Primary Function: Letoto la Bonono ba Litšoantšo ka Shany Dvora ke mohlodi oa khau e hlomphehang haholo ya 2021 Moputso oa Silevera oa A' Design Award Mokhahleong oa Tlhodisano oa Moralo wa Dikerafikhe, Ditshwantsho le Puisano ka Pono.

SileveraKerafikhe· 2021

Shany Abdallah Naji Primary Function: Letoto la Bonono ba Litšoantšo

ka Shany Dvora

Mohlodi oa Moputso oa Silevera oa A' Design Award Mokhahleong oa Kerafikhe

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Mohlodi oa Khau ea Netefaditsweng

Netefatsa Boemo ba Khau bakeng sa #121320

Etela Sebaka Sheba ho A' Design Award Tokollo ya Boraditaba Baeche ya Moputso

Mebala

Moralo

Mabapi le Shany Abdallah Naji Primary Function: Letoto la Bonono ba Litšoantšo

Shany Abdallah Naji ke letoto la mesebetsi ea litšoantšo e tsosolosang moetlo oa lelapa oa ho reha mabitso. Moetlo ona, o ileng oa fela ha lelapa le tloha Iraq ho ea Israele, o ne o fa lesea le sa tsoa tsoaloa lebitso la pele le lateloang ke mabitso a ntate le a ntate-moholo. Letoto lena le entsoe ka mor'a hore ho fumanoe lipampiri tsa khale tsa bofalli ba lelapa. Mesebetsi e mehlano e kopantsoeng ea mecha e fapaneng, e 'nè e nang le bophara ba li-sentimetara tse 50 ka tse 70 le e 'ngoe e nang le bophara ba li-sentimetara tse 75 ka tse 70, e kopanya litšoantšo ka har'a mongolo o motle oa Seheberu o susumelitsoeng ke libuka tsa mengolo tsa Seheberu tse tsoang Iraq, Yemen le Morocco tse entsoeng pakeng tsa lekholo la bo12 le la bo15 la lilemo.

Kamohelo

Mabapi le Moputso oa Silevera oa A' Design Award

Shany Abdallah Naji Primary Function: Letoto la Bonono ba Litšoantšo ke mohapi oa Moputso oa Silevera oa A' Design Award, kananelo e hlomphehang haholo e fuoang meralo e phahameng ka ho fetesisa, e ntle le e tsosang maikutlo. Bahapi ba Silevera ke mesebetsi e khanyang haholo le e nang le boqapi bo ikhethang e bontšang botsebi, talenta le bohlale ba baqapi ba eona. Shany Abdallah Naji Primary Function: Letoto la Bonono ba Litšoantšo e lebelletsoe ho ba mosebetsi o motle, oa mohlala, o nang le boprofeshenale bo bonahalang le mehopolo e mecha e tebileng. Moralo ona o hapileng Moputso oa Silevera oa A' Design Award ke mohopolo o hlokomelehang haholo le o ratoang o tlisang molemo mme o sutumelletsang meeli ea bonono, mahlale, moralo le theknoloji. Shany Abdallah Naji Primary Function: Letoto la Bonono ba Litšoantšo ke mosebetsi oo batho ba bangata ba o lakatsang, o tsosang litakatso, o tlisang maikutlo a matle le o tsosetsang ho makala le ho hlolla.

Ka Mora Moralo

Sete ya Boraditaba

Litlhaku, ditho tsa sehlopha le lintlha tsa botekgeniki tse fanoeng ke moetsi wa moralo.

Boleng bo Ikhethang: Shany Abdalla Naji is a series of Graphic works attempting to revive the name giving tradition in the designer’s family.
This tradition that broke upon arriving to Israel from Iraq, consists of naming a new born and adding the names of his father and grandfather. Dvora learned all this recently after finding her family's immigration papers. This discovery left her excited thinking names can encompass within them the changes of tradition and culture and it made her question how her own name fits in her family’s ancestry
Boholo le Phuthelo: 4 works 50*70 cm
1 work 75*70 cm
Lithegi: Calligraphy, Typography, Hebrew, Eastern
Theknoloji ya Tlhahiso: Mixed Media
Phephetso ya Moralo: -
Dipatlisiso: For ages, the Middle East has been a meeting point for eastern and western cultures. This region has seen empires rise and fall, ever changing borders and frequent migrations of people looking for a fresh start. But not only the people journeyed across the land, with them came their family history, their stories, ideas, ideals and traditions.

This is the story of Dvora’s grandmother - Juliette Abdallah Moshe.

Juliette immigrated to Israel from Iraq in 1951 with her husband and three young sons. Her birth given name, Juliette Abdallah Moshe, as were the names of her ancestors, consisted of her first name followed by the names of her father and grandfather. When she arrived in Israel her name was changed to “Juliette Dvora” as part of the process of integration. Thus, the tradition linking the children’s names to those of their ancestors was broken. Dvora learned all this only in recent years after finding her grandmother’s original immigration papers. This discovery left her very excited thinking that a name of a man can encompass within it the changes of tradition and culture as it consists of the names of the previous family generations. The excitement was followed by a few questions though. Why is Shany’s name so different from the traditional and deeply rooted names in her family’s ancestry? Where and how does her name fit in there?
In this project She seeks to revive the name giving tradition that still lived on in the time of her grandmother’s birth. She does so through imagery woven into Hebrew calligraphy inspired by 12th-15th century Hebrew manuscripts from Iraq, Yemen and Morocco
Kgothaletso: In this project Dvora seeks to revive the name giving tradition that still lived on in the time of her grandmother’s birth. She does so through imagery woven into Hebrew calligraphy inspired by 12th-15th century Hebrew manuscripts from Iraq, Yemen and Morocco
Nako ya Projeke: 2018-2019, Israel
Tsamaiso ya Mosebetsi: -
Diphatente: -
Litho tsa Sehlopha: -
Litlotla tsa Setshwantsho: Shany Dvora