Time Slide Hawsha Aasaasiga ah: Jadwalka Taariikhda ee Miiska oo uu sameeyey Usee Adversting Company

Naqshadda Time Slide Hawsha Aasaasiga ah: Jadwalka Taariikhda ee Miiska oo uu sameeyey Usee Adversting Company waa mid aad u sharaf badan oo ku guulaysatay tartanka qaybta Naqshadeynta Garaafigga, Sawir-gacmeedka iyo Isgaarsiinta Muuqaalka ee 2026 Abaalmarinta Lacagta ah ee A' Design Award.

LacagGaraafig· 2026

Time Slide Hawsha Aasaasiga ah: Jadwalka Taariikhda ee Miiska

Usee Adversting Company uu sameeyay

Macmiilka: USEE Advertising Company.

Ku Guuleystaha Abaalmarinta Lacagta ah ee A' Design Award ee Qaybta Garaafig

42,132

Ku Guuleystaha Abaalmarinta La Xaqiijiyey

Xaqiiji Xaaladda Abaalmarinta #181530

Booqo Bogga Ka Eeg A' Design Award War-saxaafadeed Calaamadda Abaalmarinta

Midabada

Naqshadeynta

Wax ku saabsan Time Slide Hawsha Aasaasiga ah: Jadwalka Taariikhda ee Miiska

Naqshaddan waxay muujinaysaa wakhtiga inuu yahay hannaan urursi ah halkii uu ka noqon lahaa mid lumaya. Maalin walba waxay ka tagtaa raad, bil walbana waxay noqotaa qayb ka mid ah taxane muuqaal ah oo ka weyn. Halkii uu boggaga gelin lahaa, isticmaalaha wuxuu ka saaraa oo galiyaa xaashiyaha bisha sida slides ku jira mashiinka muuqaalka. Ficilkani wuxuu abuuraa garaaca cad ee kala guurka. Jadwalka taariikhdu wuxuu dadka ku dhiirrigeliyaa inay wakhtiga la kulmaan ma aha sida wax lumay, laakiin sida wax si tartiib ah lakab lakab ugu dhisma.

Aqoonsiga

Wax ku saabsan Abaalmarinta Lacagta ah ee A' Design Award

Time Slide Hawsha Aasaasiga ah: Jadwalka Taariikhda ee Miiska waa guuleystaha Abaalmarinta Lacagta ah ee A' Design Award, aqoonsi sharaf aad u sarreeya oo la siiyo naqshado heerka ugu sarreeya oo quruxsan oo soo jiidasho leh. Guuleystayaasha Lacagta waa shaqooyin aad u dhalaalaya iyo hal-abuur sare leh oo muujiya khibrad, hibo iyo hufnaan naqshadeeyayaashooda. Time Slide Hawsha Aasaasiga ah: Jadwalka Taariikhda ee Miiska waa shaqo la filayo inay noqoto shaqo quruxsan oo tusaale ah, xirfad cad leh oo hal-abuur qoto dheer leh. Naqshadahan ku guuleystay Abaalmarinta Lacagta ah ee A' Design Award waa hal-abuur aad loo dareemo oo la ammaano, waxtar leh oo hormariya xuduudaha farshaxanka, sayniska, naqshadaynta iyo tignoolajiyada. Time Slide Hawsha Aasaasiga ah: Jadwalka Taariikhda ee Miiska waa hal-abuur dad badan ay doonayaan, kicisa rabitaanno, keena dareenno wanaagsan oo abuura yaab.

Gadaasha Naqshadeynta

Xirmada Warbaahinta

Shahaadooyinka, xubnaha kooxda iyo faahfaahinta farsamada ee uu bixiyay naqshadeeluhu.

Sifooyinka Gaarka ah: This desktop calendar reimagines time through a slide based system. Instead of flipping pages, each month is removed, inserted, and moved from front to back. Precisely laser cut patterns create changing visual compositions, while the reusable acrylic holder extends the product life cycle. A clear layout separates reading and writing areas, and each month uses a distinct color palette to enrich everyday use.
Cabbirka & Qaabaynta: DIMENSION- W200 x D25 x H120/ mm
TECHNICAL PROPERTIES- Precision laser cutting
Holder- frosted acrylic
Paper- 450gsm Favini Contact Pack-FCF01
Summado: Calendar, Graphic Design, Desk Calendar, Laser Cutting
Tiknoloojiyada Soo Saarka: This project adopts 450gsm Favini Contact Pack-FCF01, selected for its refined matte surface and
structural stability. The substantial thickness provides firmness while maintaining a gentle
chromatic expression, allowing light to pass through the die-cut forms and produce clear, layered
shadows.
The calendar combines laser engraving with high- precision die-cutting. The design pursues an
extreme 2mm edge clearance, balancing structural integrity with visual lightness. The paper must retain sufficient support along the edges while presenting crisp and delicate contours. Each month
features distinct die-cut specifications and formal variations, placing rigorous demands on tooling
accuracy, paper tension control, and registration precision.
Extensive prototyping and testing were conducted to calibrate laser focus, cutting depth, and fiber
tolerance, ensuring that every line remains clean, without burn marks, fraying, or distortion. The production process emphasizes technical precision and meticulous craftsmanship, positioning the
die-cut not merely as a decorative gesture, but as the core structural and spatial language of the work.
Caqabadda Naqshadda: The calendar combines laser engraving with high precision die cutting. The design pursues an extreme 2 millimeter edge clearance, balancing structural integrity with visual lightness. The paper must retain sufficient support along the edges while presenting crisp and delicate contours. Each month features distinct die cut specifications and formal variations, placing rigorous demands on tooling accuracy, paper tension control, and registration precision.
Cilmi-baadhis: We focused on identifying the most suitable paper for large area laser engraving in order to achieve precision without scorch marks. Through repeated testing, we found that laser power was a key factor, though its effectiveness had limits. Material choice also proved critical. Thicker and denser textured paper performed better and was less likely to scorch.

Our findings are as follows. First, surface masking protection was the most effective method. Applying masking tape to the surface, especially on light colored paper, helped block smoke and scorch residue. Second, optimized laser parameters were essential. High speed and low power reduced heat accumulation, while multiple cutting passes prevented excessive heating in one area. Third, airflow and cooling improved results. Strong air assist removed heat and smoke quickly, and short pauses allowed the paper surface to cool. Finally, operational techniques also mattered. Back side engraving helped preserve a cleaner front surface, thicker paper improved heat resistance, and regular lens cleaning reduced unwanted heat scattering.
Dhiirrigelinta: Time Slide suggests that time does not simply disappear. Instead, it accumulates and forms layers of perception. Some months feel light and vivid, while others unfold slowly and quietly. These variations in the experience of time create subtle shifts in the aesthetics of everyday life.

The design treats a month not as a page to be turned, but as an element to be exchanged, much like a projected slide. Through the act of removing and inserting, it establishes a rhythm that reframes time rather than merely moving it forward.
Muddada Mashruuca: Started in August 2025, completed in December 2025, in Taiwan.
Socodka Hawlgalka: Time passed. The user pulls out a page from the calendar and places it behind, as if sending the memory deep into his mind. Simultaneously, through the laser-engraved seams, the new month presents a fresh look. This action is akin to swapping slides, allowing memories to be retrieved and savored at any time.

Users are free to freely swap out the month combinations, letting the calendar present different appearances according to their mood.
Xubnaha Kooxda: Ho Shu Ping
Yeh Hui Yu