Govy Alaabta Miiska ee Dhoobada oo uu sameeyey Kayoko Nishii

Naqshadda Govy Alaabta Miiska ee Dhoobada oo uu sameeyey Kayoko Nishii waa mid aad u sharaf badan oo ku guulaysatay tartanka qaybta Naqshadeynta Qalabka Dubista, Saxanka, Koobabka iyo Qalabka Karinta ee 2026 Abaalmarinta Naxaasta ah ee A' Design Award.

NaxaasQalabka Jikada· 2026

Govy Alaabta Miiska ee Dhoobada

Kayoko Nishii uu sameeyay

Ku Guuleystaha Abaalmarinta Naxaasta ah ee A' Design Award ee Qaybta Qalabka Jikada

7,162

Ku Guuleystaha Abaalmarinta La Xaqiijiyey

Xaqiiji Xaaladda Abaalmarinta #180643

Booqo Bogga Ka Eeg A' Design Award War-saxaafadeed Calaamadda Abaalmarinta

Midabada

Naqshadeynta

Wax ku saabsan Govy Alaabta Miiska ee Dhoobada

Govy waa ururin alaabta miiska ah oo dhoobo ah kuwaas oo lagu sameeyay dhisme dhoobo lakab-lakab ah. Baaskiin dhoobo ah oo dhuudhuuban ayaa la isku dhejiyaa oo la cadaadiyaa si ay naqshadaha xariiqda alwaaxda uga soo baxaan gudaha maaddada halkii lagu dul mari lahaa sida qurxin dusha sare ah. Xariiqdu waxay ka mid tahay jirka dhoobada, sidaas darteed qaab-dhismeedka lakabaysan wuxuu ka sii socdaa dusha sare, dhinaca hoose, geesaha iyo qaybaha gudaha ee qalab kasta. In ka badan konton nooc oo dhoobo ah ayaa la tijaabiyay si loo hubiyo iswaafajinta midabka iyo isku-soo-uruurka inta lagu jiro shiditaanka. Ururintu waxay ka kooban tahay koobab, baaquliyo iyo saxamo oo leh afar midab oo dhadhanka alwaaxda ah.

Aqoonsiga

Wax ku saabsan Abaalmarinta Naxaasta ah ee A' Design Award

Govy Alaabta Miiska ee Dhoobada waa guuleystaha Abaalmarinta Naxaasta ah ee A' Design Award, aqoonsi sharaf sare leh oo la siiyo naqshado aan caadi ahayn oo lagu garto hal-abuur, hal-abuur cusub iyo caqli. Guuleystayaasha Naxaasta waa shaqooyin xirfad buuxda leh iyo hal-abuur yaab leh oo xaqiijiya khibrad weyn, male-awaal iyo kartida naqshadeeyayaashooda. Govy Alaabta Miiska ee Dhoobada waa walax la filayo inay noqoto mid aad loo tixgeliyo, la ixtiraamo oo la jecel yahay, xirfad cad leh oo hal-abuur cusub leh. Naqshadahan ku guuleystay Abaalmarinta Naxaasta ah ee A' Design Award wuxuu ku darsadaa hab-dhaqanno ugu wanaagsan farshaxanka, sayniska, naqshadaynta iyo tignoolajiyada wuxuuna ku fiican yahay dhawrista tafaasiisha. Govy Alaabta Miiska ee Dhoobada si fiican ayay u buuxisaa baahiyaha, taabataa rabitaannada, soo jiidataa dareenka kicinayaanna xiisaha aqoonta.

Gadaasha Naqshadeynta

Xirmada Warbaahinta

Shahaadooyinka, xubnaha kooxda iyo faahfaahinta farsamada ee uu bixiyay naqshadeeluhu.

Sifooyinka Gaarka ah: Govy is a ceramic tableware collection formed through structurally layered clay. Different clay bodies are stacked and compressed to generate wood-grain patterns that emerge from within the material rather than being applied. Circular knot-like patterns are intentionally designed through controlled layer composition. The layered structure appears consistently across the entire piece—including the surface, underside, edges, and cross-sections—unifying visual expression and internal structure. More than fifty clay bodies were tested to achieve color harmony and compatible shrinkage during firing.
Cabbirka & Qaabaynta: Mugs (Diameter x Height): Small 6.5 x 6.5 cm, Medium 8 x 8 cm, Large 9 x 9 cm.
Bowls (Owan): Small 13 x 5 cm, Medium 17 x 7 cm.
Deep Plates: 20 x 4 cm.
Plates: 13 x 2 cm, 19 x 2 cm, 24 x 2 cm, 27 x 3 cm, 33 x 3.5 cm.
Available colors: Whitewood, Oak, Cherrywood, Walnut.
Production takes approximately three weeks from mold creation, or one week when molds and clay preparation are completed.
Summado: Modular Design, Layered Clay, Ceramic Tableware, Material Structure, Nerikomi
Tiknoloojiyada Soo Saarka: Govy is produced through layered clay construction derived from traditional nerikomi techniques. More than fifty clay bodies were tested to evaluate color harmony and shrinkage compatibility. Thin clay slabs are laminated, compressed, and reformed to create stable layered structures that generate wood-like grain patterns. Mold forming enables consistent forms while preserving the natural variation inherent to the stratified clay structure.
Caqabadda Naqshadda: The central challenge was translating the visual richness of wooden vessels into ceramic while maintaining durability and usability. Over fifty clay bodies were tested to determine compatible color combinations and shrinkage behavior. Through layered construction, compression forming, and mold-based prototyping, stable grain structures were achieved. Nearly forty form prototypes were evaluated with professional chefs, leading to the final selection of forms and four wood-tone color options.
Cilmi-baadhis: This project investigates how layered clay techniques, including nerikomi, can generate wood-grain structures directly within ceramic tableware. Instead of surface decoration, different clay bodies are laminated and compressed so the grain becomes part of the material itself. More than fifty clay bodies were tested to examine color harmony and shrinkage behavior, while over forty plate forms were developed to study proportion, usability, and food presentation. Final selections were evaluated with professional chefs to determine effective color tones and plate proportions.
Dhiirrigelinta: Govy is inspired by the structural logic of wood, where growth is recorded through layered formation. The project translates this natural process into ceramics through layered clay construction. Layers are intentionally composed and compressed so wood-like grain structures emerge from within the material rather than being applied as surface decoration. As a result, the structural depth of wood is realized in ceramic form, where visual expression and material structure are unified, creating a natural warmth that enhances the presence of food while remaining versatile across different dining contexts.
Muddada Mashruuca: The project began in 2016 in the United States, with early works exhibited in a gallery context. Development continued intermittently, resumed in 2023, and was completed in November 2025.
Socodka Hawlgalka: Govy functions as a flexible tableware system that adapts to different dining environments. Users can select individual pieces or combine multiple forms and sizes to create varied table settings. Four wood-tone color options allow visual pairing with different foods and personal preferences while maintaining a coherent material identity. The lightweight construction improves everyday usability, and the thickness can be adjusted during production to suit both domestic use and professional kitchens.
Amaanta Sawirrada: Photography　Christopher Brown