2025 Kaohsiung XR Dreamland Naqshadaynta Bandhig oo uu sameeyey Fundesign.tv

Naqshadda 2025 Kaohsiung XR Dreamland Naqshadaynta Bandhig oo uu sameeyey Fundesign.tv waa mid aad u sharaf badan oo ku guulaysatay tartanka qaybta Naqshadeynta Munaasabadaha iyo Dhacdooyinka ee 2026 Abaalmarinta Birta ah ee A' Design Award.

BirMunaasabad· 2026

2025 Kaohsiung XR Dreamland Naqshadaynta Bandhig

Fundesign.tv uu sameeyay

Macmiilka: Kaohsiung film archive

Ku Guuleystaha Abaalmarinta Birta ah ee A' Design Award ee Qaybta Munaasabad

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Ku Guuleystaha Abaalmarinta La Xaqiijiyey

Xaqiiji Xaaladda Abaalmarinta #180307

Booqo Bogga Ka Eeg A' Design Award War-saxaafadeed Calaamadda Abaalmarinta

Midabada

Naqshadeynta

Wax ku saabsan 2025 Kaohsiung XR Dreamland Naqshadaynta Bandhig

2025 Kaohsiung XR Dreamland waa naqshad bandhig oo loo abuuray barnaamij filim ah oo qofka gudihiisa geliya, kaas oo ka dhaca Kaohsiung, Taiwan. Qaabka goobtu wuxuu daboolayaa ilaa 1,000 mitir oo laba jibbaaran wuxuuna ka kooban yahay 22 qol oo waayo-aragnimo ah oo mid waliba cabbirkiisu yahay 3 ilaa 12 mitir oo laba jibbaaran. Qol kastaa wuxuu waxa muuqaalka farsamada (virtual) ee barnaamijkiisa u fidiyaa qaab la taaban karo, halka mawduuc mustaqbal iyo dhaqan hore isku dara uu qolalka isugu xiro sidii hoolal shineemo oo kala madax bannaan. Qaansooyin siman, akriliik muraayad leh iyo daaqado LED oo hufan ayaa qaabeeya albaab ifaya iyo goob tigidh oo qaab hore leh. Wadadu waxay booqdayaasha si tartiib tartiib ah uga hagtaa xaqiiqada ilaa adduunyada farsamada (virtual).

Aqoonsiga

Wax ku saabsan Abaalmarinta Birta ah ee A' Design Award

2025 Kaohsiung XR Dreamland Naqshadaynta Bandhig waa guuleystaha Abaalmarinta Birta ah ee A' Design Award, aqoonsi sharaf leh oo la siiyo naqshado wanaagsan oo buuxiya shuruudaha xirfadeed iyo kuwa warshadeed ee laga filayo hal-abuurro si wanaagsan loo naqshadeeyay. Guuleystayaasha Birta waxay muujiyaan xirfad weyn, takhasus sare, fahan khabiir iyo awood hal-abuur oo abuurayaashooda. 2025 Kaohsiung XR Dreamland Naqshadaynta Bandhig waa hal-abuur la filayo inuu noqdo mid aad loo tixgeliyo, la ixtiraamo oo la jecel yahay, wax ku ool ah oo cusub. Naqshadahan ku guuleystay Abaalmarinta Birta ah ee A' Design Award wuxuu isku daraa hab-dhaqannada ugu wanaagsan warshadda wuxuuna leeyahay sifooyin farsamo oo karti leh oo ku xiran aqoon iyo hibo. Dhammaystirkeeda awgeed, 2025 Kaohsiung XR Dreamland Naqshadaynta Bandhig waa mudan ixtiraam, waxaana loo naqshadeeyay inay keento hagaajin nololeed oo ka caawisa in adduunka laga dhigo meel ka wanaagsan.

Gadaasha Naqshadeynta

Xirmada Warbaahinta

Shahaadooyinka, xubnaha kooxda iyo faahfaahinta farsamada ee uu bixiyay naqshadeeluhu.

Sifooyinka Gaarka ah: Kaohsiung’s remarkable journey from a heavy-industry port city to Asia’s XR innovation hub is the core inspiration behind XR DREAMLAND. Since 2017, when the Kaohsiung Film Festival launched Taiwan’s first VR program, the city has embraced immersive storytelling with bold vision and passion. At the Pier-2 Art Center, it established the permanent VR FILM LAB, which has grown into one of the largest XR immersive platforms in Asia, shaping Kaohsiung’s cultural identity around creative technology.
Cabbirka & Qaabaynta: Within an approximately 1,000-square-meter space, the exhibition features 22 XR experience booths, ranging from 3 to 12 square meters. Each booth is independently designed by physically extending its specific virtual XR content into the real world. Unified under a central Future Retro theater framework, these varied spatial installations are cohesively presented as individual cinema halls.
Summado: XR, DREAMLAND, Film Festival, Kaohsiung, Pier 2 Art Zone, VR, MR, AR, fundesign
Tiknoloojiyada Soo Saarka: The design team employs immersive narrative to bring the Crossborder Reincarnation concept to life. Utilizing a Future Retro aesthetic, the spatial execution contrasts a nostalgic exterior—such as the vintage ticket booth—with avant-garde, high-tech exhibition interiors. By juxtaposing these distinct temporal elements, the architecture functions as a dimensional portal. This curated pacing guides visitors from reality into the XR realm, establishing design as a language of the future.
Caqabadda Naqshadda: The primary internal challenge was synthesizing diverse cultural perspectives into a unified Future Retro narrative. They addressed this through deep interviews, digital collaboration tools, and frequent meetings, ensuring local creative concepts were respected. Externally, technical hardware constraints were significant. They utilized 16-panel transparent LED arrays to create a ship bridge entrance. This achieved spatial permeability, allowing visitors to glimpse the XR realm while maintaining a high-tech aesthetic that balanced production limitations with immersive design.
Cilmi-baadhis: Our research profiled Pier2 visitors and XR enthusiasts to design a seamless transition between realities. They employed trend analysis, benchmarking Tesla’s unique coffee shop for its blend of futuristic aesthetics and functionality. By observing visitor flows and preferences, They identified that a future retro style effectively lowers technological barriers. Results proved this design language invites exploration, turning space into a communal interface. This directly contributed to record-breaking attendance, validating that intuitive design makes complex tech accessible.
Dhiirrigelinta: Inspired by the concept of Future Vintage, the design reinterprets the romantic futurism of the 1950s to 1970s: streamlined curves, metallic gleam, and cosmic aspirations. From the glowing entrance to the dramatic ticket booth and screening area, nostalgia and avant-garde aesthetics intertwine. Grand light gates, retro sci-fi details, transparent LEDs, and mirrored acrylic create a theatrical atmosphere, while flowing pathways gradually blur the line between physical and virtual realms.
Muddada Mashruuca: The Kaohsiung film festival xr dreamland exhibition was held at Warehouse P3 of the Pier-2 Art Center in Kaohsiung, Taiwan, from October 10 to October 26, 2025.
Socodka Hawlgalka: To maximize physical presence, the design focused on creating a visually striking entrance and ticket booth. This strategic architectural attraction served as a high-conversion funnel, guiding visitors from curiosity to entry. As the primary touchpoint, the Future Retro facade’s captivating aesthetic drove foot traffic and directly translated visitor engagement into a record-breaking box office performance of over one million dollars, surpassing all previous festival records.
Xubnaha Kooxda: GM: Carrie Chang
Project Director: SK Chen
3D Designer: Peijou Wu
Coordinator: Esther Chen