Mei Tao Wan Aqoonsiga Muuqaalka, Nidaamka Hagidda Jidka oo uu sameeyey Zilong Chen

Naqshadda Mei Tao Wan Aqoonsiga Muuqaalka, Nidaamka Hagidda Jidka oo uu sameeyey Zilong Chen waa mid aad u sharaf badan oo ku guulaysatay tartanka qaybta Naqshadeynta Garaafigga, Sawir-gacmeedka iyo Isgaarsiinta Muuqaalka ee 2026 Abaalmarinta Naxaasta ah ee A' Design Award.

NaxaasGaraafig· 2026

Mei Tao Wan Aqoonsiga Muuqaalka, Nidaamka Hagidda Jidka

Zilong Chen uu sameeyay

Macmiilka: City University of Macau

Ku Guuleystaha Abaalmarinta Naxaasta ah ee A' Design Award ee Qaybta Garaafig

8,052

Ku Guuleystaha Abaalmarinta La Xaqiijiyey

Xaqiiji Xaaladda Abaalmarinta #180006

Ka Eeg A' Design Award War-saxaafadeed Calaamadda Abaalmarinta

Midabada

Naqshadeynta

Wax ku saabsan Mei Tao Wan Aqoonsiga Muuqaalka, Nidaamka Hagidda Jidka

Mei Tao Wan waa aqoonsi muuqaal ah iyo nidaam hagidda jidka oo loogu talagalay beer dhaqameed ku taal goob dhererarris ah oo taariikhi ah oo ku taal Foshan, Shiinaha. Naqshaddu waxay ka soo saartaa xariiqyada qaab-dhismeedka degmada Foolka Qadiimiga ah ee Nanfeng qaab joomatari ah oo lafdhabar u ah. Lafdhabartaani waxay samaysaa far gaar ah oo ka kooban 26 xaraf iyo tirooyinka 0 ilaa 9, oo ay weheliyaan astaamo joomatari ah. Calaamadaha waxaa laga sameeyay akriliig aad u hufan iyo bir aan miridhin oo leh dhammays naxaas madow ah. Iftiinka LED ee ku dhex jira salka ayaa qoraalka ka dhigaya mid la akhriyi karo habeenkii. Nidaamku wuxuu isku xiraa taariikhda goobta iyo shaqadeeda cusub ee dhaqanka.

Aqoonsiga

Wax ku saabsan Abaalmarinta Naxaasta ah ee A' Design Award

Mei Tao Wan Aqoonsiga Muuqaalka, Nidaamka Hagidda Jidka waa guuleystaha Abaalmarinta Naxaasta ah ee A' Design Award, aqoonsi sharaf sare leh oo la siiyo naqshado aan caadi ahayn oo lagu garto hal-abuur, hal-abuur cusub iyo caqli. Guuleystayaasha Naxaasta waa shaqooyin xirfad buuxda leh iyo hal-abuur yaab leh oo xaqiijiya khibrad weyn, male-awaal iyo kartida naqshadeeyayaashooda. Mei Tao Wan Aqoonsiga Muuqaalka, Nidaamka Hagidda Jidka waa walax la filayo inay noqoto mid aad loo tixgeliyo, la ixtiraamo oo la jecel yahay, xirfad cad leh oo hal-abuur cusub leh. Naqshadahan ku guuleystay Abaalmarinta Naxaasta ah ee A' Design Award wuxuu ku darsadaa hab-dhaqanno ugu wanaagsan farshaxanka, sayniska, naqshadaynta iyo tignoolajiyada wuxuuna ku fiican yahay dhawrista tafaasiisha. Mei Tao Wan Aqoonsiga Muuqaalka, Nidaamka Hagidda Jidka si fiican ayay u buuxisaa baahiyaha, taabataa rabitaannada, soo jiidataa dareenka kicinayaanna xiisaha aqoonta.

Gadaasha Naqshadeynta

Xirmada Warbaahinta

Shahaadooyinka, xubnaha kooxda iyo faahfaahinta farsamada ee uu bixiyay naqshadeeluhu.

Sifooyinka Gaarka ah: MEITAOWAN transforms the historic ceramic site in Foshan into a cultural hub. The design extracts the architectural structure of the Nanfeng Ancient Kiln historic district. This architectural DNA is rigorously applied to the wayfinding system evolving into a custom 3D typeface comprising 26 English letters and numbers 0 to 9. Distinct from traditional signage the implementation uses black glazed ceramics fired at 1800 degrees Celsius. This approach integrates the material soul of the site into the visual identity creating a system where every character is not just a sign but a durable eco friendly piece of ceramic art.
Cabbirka & Qaabaynta: Primary Physical Application Banners and Posters 600mm x 900mm. Wayfinding Totem 600mm x 1800mm x 150mm. Wall Signage 400mm x 400mm. Main Logo Application Variable sizes adapted to building facades. Materials Acrylic Stainless Steel with Black Copper Finish LED components.
Summado: Visual Identity, Wayfinding System, Foshan Shiwan, Ceramic Culture, Architectural Typography, Urban Renewal, Industrial Heritage, Branding.
Tiknoloojiyada Soo Saarka: To contrast with the rough texture of the historic red brick buildings the signage system employs modern industrial materials high transparency acrylic and stainless steel with a black copper finish. A key technical innovation is the integrated LED lighting at the base which allows the text and icons to appear as if floating in the dark. This ensures maximum legibility for night time navigation while minimizing light pollution achieving a balance between safety guidance and artistic atmosphere.
Caqabadda Naqshadda: The main challenge was to modernize traditional cultural symbols without losing their historical gravity. We needed to avoid cliché representations of ceramics while ensuring the wayfinding was functional. The solution lay in the strict geometric abstraction of the architecture converting physical building forms into a flexible typographic system that works across various scales and materials.
Cilmi-baadhis: The project addresses the challenge of revitalizing an industrial ruin into a modern cultural landmark. Research focused on the visual semantics of Shiwans ceramic history. By analyzing the structural lines of local heritage buildings the team developed a visual grammar that unifies the disparate spaces of the park. This approach ensures the brand identity is not just a label but a continuation of the site historical narrative providing a platform for artists to create and exhibit.
Dhiirrigelinta: The inspiration is deeply rooted in the Nanfeng Ancient Kiln a living fossil of Foshan ceramic history. We analyzed the structural logic of the kiln sloping roofs and the surrounding historic brick buildings. By extracting these architectural lines we designed a geometric skeleton that forms the basis of the 26 letters and 0 to 9 digits. The choice of black glaze ceramic as the medium is a direct tribute to the site production heritage symbolizing the transformation of mud into eternal art through fire.
Muddada Mashruuca: The project started in December 2023 in Foshan, China and finished in August 2024. The project is located in Shiwan, Foshan, Guangdong Province, China.
Socodka Hawlgalka: Visitors navigate the park using intuitive geometric icons derived from the brand architectural logic. The signage acts as a silent guide linear patterns on glass surfaces create a rhythmic visual play between transparency and privacy mimicking the stacking of ceramic tiles. This immerses visitors in the ceramic culture atmosphere immediately upon entry making wayfinding an integral part of the artistic experience rather than just a functional necessity.
Xubnaha Kooxda: Designer：CHEN ZILONG
Amaanta Sawirrada: Image #1-5 : CHEN ZILONG