2022 Phantasm Ururinta Maro-Dhogorta Dhogorta oo uu sameeyey Yen-Ting Cho

Naqshadda 2022 Phantasm Ururinta Maro-Dhogorta Dhogorta oo uu sameeyey Yen-Ting Cho waa mid aad u sharaf badan oo ku guulaysatay tartanka qaybta Naqshadeynta Alaabta Fashaniga iyo Safarka ee 2022 Abaalmarinta Lacagta ah ee A' Design Award.

LacagAlaab Dheeraad· 2022

2022 Phantasm Ururinta Maro-Dhogorta Dhogorta

Yen-Ting Cho uu sameeyay

Macmiilka: YEN TING CHO Studio

Ku Guuleystaha Abaalmarinta Lacagta ah ee A' Design Award ee Qaybta Alaab Dheeraad

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Ku Guuleystaha Abaalmarinta La Xaqiijiyey

Xaqiiji Xaaladda Abaalmarinta #136065

Booqo Bogga Ka Eeg A' Design Award War-saxaafadeed Calaamadda Abaalmarinta

Midabada

Naqshadeynta

Wax ku saabsan 2022 Phantasm Ururinta Maro-Dhogorta Dhogorta

Maro-dhogorta dhogorta ah ee dhexdhexaadka ah ee jinsiga oo leh qaabab casri ah oo dijital ah oo daabacan oo la soo saaray iyada oo la adeegsanayo software-ka-soo-baxa ah oo lagu magacaabo Mov.i.see kaas oo isticmaala dhaqdhaqaaqa jirka si uu u beddelo xogta dhijitaalka ah oo uu muujiyo faahfaahinta dabiiciga ah ee aan suurtagal ahayn oo keliya barnaamijka kombiyuutarka. Mov.i.see waxay awood u siinaysaa naqshadeeyaha inuu abuuro qaabab aan caadi ahayn iyo kuwa aan soo noqnoqoneynin, taasoo keentay in shamacado wejiyo badan leh oo cayaaraya kuwaas oo loo gashan karo siyaabo kala duwan iyadoo loo eegayo niyadda ama munaasabadda, kana duwan alaabooyinka kale ee dharka ama dharka moodada suuqa. .

Aqoonsiga

Wax ku saabsan Abaalmarinta Lacagta ah ee A' Design Award

2022 Phantasm Ururinta Maro-Dhogorta Dhogorta waa guuleystaha Abaalmarinta Lacagta ah ee A' Design Award, aqoonsi sharaf aad u sarreeya oo la siiyo naqshado heerka ugu sarreeya oo quruxsan oo soo jiidasho leh. Guuleystayaasha Lacagta waa shaqooyin aad u dhalaalaya iyo hal-abuur sare leh oo muujiya khibrad, hibo iyo hufnaan naqshadeeyayaashooda. 2022 Phantasm Ururinta Maro-Dhogorta Dhogorta waa shaqo la filayo inay noqoto shaqo quruxsan oo tusaale ah, xirfad cad leh oo hal-abuur qoto dheer leh. Naqshadahan ku guuleystay Abaalmarinta Lacagta ah ee A' Design Award waa hal-abuur aad loo dareemo oo la ammaano, waxtar leh oo hormariya xuduudaha farshaxanka, sayniska, naqshadaynta iyo tignoolajiyada. 2022 Phantasm Ururinta Maro-Dhogorta Dhogorta waa hal-abuur dad badan ay doonayaan, kicisa rabitaanno, keena dareenno wanaagsan oo abuura yaab.

Gadaasha Naqshadeynta

Xirmada Warbaahinta

Shahaadooyinka, xubnaha kooxda iyo faahfaahinta farsamada ee uu bixiyay naqshadeeluhu.

Sifooyinka Gaarka ah: The patterns are unique because they are created with the studio's digital software, mov.i.see, which uses body movement to reconstruct digital data and reveal organic details not possible solely by programming. This enables he design team to create asymmetrical, non-repeat patterns that are very different from those made using traditional methods eg. mirroring or repetition. Finished by hand, the patterns are digitally-printed onto natural fabric which enables the design team to reproduce the fine detail of the designs.
Cabbirka & Qaabaynta: Each scarf: pure wool fibre, 100cm wide x 200cm long, 0.4 kg weight. Pattern digitally-printed with ink free of heavy metals.
Summado: Digital design, digital print, wool, scarf, textile design, pattern, contemporary, new aesthetic, COVID-19, pandemic
Tiknoloojiyada Soo Saarka: The design team uses a bespoke interactive software, mov.i.see, to create digital patterns. Mov.i.see uses body movement to reconstruct digital data and reveal organic details not possible solely by programming. For this Collection, the team used, for the first time, layered design to bridge the gap between the figurative and the abstract to represent the complexity of the COVID-19 virus. Digital printing techniques reproduce the fine detail of the original designs whilst retaining the special colour-pattern combinations. Pure fine-combed wool holds the ink and reveals the detail of the pattern.
Caqabadda Naqshadda: The challenge was to create patterns inspired by the difficult circumstances of the COVID-19 pandemic that were colourful, optimistic and playful. The team researched thematic concepts and colour-ways, and experimented with mov.i.see to create the new patterns. The designers used, for the first time, layered design to integrate distinctive abstract patterns with figurative symbols (eg. houndstooth). The patterns were modified whilst they were being created, rather than allow the software to wholly dictate the design; consequently, the patterns reveal the authorship of the designer.
Cilmi-baadhis: The design team creates unique patterns using a bespoke digital software programme (mov.i.see), which uses body movement to reconstruct digital data and reveal organic details not possible solely by programming. Inspired by the COVID-19 pandemic, the team aimed to apply the designs to a saleable commodity - pure wool scarves - that are colourful, optimistic and playful. Through trial and error, the team found digital printing techniques that reproduce the fine detail of the original digital designs whilst retaining the special colour combinations. The scarves are retailed and exhibited internationally.
Dhiirrigelinta: The 2022 patterns represent a personal creative response to the COVID-19 pandemic. Physically stranded between studios in two countries during national lockdowns, the design team looked inwards for inspiration. Longing to escape to a utopian paradise, the team envisaged a journey to a fantastical world. The response was fantastical, ethereal and playful patterns based on the imagined journey, incorporating radically new pattern structures and colour combinations.
Muddada Mashruuca: This Collection was inspired by the peculiar circumstances of the COVID-19 pandemic. The design team started designing the patterns in September 2020 and completed the project in February 2022 when the patterns were launched in New York City.
Socodka Hawlgalka: A pure wool scarf with a digitally-printed pattern which can be worn as a gender-neutral fashion accessory. The studio produces unique and dynamic patterns that can be applied to playful, aesthetically-pleasing and desirable products. With asymmetrical and unique colour combinations, the scarf can be worn in different ways and to reflect individual expression, and fit changing fashion needs and occasions. Patterns are printed through the wool, so each pattern is double-sided. The wool is specially treated so that it is very comfortable and non-abrasive to the touch.
Xubnaha Kooxda: Director: Yen-Ting Cho
Co-Director: Jamie Gilham
Software Developer: Yen-Ling Kuo
Software Developer: Yen-Ting Yeh
Brand Assistant: Cheng-Lin Lee
Design Assistant: Yu-Ting Li
Video Editor: Kai Ting Chan