Shany Abdallah Naji Primary Function: Taxane Farshaxan Garaafik ah oo uu sameeyey Shany Dvora

Naqshadda Shany Abdallah Naji Primary Function: Taxane Farshaxan Garaafik ah oo uu sameeyey Shany Dvora waa mid aad u sharaf badan oo ku guulaysatay tartanka qaybta Naqshadeynta Garaafigga, Sawir-gacmeedka iyo Isgaarsiinta Muuqaalka ee 2021 Abaalmarinta Lacagta ah ee A' Design Award.

LacagGaraafig· 2021

Shany Abdallah Naji Primary Function: Taxane Farshaxan Garaafik ah

Shany Dvora uu sameeyay

Ku Guuleystaha Abaalmarinta Lacagta ah ee A' Design Award ee Qaybta Garaafig

40,386

Ku Guuleystaha Abaalmarinta La Xaqiijiyey

Xaqiiji Xaaladda Abaalmarinta #121320

Booqo Bogga Ka Eeg A' Design Award War-saxaafadeed Calaamadda Abaalmarinta

Midabada

Naqshadeynta

Wax ku saabsan Shany Abdallah Naji Primary Function: Taxane Farshaxan Garaafik ah

Shany Abdallah Naji waa taxane shaqooyin garaafik ah oo soo nooleeya dhaqan reer oo magac-bixin ah. Dhaqankaas, oo dhammaaday markii qoyska ka guuray Ciraaq una guuray Israa'iil, wuxuu ilmaha dhashay siin jiray magac koowaad oo ay ku xigaan magaca aabbaha iyo awoowaha. Taxanahan waxaa la abuuray ka dib markii la helay waraaqihii socdaalka ee qoyska qadiimiga ahaa. Shan shaqo oo warbaahin isku dhafan ah, oo afar ka mid ah cabbirkoodu yahay 50 ilaa 70 sentimitir midna 75 ilaa 70 sentimitir, waxay isku dhex qorayaan sawirro iyo far-qoraal Cibraani ah oo laga soo qaatay qoraallada gacanta ee Cibraaniga ah ee ka soo jeeda Ciraaq, Yemen iyo Marooko oo la sameeyay intii u dhaxaysay qarniyadii 12aad iyo 15aad.

Aqoonsiga

Wax ku saabsan Abaalmarinta Lacagta ah ee A' Design Award

Shany Abdallah Naji Primary Function: Taxane Farshaxan Garaafik ah waa guuleystaha Abaalmarinta Lacagta ah ee A' Design Award, aqoonsi sharaf aad u sarreeya oo la siiyo naqshado heerka ugu sarreeya oo quruxsan oo soo jiidasho leh. Guuleystayaasha Lacagta waa shaqooyin aad u dhalaalaya iyo hal-abuur sare leh oo muujiya khibrad, hibo iyo hufnaan naqshadeeyayaashooda. Shany Abdallah Naji Primary Function: Taxane Farshaxan Garaafik ah waa shaqo la filayo inay noqoto shaqo quruxsan oo tusaale ah, xirfad cad leh oo hal-abuur qoto dheer leh. Naqshadahan ku guuleystay Abaalmarinta Lacagta ah ee A' Design Award waa hal-abuur aad loo dareemo oo la ammaano, waxtar leh oo hormariya xuduudaha farshaxanka, sayniska, naqshadaynta iyo tignoolajiyada. Shany Abdallah Naji Primary Function: Taxane Farshaxan Garaafik ah waa hal-abuur dad badan ay doonayaan, kicisa rabitaanno, keena dareenno wanaagsan oo abuura yaab.

Gadaasha Naqshadeynta

Xirmada Warbaahinta

Shahaadooyinka, xubnaha kooxda iyo faahfaahinta farsamada ee uu bixiyay naqshadeeluhu.

Sifooyinka Gaarka ah: Shany Abdalla Naji is a series of Graphic works attempting to revive the name giving tradition in the designer’s family.
This tradition that broke upon arriving to Israel from Iraq, consists of naming a new born and adding the names of his father and grandfather. Dvora learned all this recently after finding her family's immigration papers. This discovery left her excited thinking names can encompass within them the changes of tradition and culture and it made her question how her own name fits in her family’s ancestry
Cabbirka & Qaabaynta: 4 works 50*70 cm
1 work 75*70 cm
Summado: Calligraphy, Typography, Hebrew, Eastern
Tiknoloojiyada Soo Saarka: Mixed Media
Caqabadda Naqshadda: -
Cilmi-baadhis: For ages, the Middle East has been a meeting point for eastern and western cultures. This region has seen empires rise and fall, ever changing borders and frequent migrations of people looking for a fresh start. But not only the people journeyed across the land, with them came their family history, their stories, ideas, ideals and traditions.

This is the story of Dvora’s grandmother - Juliette Abdallah Moshe.

Juliette immigrated to Israel from Iraq in 1951 with her husband and three young sons. Her birth given name, Juliette Abdallah Moshe, as were the names of her ancestors, consisted of her first name followed by the names of her father and grandfather. When she arrived in Israel her name was changed to “Juliette Dvora” as part of the process of integration. Thus, the tradition linking the children’s names to those of their ancestors was broken. Dvora learned all this only in recent years after finding her grandmother’s original immigration papers. This discovery left her very excited thinking that a name of a man can encompass within it the changes of tradition and culture as it consists of the names of the previous family generations. The excitement was followed by a few questions though. Why is Shany’s name so different from the traditional and deeply rooted names in her family’s ancestry? Where and how does her name fit in there?
In this project She seeks to revive the name giving tradition that still lived on in the time of her grandmother’s birth. She does so through imagery woven into Hebrew calligraphy inspired by 12th-15th century Hebrew manuscripts from Iraq, Yemen and Morocco
Dhiirrigelinta: In this project Dvora seeks to revive the name giving tradition that still lived on in the time of her grandmother’s birth. She does so through imagery woven into Hebrew calligraphy inspired by 12th-15th century Hebrew manuscripts from Iraq, Yemen and Morocco
Muddada Mashruuca: 2018-2019, Israel
Socodka Hawlgalka: -
Shatiyada: -
Xubnaha Kooxda: -
Amaanta Sawirrada: Shany Dvora