Trinity Rinjiyeynta Dhijitaalka Ah oo uu sameeyey Vanja Vizner

Naqshadda Trinity Rinjiyeynta Dhijitaalka Ah oo uu sameeyey Vanja Vizner waa mid aad u sharaf badan oo ku guulaysatay tartanka qaybta Naqshadeynta Garaafigga, Sawir-gacmeedka iyo Isgaarsiinta Muuqaalka ee 2021 Abaalmarinta Naxaasta ah ee A' Design Award.

NaxaasGaraafig· 2021

Trinity Rinjiyeynta Dhijitaalka Ah

Vanja Vizner uu sameeyay

Macmiilka: Art of core

Ku Guuleystaha Abaalmarinta Naxaasta ah ee A' Design Award ee Qaybta Garaafig

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Ku Guuleystaha Abaalmarinta La Xaqiijiyey

Xaqiiji Xaaladda Abaalmarinta #112954

Booqo Bogga Ka Eeg A' Design Award War-saxaafadeed Calaamadda Abaalmarinta

Midabada

Naqshadeynta

Wax ku saabsan Trinity Rinjiyeynta Dhijitaalka Ah

Saddexmidnimadu waxay diiradda saartaa bini'aadamka: isbeddelkeeda nafleyda, shucuurta iyo maskaxda. Isaga oo adeegsanaya hannaankeeda maskaxeed iyo shucuureed, wuxuu baaraa xiriirka bulshada, waalidiinta, iyo deegaanka. Aqbalaadda dhinacyada taban iyo kuwa togan ee bulshada, taas oo abuurta aasaaska lagu horumarinayo aragti ballaadhan. Farshaxanku waxa uu ku baaqayaa in loo jiheeyo is-dhexgalka dadka oo dhan halkii uu ka ahaan lahaa kala-tagnaanta oo uu diiradda saaro fahamka ka soo horjeeda in la iska indho-tiro.

Aqoonsiga

Wax ku saabsan Abaalmarinta Naxaasta ah ee A' Design Award

Trinity Rinjiyeynta Dhijitaalka Ah waa guuleystaha Abaalmarinta Naxaasta ah ee A' Design Award, aqoonsi sharaf sare leh oo la siiyo naqshado aan caadi ahayn oo lagu garto hal-abuur, hal-abuur cusub iyo caqli. Guuleystayaasha Naxaasta waa shaqooyin xirfad buuxda leh iyo hal-abuur yaab leh oo xaqiijiya khibrad weyn, male-awaal iyo kartida naqshadeeyayaashooda. Trinity Rinjiyeynta Dhijitaalka Ah waa walax la filayo inay noqoto mid aad loo tixgeliyo, la ixtiraamo oo la jecel yahay, xirfad cad leh oo hal-abuur cusub leh. Naqshadahan ku guuleystay Abaalmarinta Naxaasta ah ee A' Design Award wuxuu ku darsadaa hab-dhaqanno ugu wanaagsan farshaxanka, sayniska, naqshadaynta iyo tignoolajiyada wuxuuna ku fiican yahay dhawrista tafaasiisha. Trinity Rinjiyeynta Dhijitaalka Ah si fiican ayay u buuxisaa baahiyaha, taabataa rabitaannada, soo jiidataa dareenka kicinayaanna xiisaha aqoonta.

Gadaasha Naqshadeynta

Xirmada Warbaahinta

Shahaadooyinka, xubnaha kooxda iyo faahfaahinta farsamada ee uu bixiyay naqshadeeluhu.

Sifooyinka Gaarka ah: The main focus of the artwork is on the growth of mental, and emotional body by passing various stages of human development. It addresses the challenges in one's relation to gender, social, parental, political preconditioning including self-conditioning. Its main idea is to show the path of constant learning development to improve one's cognition, heart and mind connection to its environment in order to overcome stagnation created by setting absolute values of opinions, which creates repetition over time.
Cabbirka & Qaabaynta: The size of digital art of is 720 mm x 720 mm/72 dpi.
Summado: trinity, visionary art, digital art, humanity, artofcore, vanja vizner
Tiknoloojiyada Soo Saarka: Base sketch was a pencil drawing that was further developed in "Photoshop" by using "Wacom" graphics tablet. Finished artwork was done by use of regular paintbrushes, filters, layer styles and effects with stylized changes. Process of making was experimental progressive painting without a clear motive in mind.
Caqabadda Naqshadda: The challenge was to improvise while keeping the technical part and the structure of the image meaningful without knowing the outcome. This kind of experimentation was mentally intensive and time-consuming. The artist overcame the obstacle by switching between abstraction and rational.
Cilmi-baadhis: Human society has set values in the past to make clear distinction of man and woman roles in society. These roles were initially set by practicality through order. The artist tries to convey the message that, whilst this approach may have been practical in the past, it may cause fragmentation in the mind of humans. Humans suppressed the feminine or masculine part of their beings and restrained themselves from reaching full potential of their mind.
Dhiirrigelinta: Inspiration came from the artists exploration of unconditional Love and nonattachment towards living beings and their environment. Accepting the world as one continuous process with all its faults and imperfections.
Muddada Mashruuca: The project started from May 2015 and finished in August 2015. The design is done in Zagreb, and was exhibited in Psychedelic Dream Temple Gallery August 2017.
Socodka Hawlgalka: The artwork is arranged in a linear way from bottom to top. The information presented to the public has three points: 1. Realization of the negative aspects of society 2. Acknowledgement of their own ancestral legacy 3. Growth and its own responsibility in the universe by expanding to the unknown.
Shatiyada: Copyrights belong to Vanja Vizner, 2015.
Amaanta Sawirrada: Image #1: Illustrator Vanja Vizner, Trinity, 2015.