Perception of the Eyes Farshaxanka Xiisaha Leh oo uu sameeyey Karina Frances Edmonds

Naqshadda Perception of the Eyes Farshaxanka Xiisaha Leh oo uu sameeyey Karina Frances Edmonds waa mid aad u sharaf badan oo ku guulaysatay tartanka qaybta Naqshadeynta Fashaniga, Dharka iyo Lebiska ee 2020 Abaalmarinta Naxaasta ah ee A' Design Award.

NaxaasFashani· 2020

Perception of the Eyes Farshaxanka Xiisaha Leh

Karina Frances Edmonds uu sameeyay

Macmiilka: Karina Frances

Ku Guuleystaha Abaalmarinta Naxaasta ah ee A' Design Award ee Qaybta Fashani

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Ku Guuleystaha Abaalmarinta La Xaqiijiyey

Xaqiiji Xaaladda Abaalmarinta #102508

Booqo Bogga Ka Eeg A' Design Award War-saxaafadeed Calaamadda Abaalmarinta

Midabada

Naqshadeynta

Wax ku saabsan Perception of the Eyes Farshaxanka Xiisaha Leh

Il kasta waxay la wadaagtaa qoto dheer taariikh iyo qurux. Aniga ahaan, indhuhu waxay u muuqan karaan albaabka nafta naftiisa. Waa figrada qoto dheer, aan dhammaadka lahayn ee isha ayaa iftiinaysa qormadan. Si aan caadi aheyn, indhaha ayaa lagu matalay qaybtaan iyada oo joomatik ahaan lagu arki karo naasaha. Ardayga waxaa lagu cadeeyay nuxurka naaska ibta. Khadadka leysarka laser ee garaacista ayaa goosgoosanaya, isgoysyada ku yaal meelaha isugeynta. Xusuus-qorka jaantusyada sayniska iyo dib-u-milicsiga iftiinka, qaababka joomatari-ku-dhafka ah ayaa sameysmaya ka hor intaanan ku soo noqon hirarka himilo iftiin leh. Qaybtani waxay ka hadlaysaa indhaha iyo awoodda gabaygooda.

Aqoonsiga

Wax ku saabsan Abaalmarinta Naxaasta ah ee A' Design Award

Perception of the Eyes Farshaxanka Xiisaha Leh waa guuleystaha Abaalmarinta Naxaasta ah ee A' Design Award, aqoonsi sharaf sare leh oo la siiyo naqshado aan caadi ahayn oo lagu garto hal-abuur, hal-abuur cusub iyo caqli. Guuleystayaasha Naxaasta waa shaqooyin xirfad buuxda leh iyo hal-abuur yaab leh oo xaqiijiya khibrad weyn, male-awaal iyo kartida naqshadeeyayaashooda. Perception of the Eyes Farshaxanka Xiisaha Leh waa walax la filayo inay noqoto mid aad loo tixgeliyo, la ixtiraamo oo la jecel yahay, xirfad cad leh oo hal-abuur cusub leh. Naqshadahan ku guuleystay Abaalmarinta Naxaasta ah ee A' Design Award wuxuu ku darsadaa hab-dhaqanno ugu wanaagsan farshaxanka, sayniska, naqshadaynta iyo tignoolajiyada wuxuuna ku fiican yahay dhawrista tafaasiisha. Perception of the Eyes Farshaxanka Xiisaha Leh si fiican ayay u buuxisaa baahiyaha, taabataa rabitaannada, soo jiidataa dareenka kicinayaanna xiisaha aqoonta.

Gadaasha Naqshadeynta

Xirmada Warbaahinta

Shahaadooyinka, xubnaha kooxda iyo faahfaahinta farsamada ee uu bixiyay naqshadeeluhu.

Sifooyinka Gaarka ah: The uniqueness in my design is born from the empowerment created for one to radiate. Empowerment is also my inspiration. My design mirrors an embodiment of this spirit. This garment speaks about eyes and their poetic power. The design boldly enhances the human body, through the rawness of the breasts, mimicking eyes, to the enhanced hip lines, through sculpture. The leather strips, architecturally strike down from the pupil (nipple) to create an illusion lasering out as a form of vision and structural support. Beauty in design shines when poetry meets function.
Cabbirka & Qaabaynta: Size 6
Summado: wearable art, eyes, vision, perception, poetry
Tiknoloojiyada Soo Saarka: The materials used for the geometric elements are particularly effective. By constructing a corsetry bodice from more robust elements with wire and stiffer fabric such as faux leather, the contrasting silhouette strips are enabled to be pulled tight and hold the criss-cross pattern beautifully, before falling into waves. This is reminiscent of scientific diagrams of refraction of light. The production of this design regarded structure, architecture, form and the body. In the making and testing of this design, I thought about physics regarding matters like the laws of gravity and structure in terms of its architecturally inspired form.
This dress has a sense of history in its construction echoing vintage hip lines whilst displaying thoroughly contemporary vision.(regard pdf) for full version of "Production, realization technology and materials)
Caqabadda Naqshadda: Beginning with the research I was challenged with deep inner reflection, about myself, and identity regarding the theme “Who am I”. Especially because I haven't found myself in this stage of my life as a 15 year old. I believe we are always changing and growing as people, and a society. Also, I faced challenges that regarded transferring my ideas from my pen to the needle, as this was the first time I had created a collection.
Cilmi-baadhis: I looked at many sources that helped me better define my knowledge to create a 5 piece collection that could reflect me as a person and unravel my identity. Second, after building my knowledge to a level at which I was confident, I could begin the artistic journey, I began designing. Even when designing it seems as if research and design overlapped, because I was always learning something new. Everything I learned was applied to enhance my skills and help my ability in creating material that is so new to me in the arts. (regard pdf for full research)
Dhiirrigelinta: I was inspired by eyes and their magical properties with their ability to connect, reflect, and create visual poetry of the world around us. This poetic and magical ability for an eye to radiate vision is the inspiration for this dress. One can see these definitions through the garments architectural forms and illusions that run from the nipple to the ground.
Muddada Mashruuca: My fashion journey began with research April 2019, designing in May 2019, and finally completed in the summer of June 2019. The dresses were then showcased on the runway at NewYork FashionWeek Fall season (F/SS NYFW), the 7th of September 2019
Socodka Hawlgalka: The design has specific details that make the whole difference when looking at its performance as wearable art. While wearable art is very abstract and not the most wearable, I tried to make my designs so that they can still perform with attributes of the body making them more wearable. There are significant details that allow for this to happen, still encouraging the possibility of my design without making any major adjustments. This includes different systems created to convert art into wearable art.
Shatiyada: N/A
Xubnaha Kooxda: Tailor 15% work with patterns-( technical element).
Amaanta Sawirrada: Image #1: Bruce Wang, 2019
Optional Image #2: Bruce Wang, 2019
Optional Image #3: Bruce Wang, 2019
Optional Image #4: Bruce Wang, 2019
Optional Image #5: Bruce Wang, 2019